Alison Green, you want to jump in with Ray McClendon, please?

Yeah, I mean, I want to start off by saying, I mean, I give so many kudos to Georgia overall, because and I mean, I could not agree with most of it with almost I can't.

disagree with anything Ray said and I adamantly agree with everything he's saying um and one of the things is is that I sit here and I'm in Florida and I'm based on my research I've found that this is kind of like to me a ground zero or an epicenter of of election interference um But the reality is, is that Georgia is also a hub.

And it's one that I've actually had the honor.

I've done some research in years past, and I've been shocked at the history.

And what my independent research has led me to understand is that Georgia is...

We talk about election integrity and election security.

Most of the ballots will be cast by mail.

So, Alison Green, did you want to say something, please? Alison is another one of our great election protection activists.

Yes, and thank you.

I'm completely with what John and Ken are talking about.

First of all, we have this illusion of audits as opposed to there being actual audits.

And so like what they're talking about is that, you know, in the batches, for example, if you're predetermining which batches are going to get audited, I loved their little cartoon that it's like, well, then maybe the hackers will work on the other batches that aren't being audited as as they put in their cartoon.

My background, I actually started way back when in supply chain.

And I think that people don't understand that our election infrastructure is kind of like a supply chain.

Go ahead, Allison.

Alison Green was there at nine o'clock on Saturday morning to switch the recording on.

I quite like the Nightingale, the Nightingale's last one.

The nine o'clock one is really quite good, it's quite loud.

Alison said they agreed that putting everything inside a single exhibition room wouldn't suit what they wanted to create.

We knew we wanted to do something together in the town, but we didn't want to be confined to a single venue.

And so the idea of a festival was born.

The theme emerged through another thread of connection.

At a Tati Bogle event, raising funds for the roof of St John's Church in Enmore Green, John recited William Barnes' poetry and sang some of his songs.

So the progression of a piece.

Yes, yeah, from the start to the finished item.

So that's quite interesting, I think, and your journey in between the two.

So, you know, your journey, your memory of the work in one place.

We've got Lizzie Sykes, who has two films showing, one in Harold's Opticians and one in iSight Opticians.

Two films that are... of the same sort of series that use a special designed and award-winning camera that sort of sees the performer as it's like a fisheye lens i suppose but it's a special camera she she sort of made herself And those two films are either side of the road, one in Harold's and one in Ice style.

And they're sort of a dance, sort of reacting to the location they're filmed in and the movements of the dancers and especially designed for the special camera crew.

One walk begins with a town hall clock and Nick Crump's bird song then follows the sound and the real birds down towards Breach Common.