Chris, what did you think about Swerve and New Level versus Heyman and Brodito?

Yeah, this was my match of the night.

I thought it was just awesome.

Even watching Kofi and Brodito, I think their exchange was awesome.

The entrance was cool.

Everything about this match was fine.

I never cared about these trios belts, honestly, until these guys won them.

Chris, what did you think about the matchup, all the interference, the result, and the respect that Moxley showed in the post-match and then Ospreay's next title match against Okada coming up at Grand

What about you, Chris?

Yeah, I didn't care about the fucking match.

I only cared about the new level and how they were going to debut.

That was really the only thing I was anticipating for this match.

And I thought that the debut...

I do think it was stupid not to show them on the pre-show for the last, like... 15 seconds at least and then tease them into the the show i i know this there was a online arguments on this one but i'm firmly think they should have debuted on the pre-show and bled into the next show to lure people into buying the um the pay-per-view, but that's more of a nitpick than anything else.

I thought the execution as far as them debuting, finally Kofi Kingston benefits from one of those safe spots because those usually... you know, don't go well for him.

chris what did you think about mercedes and willow

I've got caught short entirely.

Uh, so there was, there's one s- scenario in particular where I s- th- and this is quite sad, but I saw a Cape vulture actually hit a power line, and it was like a sonic boom that went off.

Um, now my camera was away from me at that point in time, and my first priority was to get over because it set fire to the bush.

The bird, the bird, uh, passed away, uh, which was super, super sad, but there was a really strong image of the staff putting the fire out behind and then the, the vulture with its scorched feathers on its wings, and I just thought that would have made such a great...

And it- it's always taught me to have my camera a lot closer than not having it near me because there is, when you're in that environment, it's, things are going on so quickly, and I love to be in the, the cut and the thrust of things.

So I like to be where th- unpredictable things are happening because that's where I'm, I feel like I'm at best at work.

On a nice short lens, get in close, get the content, but almost feel like you're not there as well.

What is coming next for you? What's in the pipeline? Can you tell us?