Amina told me about the different ways that she went about securing objects for the museum.

We couldn't go to the National Gallery for instance and say, oh that Wilton diptych that you've got, that beautiful painting that was made for King Richard II in England, we'd like that please.

You can't do that.

So, but it was very much a partnership with national and local museums.

We worked with the museums to say, well, these are the sort of stories that we'd like to tell.

These are the sort of things we'd like to talk about.

What sort of things do you have that are available? So rather than go to them and say, we'll have this, this, this, please.

A key object in the museum is the Morton frontal, a late 15th century textile that bridges English church life before and after Henry VIII's break with Rome.