That's the story.
She came striding across the country with a creel on her back, the big wicker one you carry pizza in, loaded with stones.
And as she went, the stones tumbled out behind her.
Ben Nevis, the cooling, Sheehalion, all of it, spilling out of a basket carried by an old woman who was walking somewhere else.
In other tellings, she meant it.
She had a hammer and she shaped the hills deliberately, dropped the rocks on purpose to make herself stepping stones across the country.
Her name is the Calliach and the word just means old woman, hag if you want the blunter translation.
She's blue-skinned and she has one eye and her teeth are rushed red and the tellings do not soften any of that.
Nobody has ever tried to make her lovely.
And she's the oldest thing in the folklore of this country.
Older than the gods.
She was here first and the land is her work.
Now hold that against the story we tell about women in time.
That a woman peaks somewhere around 30 and after that there is a long managed decline and the useful part is behind her.
The oldest story we have in Scotland is about an old woman who built the entire country and she did it after she was old and there was never any suggestion that she'd missed her moment.
Hello and welcome to the Sage in the Sky podcast and the Light Over the Hill series.
If you're new here, every week I take some of the folklore of this country, put a bit of psychology beside it, pull a card and hand you something small to do.
It's for the woman who can name the hill she needs to climb and hasn't started.
And this is the episode I've been waiting to make since I planned the series.
because it's a feeling I hear about constantly from women in their 40s and 50s and it comes out sideways rather than direct.
It sounds like I've left it too late or that was the window and I was busy.
or the very quiet one, which is that the interesting part of my life has already happened and I was not paying enough attention while it did.
And underneath all of those is a picture and I want to get the picture out into the light because I don't think most of us know we're carrying it.
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That's the story.
She came striding across the country with a creel on her back, the big wicker one you carry pizza in, loaded with stones.
And as she went, the stones tumbled out behind her.
Ben Nevis, the cooling, Sheehalion, all of it, spilling out of a basket carried by an old woman who was walking somewhere else.
In other tellings, she meant it.
She had a hammer and she shaped the hills deliberately, dropped the rocks on purpose to make herself stepping stones across the country.
Her name is the Calliach and the word just means old woman, hag if you want the blunter translation.
She's blue-skinned and she has one eye and her teeth are rushed red and the tellings do not soften any of that.
Nobody has ever tried to make her lovely.
And she's the oldest thing in the folklore of this country.
Older than the gods.
She was here first and the land is her work.
Now hold that against the story we tell about women in time.
That a woman peaks somewhere around 30 and after that there is a long managed decline and the useful part is behind her.
The oldest story we have in Scotland is about an old woman who built the entire country and she did it after she was old and there was never any suggestion that she'd missed her moment.
Hello and welcome to the Sage in the Sky podcast and the Light Over the Hill series.
If you're new here, every week I take some of the folklore of this country, put a bit of psychology beside it, pull a card and hand you something small to do.
It's for the woman who can name the hill she needs to climb and hasn't started.
And this is the episode I've been waiting to make since I planned the series.
because it's a feeling I hear about constantly from women in their 40s and 50s and it comes out sideways rather than direct.
It sounds like I've left it too late or that was the window and I was busy.
or the very quiet one, which is that the interesting part of my life has already happened and I was not paying enough attention while it did.
And underneath all of those is a picture and I want to get the picture out into the light because I don't think most of us know we're carrying it.