Jun 23, 2026 · 2 hr 1 min · 20 segments
On today’s episode of Project Big Screen, Craig Gillespie joins the show to discuss his next film and the 2nd entry into the DCU: ‘SUPERGIRL’. Also on this episode, our review of ‘TOY STORY 5’ and our Top 10 Pixar movies of all time. What would be your Top 3? We’ve also got our review of ‘THE DEATH OF ROBIN HOOD’, reactions to the latest trailers and news, and more! As always, make sure to like and subscribe wherever you watch and listen! Watch on Youtube: https://youtu.be/1hVCCB4PRtI Timecodes: || Intro - (0:00) || Toy Story 5 Review - (4:19) || Toy Story 5 SPOILERS - (13:16) || The Death of Robin Hood Review - (17:32) || Ad - (33:09) || Spider-Man Trailer - (34:22) || Shrek 5 Backlash - (39:38) || Supergirl Reactions - (43:25) || Carrey Grinch Sequel - (43:42) || Chalamet’s Next Project - (45:35) || Artificial Drama - (47:51) || George Lucas Minion - (52:25) || Eisenberg’s Next Film - (53:29) || Darth Maul Story - (54:53) || What We’re Watching - (57:28) || Physical Media Corner - (1:01:37) || Interview with Craig Gillespie - (1:06:13) || Top 10 Pixar Movies - (1:30:52) Follow us on Social Media: barstool.link/pbs X | Twitter | Letterboxd: @ProjBigScreen IG | Tik Tok: @ProjectBigScreen Our Personal Letterboxds: Jeff: @JeffDLowe Gooch: @BobGoochman Kenjac: @Kenjac You can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit [barstool.link/lightscamerabarstool](https://barstool.link/lightscamerabarstool)
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All right, this episode of Project Big Screen, we have Pixar rankings because we're doing Toy Story 5, also the death of Robin Hood, and is Shrek 5 the most hated trailer ever released? It's been out for about a week now.

People loathe the Shrek 5 trailer, which they don't loathe Spider-Man, which we'll talk about as well.

All that and more coming up on Project Big Screen.

All right, Project Big Screen, episode 38.

Two more weeks left in June.

We're nearing a big, big, big July for movies.

But a big week this week as well.

A pretty big one.

A huge release.

Toy Story 5.

We're talking Death of Robin Hood as well.

A new Hugh Jackman movie.

Interesting one there.

And then we're doing our top 10 Pixar movies.

Obviously, pretty massive rankings here.

Where do things fall? Where do things land? But let's start out.

We have also a couple big trailers.

One trailer is one of the most downvoted trailers on YouTube I've ever seen.
Wait, really?

Big hate.

Big hate.

Like major-
Really?

Like turned off the comments hate.
The Marvel one.

No.
Oh.
Oh, oh, oh.

Shrek.
The other one.

Yeah.

No, no, no.
We talked about it last week too, but yeah.
I still need to get some things off my chest about that.

Oh, that's right, because you guys, I forgot we recorded midweek.
It was honestly-

But yeah, we lead with the reaction of Shrek 5 because since then the reaction has been out and it's bad.

It's really bad.
Mm-hmm.
Good.

People-
Good

... people ha- like are, are furious about the Shrek 5 trailer.
Yeah, you missed Clemmer said that, uh, Shrek's like the dumbest thing that ever came out in the animated world ever.
Like he-

Wow
...
he is a, shocker, tremendous Shrek hater.

Hmm.
He started doing his cartoon thing where he just like once he, once he wants to disrespect an animated movie, he just starts saying cartoon over and over again.

Yeah, yeah, yeah, yeah, yeah.
It's cartoons.
I don't watch cartoons.

Yeah.
It's really funny.

But meanwhile he'll like, he'll literally suck ET's like little brown cock that he rather...

But no, so many issues with the cartoon, but-
Which, Jeff-

... any kid's property that is live action is okay
... we did the Spielberg ranking too, and there was, I'm gonna guess, just an error on your, your end, uh, putting the list together.
You did not have ET on your list.
Where would it have been?

Was it not on there?
No. [laughs]

That might, that might have just not...

