What have you done musically to reinvent it? What have you done to Mozart?

What have I done to Mozart? Yeah, this is the thing as well.

No pressure.

It's not like it was rubbish before.

Yeah.

What it needs is me getting out of it.

That's not where we're at.

I mean, opera's often thought of as being something for upper middle classes, but you're performing in mainly working class sort of areas and working class sort of venues, aren't you? So what do you think about the usual class attitude towards opera?