Sep 29, 2026 · 55 min · 12 segments
On our fifth episode we sit down with Director & Screenwriter Greta Nash, a filmmaker with some huge hits in the short film circuit. Their film Locker Room premiered at MIFF and has garnered over…
Greta NashGuest
Adrian EppleHost
Jack RalphHost
Lawrence PhelanHost
So that's about like a 13-year-old girl who is going to the beach with her mum and her younger brother but her bathers don't fit her so she's shopping for a bikini, her first one,

And had you written that prior to Locker Room? As in like, I imagine Locker Room does really well and then you sort of, does that skew the way you write? Do you have to try and be like, no, try and just think of something different and like,

I actually think like Locker Room was a funny one because I redrafted it so many times and it was a different genre and a different tone each time.

Because, again, I was really young and I was still trying to figure out if I was capable of making something serious and earnest.

Everything that I had done at film school had been kind of a little bit quirky, maybe slightly twee, a little bit embarrassing to look back on now.

But I had this idea that like, oh, I don't know that I like took my, I didn't know if I could take myself seriously enough to make something that was serious.

there was like other versions of Locker Room that were weirdly farcical or satirical or like kind of fantastical in ways or comic, like, yeah.

And then a friend of mine, Alex Wu, shout out to Alex Wu, incredible, incredible writer, director who, He read a draft and was like, what are you doing? I was like, what is it? Like I feel like you want to make something else.

Anyway, but it was actually after Two Piece that I started kind of writing differently maybe with more awareness of how stuff can be perceived.

But Two Piece was inspired by a shopping trip I took with my mum when Locker Room got into MIF and then I had to wear something to opening night.

And I just reverted back to being like a teenager or like even pre teenager, but I just reverted back to this really bratty and like unpleasant version of myself.

I was like, ah, everything I'm putting on makes me feel like a weird trust up ham.

So I hadn't written it before locker room, but it was in a way inspired by something that happened because of that film.

So that's about like a 13-year-old girl who is going to the beach with her mum and her younger brother but her bathers don't fit her so she's shopping for a bikini, her first one,

And had you written that prior to Locker Room? As in like, I imagine Locker Room does really well and then you sort of, does that skew the way you write? Do you have to try and be like, no, try and just think of something different and like,

I actually think like Locker Room was a funny one because I redrafted it so many times and it was a different genre and a different tone each time.

Because, again, I was really young and I was still trying to figure out if I was capable of making something serious and earnest.

Everything that I had done at film school had been kind of a little bit quirky, maybe slightly twee, a little bit embarrassing to look back on now.

But I had this idea that like, oh, I don't know that I like took my, I didn't know if I could take myself seriously enough to make something that was serious.

there was like other versions of Locker Room that were weirdly farcical or satirical or like kind of fantastical in ways or comic, like, yeah.

And then a friend of mine, Alex Wu, shout out to Alex Wu, incredible, incredible writer, director who, He read a draft and was like, what are you doing? I was like, what is it? Like I feel like you want to make something else.

Anyway, but it was actually after Two Piece that I started kind of writing differently maybe with more awareness of how stuff can be perceived.

But Two Piece was inspired by a shopping trip I took with my mum when Locker Room got into MIF and then I had to wear something to opening night.

And I just reverted back to being like a teenager or like even pre teenager, but I just reverted back to this really bratty and like unpleasant version of myself.

I was like, ah, everything I'm putting on makes me feel like a weird trust up ham.

So I hadn't written it before locker room, but it was in a way inspired by something that happened because of that film.
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