Wolf Precision's Long Range Shooting and Custom Rifle Building Podcast
Jul 30, 2026 · 24 min · 9 segments
Speed is not the starting point—it is the result of mastering the fundamentals. In this episode, Jamie explains why slowing down is one of the fastest ways to become a better long-range shooter…
As with most shooters out there or people that get into long-range shooting or marksmanship, especially when you're starting to shoot at distance, it's a little bit of, I don't want to say a draw or an attraction.
You think about the heritage and legacy of all these great shooters and all these great shots that were made over history and how difficult they are to make.
And there's not just the math part of it, which, you know, we can talk about that in a later subject because let's just face it, most of us are math geeks as well.
It's like this weird thing that you can do everything right technically and still miss.
So I guess an example would be is we can give two people, you know, the same paintbrushes, the same paint and the same canvas.
And one looks like something that should be hung up in a preschool's kindergarten class.
And the other one looks like you could see through the picture and look at a landscape that would just capture attention for 30 minutes.
And, you know, we're using the same equipment, but there is art in that hand, in that mind.
Now we have a couple of customers that have reached out and they're shooting competitively and are doing great.
So we had one of our customers here just get in almost into the top 10 at a regional match.
He's only been at it a couple of years and some of the speed stuff that is catching them off guard, you know, and, and, you know, getting into the time of the event.
As with most shooters out there or people that get into long-range shooting or marksmanship, especially when you're starting to shoot at distance, it's a little bit of, I don't want to say a draw or an attraction.
You think about the heritage and legacy of all these great shooters and all these great shots that were made over history and how difficult they are to make.
And there's not just the math part of it, which, you know, we can talk about that in a later subject because let's just face it, most of us are math geeks as well.
It's like this weird thing that you can do everything right technically and still miss.
So I guess an example would be is we can give two people, you know, the same paintbrushes, the same paint and the same canvas.
And one looks like something that should be hung up in a preschool's kindergarten class.
And the other one looks like you could see through the picture and look at a landscape that would just capture attention for 30 minutes.
And, you know, we're using the same equipment, but there is art in that hand, in that mind.
Now we have a couple of customers that have reached out and they're shooting competitively and are doing great.
So we had one of our customers here just get in almost into the top 10 at a regional match.
He's only been at it a couple of years and some of the speed stuff that is catching them off guard, you know, and, and, you know, getting into the time of the event.
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