Another photo, right?

Yes.

Um, and there was a producer-y, head set-y, wonderful person who came over and was like, "Oh, you, you don't have to wait in this line.

Like, come over and link arms with me." And she was like, "I just have to say," and she got choked up.

She was like, "You're just- You're one of my favorite actors, and your work every time you're on screen, you just hit it out of the park.

And I just think you're kinda changing the art form.

And like, my ego is like bigger and bigger and bigger.

[cheering]

And what can you tease about working with Martin Scorsese on your new show, The Roman? And how intimidating is he in person?

Oh.

Well, I know he's a producer on the show, but I don't know how, how on set he'll be.

I, I'll be pretty intimidated no matter what.

I'm, I, I can't control my face, which is troubling because my job is to control my face-

And just wondering, what kind of training did you have to do to get ready for that? Which subsequently I'm sure was good for The Hunt, and probably Oh, Mary! on Broadway as well, physical comedy.

Yes, absolutely.

Yeah, it was a ton of training, I would say.

What do you think happens after you die finally?

I would love it to be, you know, having got, having fallen in love with the entertainment industry through, like, backstage culture, being, like, with my mom backstage at the Long Wharf Theater in New Haven, or the Cape Cod Playhouse, or the Westport Country Playhouse.

Just, like, being with my parents backstage with the funnest, funniest people who are, like, in tech rehearsals.

So it's like when you're working out the lights and sounds and stuff for the play, and it's a really long day, and everyone, like, quote-unquote, "has to be there" all in their costume.

But it's, like, the funnest day 'cause you're all just sort of, like, in costume waiting around in the dressing room, and it's sort of the silliest.

Like, I would like the afterlife to be like that.

Like, you go in and it's all the people that you've been crying laughing with in jobs and, and it's just like-

Mm

I'm

like, I can't remember that part.

So I snuck my five-year-old in to just watch that part, and that went well.

So I was like, oh, I'll bring her to set on Office Romance.

And it was a shot where it's called a one-er, where it's one take where the stakes are high.

If one thing goes wrong, you have to redo it.

And it was with everybody in the movie.

also in an episode, which I'm dying to see of widow's bay.