Yeah, I was doing it on a plane, so I think-
Yeah

... that might have been, might have been it.

Um, obviously the ET would have been like top three.
Yeah.

Okay.
I was gonna say like when Gooch said that-

I still think it landed pretty high though, so.
Yeah, once J- once, uh, Gooch said that I'm like there is no, there is actually no chance ET is not in Jeff's top five.

Yeah, I'm actually curious.

I can, we can, we can do, I can do an amendment on that list.

Um, I can tell you what it actually ended up being.

Uh-
It was still, it still was top five-

It was, uh-
...
in my ranking though

... no, it was like eight.
Okay.
Yeah, it definitely would have changed.

I can, I can, I can tell you where, I can tell you where it would have been, uh-
I think it would have been at like five.
If you had it like top three, I think it would have been-

Yeah
... five or four.

Yeah, because I had it at-
It would have bumped The BFG out of a spot

...

ET is three for me on, on, on his list.
Mm-hmm.

So, um, I guess I can, I can...

When, when we do our list, I'll do a...

You know what? I, we'll, we'll just, we'll just do, we'll just do it now.

We'll just do-
Yeah

... where, where, where would ET have landed had I had the, the proper vote? Um-
So it would have bumped The BFG down from the three spot at least, and then-

Yeah
...
I don't know where Tin Tin would have ended up, but-

Probably, uh, behind The Post at like seven.
Just behind The Post.

I mean-
Yeah

...

if you follow me on Letterboxd, you know I, I didn't, I would, I did not put Disclosure Day in my top 15.

And the more I think about Disclosure Day, last week was a mess w- uh, work travel-wise and stuff, so just g- things just kinda got all gummed up.

I did wanna talk about it, but the more I think about Disclosure Day, the more I dislike it.
That's kinda where we were.

It just, it just-
Yeah

...

it just falls apart.

It's...

The, here, here's my one comment on Disclosure Day, which I think is probably the worst thing you could ever say about a Steven Spielberg movie.

It, the best way to watch that movie is to turn your brain off, but that's like what you say about a Michael Bay movie.
Hmm.

And that's just like the scr- it's David Koepp.

The script's terrible.

It's a terrible script.

They, it's just, it was, it was a b- I still had fun with it, and there's some g- great stuff in it still too.

Emily Blunt, the action stuff, all that I, is, is, is great.

But it, uh, yeah.

Yeah, not, not, not, not, not my favorite.

Um [laughs] new top 10, um, on the Spielberg.

I'll, I'll, I'll mention it, uh, when we do our list later.

Uh, Toy Story 5, when Bonnie receives a Lily Pad tablet as a gift and becomes obsessed, Buzz, Woody, and Jessie, and the rest of the gang's jobs, we'll get to that part in a minute, become exponentially harder when they have to go head-to-head with the all-new threat to playtime.

ScreenTime is the villain.

Hour 42 minutes long.

Andrew Stanton directing.

He did Wall-E.

He did Nemo.

He did Finding Dory.

He also did two live action movies which were fucking stinkers.

John Carter, um, bad movie, but very recently, In the Blink of an Eye, a sci-fi movie with Kate McKinnon.
Hmm.

Dreadful movie Like, so bad
John Carter must die.
He just don't-

So John, John Carter could have been better.

John Carter also-- Part of John Carter's problem was the marketing was just a fucking disaster.

Now, I'm not saying it's a good movie, but, uh, there's a little bit of that there.

It definitely is hurt by its marketing, uh, and the fact that it bombed.

Uh, Tom Hanks back, Tim Allen back, Joan Cusack back.

Not even back, like a big-time main player, Joan Cusack as Jessie.

It's her movie.

Greta Lee plays Lily Pad, then the, the, the tablet.

Uh, Conan O'Brien has a big character.

Craig Robinson, Tony Hale, Bonnie Hunt, Kristen Schaal, Wallace Shawn, John Ratzenberger, Keanu Reeves, Ernie Hudson, Jeff Garlin, Annie Potts.

List goes on and on.

Uh, three hundred and twelve million dollars worldwide.

