Yeah, yeah.

And I would say that, you know, coming from the from the feature space, meaning you, you're going to work with producers, other executives who are giving you notes that ideally everyone's working towards the same goal.

And I think if you keep that in mind and bring that that openness into a writer's room, but now you're doing it with other writers, you know, obviously you're gonna have disconnect because, you know, we all think we're the smartest one in the room, we all think that our idea is like the one, but if you go in there with the approach of, well this, and you'll start to gauge, just on a human level, you'll start to gauge, oh, this is a sensibility disagreement versus, hey, you know, if you try it this way, like we've worked with writers that are both.

You can tell when it's a sensibility thing.

It's awesome when they're able to go, but look, man, that's just my taste.

I would do it this way, but yours works too.

And they're not being condescending.

Just lean on your village as much as you can in whatever way they're willing to help.