Syarafina VidyadhanaGuest
Clara SiagianHost
Let's start with a little introduction of yourself and how you came to be involved in the world of independent publishing.

I'm the co-founder and commissioning editor of Chahyati Press, an independent publishing practice based in Bali.

I think I first got a taste of publishing back when I was still at university.

A few friends and I started a small literary journal called Murmur, encouraged by the lovely professor, Melanie Budianta.

We only published three issues, but what stayed with me wasn't the journal itself, it was everything that happened around it.

So we published both emerging and established writers, paired them with illustrators, designers, organized readings, invited musicians, and stayed for hours afterwards talking about books.

That was probably my first lesson, that publishing isn't just about making books.

So after graduating, I worked as a journalist at Vice, but somehow I kept finding my way back to publishing.

I joined Post Press as an editor and art director, where I edited poetry and fiction, designed almost all of our book covers, and completely fell in love with the process.

Macy and Teddy are still two of the most generous mentors I've ever had.

Though if they hear this, I know they'll have a thing or two to say about being called mentors.

Anyway, when I moved to Bali, I deliberately built a life that had nothing to do with books.

Let's start with a little introduction of yourself and how you came to be involved in the world of independent publishing.

I'm the co-founder and commissioning editor of Chahyati Press, an independent publishing practice based in Bali.

I think I first got a taste of publishing back when I was still at university.

A few friends and I started a small literary journal called Murmur, encouraged by the lovely professor, Melanie Budianta.

We only published three issues, but what stayed with me wasn't the journal itself, it was everything that happened around it.

So we published both emerging and established writers, paired them with illustrators, designers, organized readings, invited musicians, and stayed for hours afterwards talking about books.

That was probably my first lesson, that publishing isn't just about making books.

So after graduating, I worked as a journalist at Vice, but somehow I kept finding my way back to publishing.

I joined Post Press as an editor and art director, where I edited poetry and fiction, designed almost all of our book covers, and completely fell in love with the process.

Macy and Teddy are still two of the most generous mentors I've ever had.

Though if they hear this, I know they'll have a thing or two to say about being called mentors.

Anyway, when I moved to Bali, I deliberately built a life that had nothing to do with books.
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