So you're, are you, like, storyboarding and, like, drawing, sketching, like, y- what you're imagining? Or what, what are you, what are you doing?

No.

So I guess, um, I wouldn't say it's so much the choreography, it's more the cinematography.

So in terms of, like, okay, if we're getting launched onto a sequence, you can get launched in a number of ways.

So traditionally, you get launched from storyboards, right? So story artists have already kinda done a pass.

It's gone through editorial, who's cut it together into, like, an animatic, so you can kinda see, like, a moving picture and, like, the skeleton of what it's gonna look like.

And that's kind of been, like, vetted and approved by the director, and now it's kinda getting launched into pre-vis.

What ins- what inspired it, how'd it go, how'd the process feel?