How do you, how does that, how does that hit you as a writer?

It's exciting, to be honest with you.

It's, uh, it's a, it's tough.

It's, like, difficult because it's a large volume of songs.

I mean, for every album, uh, that I've been accessed, like, that I've had access to, I've probably written over 200 songs for.

Like, and it, like, that is, like, over the course of, like, for One Thing at a Time, which was the first real trial run, me and JB, it was, like, us and, like, who- whoever we were doing, like, the speed da- that was like, it's like I said, it's like seasonally, like, that's, that's what I'm focused on.

Write a bunch, and then you end up with whatever you get.

Hell yes it is

Mm-hmm.

Just 'cause I had, like...

I'd met a decent amount of publishers through Belmont, and, like, just had feelers out, I guess you could say, and, like, connections with people.

But it was pretty much just, like, send a song every month or so and, like, get feedback.

And then there was one, one producer, like, publishing group that kinda, like, was interested in me for a sec.

None of that panned out.

Yeah.

And like as time went on, I was doing more like doubles and sessions and like more like, more volume of work.