How did you find working on that film Sundown?

It was definitely, even meeting Tony, right? Like that was a very surreal experience.

Like when it came from Deadline's Promise, there wasn't a lot of Asian Americans in the space here in Albuquerque in filmmaking.

So to flash forward now to Sundown, we also have another Asian American director that I get to work with.

Like from that point, it's been such a huge leap of just, I don't know, culture in the game, finding other people that are like-minded in the space.

And working with Tony's been great.

We were roommates for a bit before we worked together because he's originally from California, or when I had met him, he was living in California.

Is that something that's a passion of yours or are you happy just exploring this whole other universe that you're working in now?