I don't know how you felt about it, Aria, but in a script like this that is so low on dialogue, you have to be very clear with what you're telling the crew and like the point of the scene and all of that too.

Oh, no. Yeah.

I mean, it was a fun challenge to write, you know, yeah, just making sure everything is super descriptive, but also Vince Gilligan, how style is to make all the scripts really fun to read.

And so kind of balancing being as descriptive and adding as much detail as possible while also leaving some room for the director and for the actors and for interpretation.

And it was so great working with you, Gordon, on set.

I mean, we almost had a quorum From the writer's room on set, because Jen Carroll is also in the writer's room, was also there producing the episode.

So really we had like three writers on set at a time.

So if you can, and you make sure that this is the pacing, this is the mood, a little bit of something for the director to work on, some shots that you can kind of base it around and then go from there and hope.