maybe

just a little nuance.

I came to realize that every translator, as good as he tries to be, also translates his own preferences.

So I like, for instance, modernist experimental poetry.

So I notice all the experiments in Shakespeare.

And of course, I try and translate these poems in that way.

But other people, For instance, there's a recent translation by an actor, and he just likes the sonnets to be used on stage, to read out the sonnets and have the audience immediately captivated.

You have to