Sep 2, 2026 · 23 min · 7 segments

Of course, the piano originally, like the instrument next to me, had no pedals.

So you had to be able to connect with the fingers, like on the harpsichord, the predecessor of the piano.

Now, did you know, for example, that Johannes Brahms didn't even have a sustained pedal on his practice piano? Now, why would he want to practice without the pedal so much? Well, you're going to discover that today.

But actually, the purpose of the pedal, it goes beyond just connecting what you can't connect.

But how to know where to add the pedal and where not to depend upon the pedal, the only way to really know that is to practice without the pedal a great deal.

I'm gonna demonstrate with the Chopin Prelude in E minor, and I'm going to play it for you And I'm going to play it a mediocre performance first with the pedal, and then I'm going to explain how practicing without the pedal will benefit this.

Now, it's not terrible, but if I were to play that same exact way without the pedal, this is how I'm playing.

I'm going to play it without the pedal, but notice the tremendous legato I work to achieve in both hands.

you So, why is that so important? Well, by connecting what you can possibly connect with your fingers, the pedal then becomes used for expressiveness, for making melody notes sing more.

Of course, the piano originally, like the instrument next to me, had no pedals.

So you had to be able to connect with the fingers, like on the harpsichord, the predecessor of the piano.

Now, did you know, for example, that Johannes Brahms didn't even have a sustained pedal on his practice piano? Now, why would he want to practice without the pedal so much? Well, you're going to discover that today.

But actually, the purpose of the pedal, it goes beyond just connecting what you can't connect.

But how to know where to add the pedal and where not to depend upon the pedal, the only way to really know that is to practice without the pedal a great deal.

I'm gonna demonstrate with the Chopin Prelude in E minor, and I'm going to play it for you And I'm going to play it a mediocre performance first with the pedal, and then I'm going to explain how practicing without the pedal will benefit this.

Now, it's not terrible, but if I were to play that same exact way without the pedal, this is how I'm playing.

I'm going to play it without the pedal, but notice the tremendous legato I work to achieve in both hands.

you So, why is that so important? Well, by connecting what you can possibly connect with your fingers, the pedal then becomes used for expressiveness, for making melody notes sing more.
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