There is a woman at the ford and she is washing something in the water.
It's dusk.
You're on your way home and you know this crossing.
You've come this way a hundred times.
But tonight there is someone crouched at the edge of the burn and the sound reaching you over the water isn't quite the sound of washing.
It's more like keening, a low, wrong, singing sort of grief.
And the cloth she's turning over and over in her hands is coming up dark, and it isn't mud she's rinsing out of it.
And every part of you, every single part, wants to do the sensible thing.
Back away.
take the long road round, go home the other way and don't look and don't ask whose linen that is.
Here's the thing our people knew though.
Here's the rule in every version of this story told all across the highlands and the islands for hundreds of years.
If you turn away, if you let her see you before you see her, you lose the use of your limbs.
You'll lie there on the bank, unable to move, until she has finished her washing.
You don't escape her by fleeing, you just lose the ability to walk.
But if you go toward her, quietly, steadily, and do not turn your face away, then she must speak.
She must answer you truthfully, and the fate she's washing for can be turned aside.
Approach and you are answered, flee and you are paralysed.
I don't think our ancestors were only talking about a ghost at a river crossing.
I think they were talking about the hill you have been walking the long way round for the last four years.
Hello and welcome back to the Sage in the Sky podcast and the Light Over the Hill series.
I'm Carrie and I'm so glad you're here.
If you're new, this is a weekly series about how we keep walking when we can't see the whole way.
Told through the old folklore of this land, a little psychology, and one tarot card at a time.
Two weeks ago we found the light, the star, and the truth that hope isn't waiting, it's walking.
Last week we turned our faces toward it, away from the shoreline we keep gazing back at.
And this week we arrive at the thing this entire series has been walking toward, the hill itself, the one you're avoiding.
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There is a woman at the ford and she is washing something in the water.
It's dusk.
You're on your way home and you know this crossing.
You've come this way a hundred times.
But tonight there is someone crouched at the edge of the burn and the sound reaching you over the water isn't quite the sound of washing.
It's more like keening, a low, wrong, singing sort of grief.
And the cloth she's turning over and over in her hands is coming up dark, and it isn't mud she's rinsing out of it.
And every part of you, every single part, wants to do the sensible thing.
Back away.
take the long road round, go home the other way and don't look and don't ask whose linen that is.
Here's the thing our people knew though.
Here's the rule in every version of this story told all across the highlands and the islands for hundreds of years.
If you turn away, if you let her see you before you see her, you lose the use of your limbs.
You'll lie there on the bank, unable to move, until she has finished her washing.
You don't escape her by fleeing, you just lose the ability to walk.
But if you go toward her, quietly, steadily, and do not turn your face away, then she must speak.
She must answer you truthfully, and the fate she's washing for can be turned aside.
Approach and you are answered, flee and you are paralysed.
I don't think our ancestors were only talking about a ghost at a river crossing.
I think they were talking about the hill you have been walking the long way round for the last four years.
Hello and welcome back to the Sage in the Sky podcast and the Light Over the Hill series.
I'm Carrie and I'm so glad you're here.
If you're new, this is a weekly series about how we keep walking when we can't see the whole way.
Told through the old folklore of this land, a little psychology, and one tarot card at a time.
Two weeks ago we found the light, the star, and the truth that hope isn't waiting, it's walking.
Last week we turned our faces toward it, away from the shoreline we keep gazing back at.
And this week we arrive at the thing this entire series has been walking toward, the hill itself, the one you're avoiding.