Same obsession here.
I watched with my family and the clothes felt like the plot made visible.
It was fantasy until it wasn't.
A few months later, you'd catch the hair or the jewelry at the mall.
What grabbed me was power.
Entire character arcs told through wardrobes.
Those departments were teaching a master class in trend setting long before influencers were a thing.
Then let's cover the whole arc, the big operatic gowns of the 80s and the quieter casual chic that shows up now and hits fast fashion in weeks.
So here's my question to you, not the ether.
Have our closets been steered more by cliffhangers than by runway shows in Paris and Milan?
I think so, but prove it to me.
For a chunk of time, yes.
Reach matters.
A couture show in, say, 1985 had a few hundred people in the room.
An episode of Dynasty hit tens of millions every week.
That scale isn't even close.
Great point.
It was a fire hose into the living room, and shoulder pads gang it cliche now, but back then that shape for women was a shock to the system.
Yes, and more than a shape.
It announced, I'm here.
Women were moving into corporate spaces fast, and the costumes turned them into beautifully dreaded combatants.
Armor is the word, not just a jacket, boardroom battle gear.
Slip it on and suddenly you could go toe-to-toe with J.R. Ewing.
That feeling was real.
Designers like Nolan Miller weren't just dressing actors, they were building character from the outside in.
Same obsession here.
I watched with my family and the clothes felt like the plot made visible.
It was fantasy until it wasn't.
A few months later, you'd catch the hair or the jewelry at the mall.
What grabbed me was power.
Entire character arcs told through wardrobes.
Those departments were teaching a master class in trend setting long before influencers were a thing.
Then let's cover the whole arc, the big operatic gowns of the 80s and the quieter casual chic that shows up now and hits fast fashion in weeks.
So here's my question to you, not the ether.
Have our closets been steered more by cliffhangers than by runway shows in Paris and Milan?
I think so, but prove it to me.
For a chunk of time, yes.
Reach matters.
A couture show in, say, 1985 had a few hundred people in the room.
An episode of Dynasty hit tens of millions every week.
That scale isn't even close.
Great point.
It was a fire hose into the living room, and shoulder pads gang it cliche now, but back then that shape for women was a shock to the system.
Yes, and more than a shape.
It announced, I'm here.
Women were moving into corporate spaces fast, and the costumes turned them into beautifully dreaded combatants.
Armor is the word, not just a jacket, boardroom battle gear.
Slip it on and suddenly you could go toe-to-toe with J.R. Ewing.
That feeling was real.
Designers like Nolan Miller weren't just dressing actors, they were building character from the outside in.
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