Biggest opening for the franchise.

Not too shocked on that.

Uh, ninety-four, ninety-five percent spoiler on Tomatoes.

IMDb seven point seven.

Metacritic seventy-three.

Letterboxd three point eight.

Uh, Toy Story 5, what do you think, Ken Jack? Where do you have it?
Uh, I have it right now as an eighty-eight.
I think I liked it a lot more than I liked Toy Story 4, but it's still not on the same, I would say, playing field as the first three.
Uh, and I think that's something that we talk about a lot with Disney live action remakes, reboots, late sequels, anything like that, is that, like, we know as adults, right, like the primary goal is to make money.
So from, I think, our perspective, what I really want is to just buy into the illusion that, like, make me believe for a second that you have something to say.
Make me believe that for a second you're making this movie for some reason other than money, and that's it.
I want, like, you know, like the cipher in The Matrix, like ignorance is bliss.
Like that's what I want.
I want to buy into The Matrix, and I think this movie clears that bar because it has all the stuff that you expect out of Toy Story, which is like the visuals, good voice acting, solid kid jokes, and also some for adults, like a little bit of that infrared there, and it just...
it has something to say.
And I think that the messaging here with screen time doesn't come off too badly to me as like just old man yelling at sky, where it's like, "Things are different now.
Stuff, stuff doesn't work the same way." And it feels like the message is more about kids trying to find their tribe and how they find it, whether that be through screen time or whether that be through something else, and I like that messaging a lot.
So like is it better than the first three? No.
But I appreciate that it clearly had a lot more to say than Toy Story 4, which is a, a big step in my opinion.
So I'm at an eighty-eight.

Okay.

I actually liked it a little more than-- a little less than Toy Story 4.

Um, I gave Toy Story 4 a ninety.

I, I re-watched it.

I quite like Toy Story 4, and I like this too.

Um, I gave it an eighty-nine.

It's a, just a hair below it.

I think it's very enjoyable.

My biggest issue with it, and this is not a spoiler or anything, I'm just gonna give, I'm gonna give you the warning to people.

The, the, the side characters I just think have taken too much of a back seat in this franchise.

Um, now I do wonder how much of that is voice actors passing away.
Mm.

Um, the voice actors, I mean, from, from Don Rickles to Jim Varney, um, obviously they don't, they're not alive anymore.

So Mr.

Potato Head, Slinky, like...

And they were all there through Toy Story 3.

Jim Varney was not alive for Toy Story 3.

They did replace him.

Um, but obviously since then we've lost, um... [lips smack] Who else was lost in the voice cast? Um, oh, it's gonna drive me nuts.

Um, anyway, point being, I don't know if that's part of it.

Oh, Estelle Harris passed away, obviously.

Both Potato Heads.

So I don't know if that's a part of it.

But for me, it's like if you go back and you watch one and you watch two and you watch three, especially like two.

Like two's got the great stuff at Al's Toy Barn.

Uh, the, the side characters are such a big part of it, and I just think they take such a massive back seat in these movies, and it kinda takes away from it a little bit for me.

Um, but I like the story here.

I, I like the villain here.

I like how they do it.

Um, I think one and three...

Well, I, I mean one, two, and three are just a cut above the rest, um, by a pretty heavy margin.

Um, but I did enjoy this.

It, it's, it's enjoyable.

Um, but I j- I just wish maybe a little better, and I do think that's part of, I think, the side stuff.

I mean, Wallace Shawn's alive.

John Ratzenberger's alive.

Like there's still voice in the characters.

Like, uh, those, those characters are-- They just feel less of...

Like I...

I mean, I grew up, I'm a Toy Story kid.

I was f- I was four when the first one came out.

Like I, I don't know.

It's like it-- The, the gang was my thing, right? Like I liked Buzz and Woody, but like it was the whole gang.

Like that's, that's who I liked.

So that, that's, that's kind, that's kinda my big takeaway for...

As from the adult perspective.

In terms of like what they're trying to do, I think they did a great job.

