[laughs]

Um, but I think with Alexandria, she has inserted herself into this male-dominated story.

And with the inclusion of a child/female voice, there's, like, a break from this toxic masculinity that dominates stories.

And it is more of, like, an invitation to add more diverse voices into the stories we tell.

So I think that's my one way of, like, here's how I can make this a little bit more tasteful to-

Yeah

... you were, you were saying, um, that you're glad you cast a, they cast a girl, and I think to your credit, the original version of the story was a 10-year-old boy and a grown man.

So I think this iteration, I'm curious about why Tarsem went for this, and I'm not sure it's with the same nuances and motivations that we're talking about.