Ed RussellGuest
Tom RussellGuest
John KennedyHost
That is in fact the opening track, and I'm very pleased to say that I have Ed and Tom, who are Overmono, sat with me here in the studios of Strongroom.

We really appreciate it, and I thought Lock Up would be a nice start, not just because it's the opening track on the album, but because in a way it hints at the depth that you've gone to on this sonic journey of exploration, um, looking far and wide and deep for sample inspiration, for musical inspiration, and I know that you dug into, uh, an obscure post-punk track to create Lock Up.

It's a, a band called Fast Relief, uh, a song called What a Waste, which we found...

And, and we'd, we'd been reading, um, Rip It Up and Start Again, the brilliant Simon Reynolds book, and, uh, we just got on this mad post-punk deep dive and kind of all the, the way, the, the way that they were producing those records I think was really appealing to us.

The sort of quite carefree, embracing all of the imperfections, not getting too sort of bogged down in it all, and I think that was something we then took across the whole record.

They, they get a, just a, a real raw energy that's just like, I dunno, something really magic that you can only get really when you sort of abandon a need for, for things being perfect or like, um, yeah, you just throw caution to the wind.

And on that track you just sampled a little bit of the vocal, um, and, uh, I was telling [chuckles] you before we started recording that it's so open to interpretation.

You can come up with various different, uh, [laughs] meanings from, uh, quite profane, uh- [laughs]

That is in fact the opening track, and I'm very pleased to say that I have Ed and Tom, who are Overmono, sat with me here in the studios of Strongroom.

We really appreciate it, and I thought Lock Up would be a nice start, not just because it's the opening track on the album, but because in a way it hints at the depth that you've gone to on this sonic journey of exploration, um, looking far and wide and deep for sample inspiration, for musical inspiration, and I know that you dug into, uh, an obscure post-punk track to create Lock Up.

It's a, a band called Fast Relief, uh, a song called What a Waste, which we found...

And, and we'd, we'd been reading, um, Rip It Up and Start Again, the brilliant Simon Reynolds book, and, uh, we just got on this mad post-punk deep dive and kind of all the, the way, the, the way that they were producing those records I think was really appealing to us.

The sort of quite carefree, embracing all of the imperfections, not getting too sort of bogged down in it all, and I think that was something we then took across the whole record.

They, they get a, just a, a real raw energy that's just like, I dunno, something really magic that you can only get really when you sort of abandon a need for, for things being perfect or like, um, yeah, you just throw caution to the wind.

And on that track you just sampled a little bit of the vocal, um, and, uh, I was telling [chuckles] you before we started recording that it's so open to interpretation.

You can come up with various different, uh, [laughs] meanings from, uh, quite profane, uh- [laughs]
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