So, um, that's where I have it, eighty-nine.
Yeah.
That would explain it 'cause my...
I think my biggest complaint coming out of the theater was this is all very com- like competently made.
Like excessively competently made.
Like I would go ahead and place your bets on this winning Best Animated Feature.
Like it, it really is just doesn't have a blemish anywhere.
But it's not that funny, and I, I think that is where the good jokes were almost, not exclusively coming from those side characters, but they played such a large role in like getting me to laugh.
Like we talked last week about I was doing a rewatch of the first two, like the Rip Torn stuff with the little green army men, so fucking funny.
Hilarious.

Right.
Like-

Everyone has passed away.
Yeah.

Yeah.
Everything on the side.

Yeah, yeah.
They, they-

Yeah, everything died, yeah
... provided such a jolt of comedy every time they were on screen, and you're right, they, they were pushed to the side here.
Although another side character in Jessie, who I guess maybe not side-side, but she got her time to shine here.
Um, but I thought this was extremely well done.
Um, Pixar flexed their just top of the line animation department at several points in ways that I don't think they've gotten to in the past few years, even since like, what was the last one? Uh, not Hoppers, but before that.
Um, who's-

Pre-Hoppers, like Elio or like...?
Uh, like Elemental, they, they got to do some stuff there.

Okay.
But this, like the, the Buzz, and we'll talk more spoilers.
But like the Buzz is the, the Buzz army side plot gave him a shot to, uh, really flex, and then the imagination sequences-

Yeah
... were fucking incredible.

I love that.

Yeah.
They were great.
Um-

Yeah, the Buzz, the Buzz in the water, obviously that's a, an homage It looked amazing-
Yeah

... with, with the, with the, with the neon light, with the light, with the glow-in-the-dark parts.

It wa- it was, that, that looked great.

I mean, it, the Toy Story does look amazing.
Yeah.
Yeah.
You can tell they have just their A-team on this.
Like, you really can.
Um, and I thought...
I was worried, uh, to Kinjak's point, I was worried going in 'cause there is just so much low-hanging fruit available for the tech bad, uh, storyline.
Yep.
And I thought they did a very good job of being nuanced on it, um, without completely, you know, giving themselves over to...
They could have easily gone extreme in one way or the, one way or the other.
They could have just been like, "Hey, we, kids should not be on these things.
Kids should not be playing with iPads or LilyPads or what have you." They didn't do that, and they also didn't say like, "No, these are actually good.
This is just, like, what kids play with these days, and the old toys are gone, and this is just part of life." No, they said like, "It has its place, but, you know, old toys do too." Uh, I really respected that.
Um, so I'm landing at an 85.
Uh, I, I was pleasantly, I wouldn't say surprised by this, but there were some fears going in that this could be a letdown 'cause it's the fifth movie in a franchise, and any time you get this deep, you gotta have those concerns.
But I thought they did a really good job.
A really, really good job.
Now, I, I would like to hear how, how kids are responding to it 'cause I...
It plays to kids, but like you said, Kinjak, it does have more adult stuff in it, uh, which has kind of been, been a Pixar trademark for about 10 years now.
Um, but I, I would like to hear, like, are kids loving this? Um, 'cause I haven't really heard about that yet.
Mm.

Seems like it.

I mean, it's getting very high audience marks.
Yeah.

So.
Kids in my audience loved it.
I'm sure I watched it the same way you did-
Yeah
... where it's just in a giant loaded theater full of little kids, and then just yourself as a 30, whenever year old in the back of the theater just like, "I am not a pedophile.
I am not a pedophile."
[laughs]
Like, I almost wanna, like, wear a shirt, like, that says it.
But they, all the kids in the theater were, they were having a raucous time.
So, I mean, I think in that, in that regard, almost hard to say it's not a success.
Yeah, I did the Sunday night showing in New York City, uh-
Smart
... which, uh, means that it was just a bunch of people getting high outside the theater and walking in.
[laughs] There were, there were no kids in my audience, let me put it that way.
Mm.
Yeah.

Yeah, it, it, I, I think we can get into spoilers here 'cause, I mean, I mean, how long are we gonna spend on this, this Toy Story? Um, but my...

Like, you ki- you kinda know what you're getting here, and I think they're gonna make another one, um, I would assume.

