Sep 1, 2026 · 26 min · 12 segments
Send us Fan Mail **How do you finance an independent feature film when you don't have a studio behind you?** Filmmaker Peter Stylianou joins Jim to…
Peter StylianouGuest
Jim EavesHost
um misconceptions i think um personnel like you need crew you need crew if you're going to make something good otherwise you're just going to be doing like 10 jobs yourself and everyone else is doing the same so yeah i mean i thought just because i'm kind of writing seven different short films in different locations that we have for free that it should be pretty easy and it wasn't uh so yeah it was a lot more difficult than i thought but um and also i You know, I didn't at that time.

And he's a really good photographer at that time, stills photographer, which is a different ballgame completely.

I mean, cinematography is almost non-existent, but it ties into the gritty realism of the crime drama anyway.

So I just started emailing distributors, really, and telling them I've got a crime drama.

And I think it was, you know, Lock, Stock and Two Smoking Barrels was still quite hot.

um misconceptions i think um personnel like you need crew you need crew if you're going to make something good otherwise you're just going to be doing like 10 jobs yourself and everyone else is doing the same so yeah i mean i thought just because i'm kind of writing seven different short films in different locations that we have for free that it should be pretty easy and it wasn't uh so yeah it was a lot more difficult than i thought but um and also i You know, I didn't at that time.

And he's a really good photographer at that time, stills photographer, which is a different ballgame completely.

I mean, cinematography is almost non-existent, but it ties into the gritty realism of the crime drama anyway.

So I just started emailing distributors, really, and telling them I've got a crime drama.

And I think it was, you know, Lock, Stock and Two Smoking Barrels was still quite hot.
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