Aug 1, 2026 · 23 min · 7 segments
We Wreck Records brings together artists beloved by bands and thoughtful listeners alike. In this sample of the new format, here are some of the deepest moments from three two-artist conversations…
Christina RowattHost
Anneke van GiersbergenGuest
Buzz OsborneGuest
Aaron TurnerGuest
Barney GreenwayGuest
Devin TownsendGuest
Steve Von TillGuest
Nate NewtonGuest
So I wanted to go into a much filthier and disastrous climate, which is the world inside my own head.
Lemmy goes, "Well, um, I've got something I don't need anymore, and you can take it."
One of the things that I appreciated about Neurosis, but also about a lot of bands that I heard when I was getting into punk and hardcore, was how wrong a lot of the vocals were from a conventional sense.
Napalm Death sounds like someone firing a machine gun with a gorilla on LSD screaming over it.
It just felt like that was missing from aggressive punk rock music, and I thought of that in 1984.
Bands like Nirvana and Soundgarden never would have s- never would have sounded that way or done what they did without that.
Read the full transcript.
Create an account to read the whole episode, search across every transcript, and follow the shows you care about.
So I wanted to go into a much filthier and disastrous climate, which is the world inside my own head.
Lemmy goes, "Well, um, I've got something I don't need anymore, and you can take it."
One of the things that I appreciated about Neurosis, but also about a lot of bands that I heard when I was getting into punk and hardcore, was how wrong a lot of the vocals were from a conventional sense.
Napalm Death sounds like someone firing a machine gun with a gorilla on LSD screaming over it.
It just felt like that was missing from aggressive punk rock music, and I thought of that in 1984.
Bands like Nirvana and Soundgarden never would have s- never would have sounded that way or done what they did without that.