Um, I, it just doesn't hit as profound for me as the other four, honestly.

I think it's...

And I, it's by a hair compared to four, but then obviously with, with one through three, it's like, it just doesn't-
Mm

... hit that mark, um, that kinda leaves a lasting impact, which those three do, especially three, which is just otherworldly in terms of, like, storytelling for a fucking animated movie.

It is unbelievable.

Um, I mean, nominated for Best Picture.

So, yeah, I mean, I like the, I like where they go with it.

I like how they kinda wrap up, not wrap up Jessie's storyline, but kinda dive deeper into it, and there are some nice moments, like, there are some nice revelations.

I don't want to spoil her territory now, but her, you know, kinda digging up her old stuff-
Yeah

... and se- you know, going back to the old house, seeing that she did leave an impact on her owner.

Um, all that stuff is really nice.

Um, but I, I think...

You know, and even the ending is nice with, like, you know, making friends and, like, you know, the tablet.

And the tablet's not, by the way, a full villain.

Not, not-
No

... not a full on-
No, she's good

... th- th- th- th- this ain't, this tablet ain't Stinky Pete or, or Lotso.

Like, that-
Yeah

...

the, the, you can't do that when, when you're Disney and you got that Disney+ app on kids' tablets.

You gotta, you gotta-
Mm-hmm

... make the, the tablet somewhat of a redeemable character, right?
Very redeemable.
I mean, when [laughs] I...
This ma- this might make me a bad person, but, but when the tablet realizes, when Lily Pad realizes that she's caused harm to this, to poor Bonnie, and she throws herself, she kills herself.
Yeah.
She's like [laughs] she kills herself.
Yeah.
She jumps off the table and throws herself in the donation bin.
[laughs] That kind of made me laugh.
I was like, "Whoa, whoa."
Yeah.
That's, I think, a strength to it too, though.
It's like, it's a...
Even with the, the, the pad.
The pad wants what is best for Bonnie, right?
Yes.
And, like, even then with the parents, I think that's, like, the s- you get the whatever their view on it.
Because, like, if you're a parent and, like, you wanna get your kid something that helps them relate to other kids more 'cause you want your kid to have friends, that's the pad.
Even if you don't want them to have it, you would rather them be playing with, like, regular toys or being, like, more of a kid like you were growing up.
You wanna get them whatever it is that helps them relate to other children more.
And, like, that necessarily isn't necessarily what might not be best for them but is what helps them socially.
So I don't know.
It's weird.
It's a weird, it's cool, like, um, I think way that they approached it.

Yeah, I, I, I think, I, I think they did a very nice job.

I just, I, I...

But, like, they've also...

I mean, there is a point where it's like you, you have run out of things too.
Mm.

Like, you, you can't make too many more of these.

'Cause at what...

Like, what is...

I mean, I guess they've now hit the next trend, right? They've hit technology.

They split 'em up in the last one.

You know, the owner gets older in the one before that.

The one before that, you know, it's kind of about, like, identity and importance and, like, um, you know, like the lost toy thing and, um, you know, grappling with being a toy that's whatever, not loved.

And that's kind of what the first one is as well, just in a different way.

But it's like how many more of these? Like, like, what, what's the next step on Toy Story six? I don't know.
Yeah.
They do the Rose toy.
They go into Bonnie's mom's drawer to find those toys.

[laughs]
Yeah, yeah, yeah, yeah.
No, no, they already have Buzz.
He's there.
Maybe they go to the museum now.

Oh, God.
I don't know.
So I, I don't know.
I don't, I don't know.
Um-
They're also called Buzz and Woody, the toys in the mom's drawer.
[laughs] Yeah.
Um, I liked it though.
Um, I enjoyed it.
Uh, one of the better Pixar in the last couple years obviously, and they do a very nice job with Toy Story.
And they obviously put in maximum, maximum everything to make sure that these don't stink, and they've released five, and none of them are even come close to stinking.
Mm-hmm.
So that does say something

something'Cause Pixar does have an issue with some sequels for sure.

That's for sure.

But we all did like Toy Story 5.

