Jun 17, 2026 · 1 hr 25 min · 17 segments
Through *PIN–UP*, the German-born, New York–based editor, curator, and founder Felix Burrichter continues to expand the possibilities of what an architecture magazine can be. He constructs intuitive…
Felix BurrichterGuest
Spencer BaileyHost
How are you thinking about this moment in time and this particular milestone? Primarily, I'm proud

Part of me is sort of incredulous that it's been 20 years because it doesn't quite feel like 20 years.

It's also daunting to some extent because when you face time and you realize how much time has passed, I'm not a spring chicken anymore, and that's sort of another reminder.

But for the most part, I'm absolutely super proud and also really excited about what we've built in general, but also what we built with this issue, which was a very special project in many ways.

I'm also excited to be in this moment for... like my personal life, but also, I mean, we're here not to talk about my personal life, but I'm excited about this moment in

I imagine for our listeners, many of them are familiar with pinup, but some might not be.

I thought it'd be helpful for you to just get into this sort of self-described magazine for architectural entertainment for a minute.

What's your 30-second elevator pitch for Pin Up? What is it exactly as you see it now, and where does it sit within culture and society? Well, the last part of

The 30-second elevator pitch for Pin Up is that it is a magazine about culture through the lens of architecture and design.

It is an architecture and design magazine, but it treats the subject as something that is deeply embedded in culture at large.

Part of the motivation to start the magazine was the fact that I felt architecture media was very insular.

How are you thinking about this moment in time and this particular milestone? Primarily, I'm proud

Part of me is sort of incredulous that it's been 20 years because it doesn't quite feel like 20 years.

It's also daunting to some extent because when you face time and you realize how much time has passed, I'm not a spring chicken anymore, and that's sort of another reminder.

But for the most part, I'm absolutely super proud and also really excited about what we've built in general, but also what we built with this issue, which was a very special project in many ways.

I'm also excited to be in this moment for... like my personal life, but also, I mean, we're here not to talk about my personal life, but I'm excited about this moment in

I imagine for our listeners, many of them are familiar with pinup, but some might not be.

I thought it'd be helpful for you to just get into this sort of self-described magazine for architectural entertainment for a minute.

What's your 30-second elevator pitch for Pin Up? What is it exactly as you see it now, and where does it sit within culture and society? Well, the last part of

The 30-second elevator pitch for Pin Up is that it is a magazine about culture through the lens of architecture and design.

It is an architecture and design magazine, but it treats the subject as something that is deeply embedded in culture at large.

Part of the motivation to start the magazine was the fact that I felt architecture media was very insular.
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