The Ministry of Lost Voices : English
Oct 9, 2026 · 23 min · 11 segments
# CASE LV001: HILDEGARD OF BINGEN **The Woman Who Refused to Be Silent** She was born in 1098. She composed extraordinary music, wrote about medicine and the natural world, described visions of the…
But the investigation does not end when this episode does, because the ministry also exists beyond this podcast.
Every month, one case file leaves the ministry and travels, miraculously without the use of any form of time machine, through the ordinary post to our custodians.
And I don't know when you last received a letter that wasn't a bill, an advertisement, or some kind of official notice, but I think we urgently need to do something about that, because there is something strangely wonderful about waiting for post you know is coming, but not knowing exactly what will be inside the envelope.
There is something about coming home and among everything that still needs to be done, suddenly finding an envelope waiting for you that asks absolutely nothing of you.
You take it inside, and perhaps you make yourself a cup of tea, or perhaps you don't, and you tear it open immediately because patience has always been somewhat overrated.
A letter, a historical dossier, documents, cards, reproductions, small pieces of evidence, and strange things you may not immediately know what to make of.
And somewhere among those papers, there is always something that cannot quite be explained, a trail leading to the next file.
Inside the ministry, there is a room that actually officially does not exist, which is, of course, precisely the kind of room you immediately want to enter, the listening room.
But when the historical archive stops speaking, the ministry allows itself to imagine carefully.
The answers are written from what we know about her life, her time, her work, and what she herself left behind.
But the investigation does not end when this episode does, because the ministry also exists beyond this podcast.
Every month, one case file leaves the ministry and travels, miraculously without the use of any form of time machine, through the ordinary post to our custodians.
And I don't know when you last received a letter that wasn't a bill, an advertisement, or some kind of official notice, but I think we urgently need to do something about that, because there is something strangely wonderful about waiting for post you know is coming, but not knowing exactly what will be inside the envelope.
There is something about coming home and among everything that still needs to be done, suddenly finding an envelope waiting for you that asks absolutely nothing of you.
You take it inside, and perhaps you make yourself a cup of tea, or perhaps you don't, and you tear it open immediately because patience has always been somewhat overrated.
A letter, a historical dossier, documents, cards, reproductions, small pieces of evidence, and strange things you may not immediately know what to make of.
And somewhere among those papers, there is always something that cannot quite be explained, a trail leading to the next file.
Inside the ministry, there is a room that actually officially does not exist, which is, of course, precisely the kind of room you immediately want to enter, the listening room.
But when the historical archive stops speaking, the ministry allows itself to imagine carefully.
The answers are written from what we know about her life, her time, her work, and what she herself left behind.
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