Uh, so check out Toy Story 5.

Worth a watch.

I would assume for most people ends up near the bottom of their lists, um, in terms of Toy Story movies, but probably middle of the road at worst with Pixar.

And we will have our full top 10 Pixar movies coming up in a little bit.

Uh, another movie we're gonna talk about, The Death of Robin Hood.

Interesting one here.

Um, grizzled take on Robin Hood.

Uh, grappling with his past after a life of crime and murder, Robin Hood finds himself gravely injured after a battle he thought would be his last.

In the hands of a mysterious woman, he's offered a chance at salvation.

Um, he's greatly troubled by a w- by and weary of his long history of murder and crime.

Um, a very dark Robin Hood movie.

Comes from A24.

Hugh Jackman, uh, Jodie Comer's in it, Bill Skarsgård as Little John.

Um, Murray Bartlett's in it.

Uh, not a strong weekend at the box office, kind of as I expected it to really bring in billions of dollars.

2.7 million domestic opening.

70%, 61% score on Tomatoes, not so totally shocked by that.

6.5 IMDb, 60 Metacritic.

Letterboxd 3.1.

Uh, Michael Sarnoski did this movie.

[lips smack] Um, also did Pig.

Excellent movie.

A Quiet Place: Day One as well.

Uh, Gooch, where do you have The Death of Robin Hood?
Uh, I'm landing at a 70 on this one.
Um, there will be an audience for this who will really eat it up just because we do not get, I think, enough movies set in this time period, the medieval stuff that's really well made.
I think like Eggers is like the only one really trying to do it at a high level like this, and Sarnoski kinda knocked it out of the park.
I really have become enamored with his style.
Uh [chuckles] we joked about it in our interview, but like the misty, like very dewy nature.
It's very atmospheric, and that's been like his trademark through these three movies.
And that kind of like anti-revenge storyline, which he brings across here too as well.
I thought it was another great Jackman performance.
It's not his best.
I think if you wanna compare it to Logan, which it's not a complete one-to-one, but there are similarities there.
I do think the Logan performance is just better.
Um-

Yeah.

It's profound
...
but he's really good here.

And there's, there's, there is a little bit of history to the Logan thing too-
For sure

... which is unfair to this, but like there's a buildup to that which-
Exactly

... again, it's unfair to compare, but like that exists in that movie and you kinda have to acknowledge that.
Yeah, but I, I did think this was really, really well done.
Uh, I think the story is very interesting in terms of kind of deconstructing the myths, um, that we love and like kind of how stories change over time and the things we idolize and how we change history, uh, in real time, uh, just to kinda fit what we want.
Really impressed by that, and I was really, really impressed by the first 30 to 45 minutes of this where there's quite a bit of action.
It does have a problem in the back two acts of this movie where it comes to a screeching halt, and I think it is just a little too slow, a little too dour, and it I think will have a tough time.
And the box office is reflecting that.
Will have a tough time-

Mm-hmm
... really grabbing an audience and creating really any kind of excitement about, about the movie.
Um, so I'm landing at a 70.
Um, I'm excited for what Sarnoski does best.

It's certainly niche.
Yeah.
It, it's, it's niche.
Um, I'm excited for what Sarnoski does next.
Uh, I think he has a much better movie in him than this.
Uh, but this is good.
This is a good movie.

Ken Jack, I know you quite liked it, right?
Yeah, I liked it a lot.
I landed on 87 for it.
Uh, and I think that like just visually that he really gets it, Sarnoski.
I mean, like in our interview we talked about him with it too.
They shot this in like a month in Ireland-

