Mm-hmm.

And so when I re-released that, and when we remixed it, and when we did, um, "Looking for Love" as the bonus track of sort of...

And the, and the premise, which if we didn't speak about it I'll, I'll articulate that, that "Looking for Love" was when I was working with the label Sing, they said, "Oh, it's too bad you don't have a new song." And I said, "Well," ironically, when I was going through the archives and all the old photos and, and, you know, audio and cassette tapes and all kinds of stuff, I found the demo of "Looking for Love." And I thought, "Man, this was a pretty cool song." And I did realize that it sounded a little bit like No Tattoos, and if I recall back when we were making the decision of what songs would go on that d- my debut solo record, we were like, "Ah, this one's kinda close to No Tattoos.

Maybe, maybe let's leave it off," right? So 30 years later, I find this demo, and the spirit of that was to celebrate that whole vibe and the time and that time capsule of when I did, um, that record, which had "License to Love" and "Whiskey and the Devil" and "Let Go" and "No Tattoos" and everything.

And that was with Glenn Milchem and Simon Brierley and a bunch of other great musicians, working with Kim Mitchell to start off with Kim producing it and later me finishing it as a producer.

But "Looking for Love" was the first time I sort of really dug into, let's call it 2025 or 2026, um, Andy stuff.

And I was like, "Oh my God, this is so much fun." Because it's, it's a different beast than Coney Hatch.

Mm-hmm.