Mumblecore and its horror twin mumblegore defined indie filmmaking in the late 90s and 2000s. We take a look at a set of so-called mumblegore films and investigate how their small, human drama fits in with the logic of horror. Is mumblegore an aesthetic, a collective, or defined simply by the circumstances of its creation.
Includes discussions of *Fall 2: Deadpoint* (2026), *The End of Everything* (novel, 2026), *The Signal* (2007), *Baghead* (2008), *A Horrible Way to Die* (2010), *Sound of My Voice* (2011), *Sun Don't Shine* (2012), *Blue Ruin* (2014), *Creep 2* (2017) and more.
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Contact us at [crystal@spookybitchgang.com and scott@spookybitchgang.com](mailto:crystal@spookybitchgang.com;%20scott@spookybitchgang.com).
