Yeah.

And I think, you know, it, what's nice is that all of these roles sort of have little, uh, personality things that are, that, traits and things that will b- bleed over.

Uh, particularly Pretty Woman to Moulin Rouge.

There's, you know, there's the billionaire thing of Edward Lewis, and then the very rich duke.

You know, there's, there's little things that are kind of similar, which I think has helped me, you know, book these jobs because I'm sort of in those realms already, and it's an easier shift into those.

But they're all gonna be so immensely different, and they, and they are particularly when they're long runs.

I think that's the hardest part about musicals.

Yeah.

yeah

and so I was like I came in and I was like I was just definitely I was just definitely out of time I think they were the band was in front of me I just missed it and I was like oh shit where am I we call it going into the white room where it's like everything just goes And you just like, and like, I'm actually from neighbors, I think probably, but I'm pretty good at just like picking up and just keep going.

And just, you know, this time, you know, I don't know, whatever it was, I was tired.

And I just was like, I don't know where to go next.

Cause it's just a vamp that goes over and over.

And anyway, Sam saved me and she started just ad-libbing.

And we just started talking the song.

doing you know i felt like awkwardly like standing around i was just