Okay

He threw it, he threw it in the whole window.

And then I get out the car to open the door, and then he, like, tries, like he's about to hit me, so I jump back in the car, and he hit the door, and the whole door just went back, and then he pulled off, so-

While you're showing me that, go ahead, go on.

Then I see he keeps going and makes the right.

So I dashed across the grass to chase after his car, and then he stopped, so I knocked on his window.

He was about to keep going, so then I broke the window, and then-

Hmm.

I said, "Maybe, maybe something was gonna happen, and He saved my life." So we left that alone, and I told my company that Friday morning, I said, "I'ma be late.

It's a 8:00 appointment.

I, my 10 hours won't be up until 6:00." Three hour and a half hour ride to where I had to go on the other side of Athens, Georgia.

So I called 'em that morning about, I left home about 6:00, 6:30.

It, that scene was about 30 minutes from where I live.

Um, got there.

Yeah

You sort of managed to release, was it a couple of solo albums at this

point? I met a chap called Uwe Nettelbeck, who was a brilliant film critic and writer.

really interesting guy and he was uh editing publishing a really good little magazine um called film critic actually and um because of him because i'd been at the london film festival maybe already i'm trying to think how i met oh yeah i met i met some some filmmakers um to cut a long story short, and ended up working with people like Werner Nekes and Doro and Heinz Emigholz.

I'm not sure, but Klaus Verborny for sure.

Anyway, and the Their films were all shown in sort of underground film festivals around the world, actually.

The network was brilliant.

It was the film co-ops of major cities from San Francisco to Berlin to, I don't know, wherever.

yes well absolutely