Yeah
... on, on film.
Uh, real locations, real fields, real mud, real glens with mist and shit flowing through, and I think you could feel that, and that's so often missing, uh, from, from movies, especially ones that like get like a good cast and like high A-list actors or whatever.
Uh, so stunning visually.
I think story-wise, uh, you mentioned a lot of it, Gooch, like his approach to the legend of Robin Hood and like how he dissects stuff like that and like how it changes and like even whatever history written by the victor, all that sort of thing, and how different peoples sort of appropriated the legend of Robin Hood and what he might have actually been.
Uh, but I liked it a lot, and I agree with you.
The first half of it is very action-heavy, much more similar to like the opening of something like The Northman, which I think it reminded me of in bits and pieces.
Um, and then the second half is something more like Valhalla Rising, which I also really like, which is more like meditative and more like surreal at points and more like let's really like, like sit in with this guy and like what he's feeling and all that.
And that I w- that I will totally understand is not everyone's cup of tea, and I would never fault anybody for watching this movie like, "I was really bored.
I didn't like it.
It's a snooze fest," blah, blah, blah, blah.
But like for me, I'm really l- like engrossed in that, and I really enjoy that.
Uh, so I like that.
I think Jackman was awesome, and like you guys were saying with the Logan comps, like definitely there's something there, but I also think his job in this movie is significantly harder than his job in Logan was because in Logan, like you're always rooting for Logan.
You're 100% on Logan's time for 100% of the movie.
You want Logan to succeed.
In the introduction of this movie, you are told right away Robin Hood sucks.
This guy is an asshole.
He's a murderer.
He's a thief.
He's a piece of shit.
You hate his fucking guts, and yet you still, throughout the course of the movie, flip to his side in wanting him to have that sort of resolution, which I think is a way harder job, uh, at least as performance-wise for an actor.
And, uh, Jodie Comer was awesome, great.
Obviously she's-- every period piece she's been in has been, at least in my opinion, a home run from her, uh, as a, from a performance standpoint.
And also like Bill Skarsgård was unrecognizable to me.

Yeah.
I did not realize that that was Bill Skarsgård at all.
I was-- I, I didn't know he was playing Little John, but like I remember we, we all saw it at, uh, the sc- the same screening, and like we left and we're like, "Where was Bill Skarsgård?" It's like, "Oh, that was him." Like didn't recognize him.
Obviously you're not supposed to recognize Murray Bartlett, but he was also transformative too.
And I think both of them gave really good performances in like limited screen time, especially Bartlett, who I think gives like a pretty, um, impressive, I would say, like monologue with him as he's like they're in that church or whatever.
Uh, so yeah, really impressed by them.
I think Sarnoski, this is like proof positive to me that he can hit in different genres too, and I was also impressed when we talked to him.
I think pretty smart guy.
guy.I'm a pretty smart guy.
So yeah, very excited to see whatever Out of Grewthew, uh, Gooch.
Very excited to see what he has next.

Yeah, I, I'm kinda with where, where Alan Gooch is.

I gave it a 71.

I enjoyed a good amount of this.

I liked how it kicked off.

The beginning is great.

I just kind...

There, there's a bit of a lack of keeping that energy throughout for me that I wish it kinda would've kept, and it, it didn't exactly land.

'Cause I li- I like-- I know what you're saying, Ken Jack.

I think that's, that's pretty evident with this, is that, like, you are supposed to fucking not like him, right? Like you, you, you, you are supposed to view him as this villain.

So it's not like this grizzled, like, L- Logan.

But there...

It, it just doesn't the rest of the way, like, I don't know, it just doesn't fully land or do anything profound for me or say anything.

I, I, I like it.

I like it, but I, I don't know, like, it, it almost...

Am I crazy for saying, like, it, it should've just kept that beginning of the movie energy throughout the whole thing? And I think, I think what they were trying to achieve would've landed more because, like, I thought in the beginning I'm like, "Oh, this guy's just gonna be..." And, and this is gonna be endless violence piece of shit from start to finish, and I'm gonna have to, like, take a fucking...

Take a knee when the movie's over.
Hmm.
I, I get the thought process, but also then, like, how do you land with him getting any redemption if, like, it's just full violence all the way through? Like, that works in, in Logan, right? Where that's where basically what it is.
You're full throttle violence throughout most of the movie, but you're on his side.
Like, he's rough around the edges, but you're on Logan's side for every second of that movie.
But you, you need, you need, I think, a slow down to a degree at least to, like, give...
Build some empathy with the character of Robin Hood.
At least...
Well, or at least that's what I felt while I was watching it.

Yeah.

I, I, I, I, I get what you're saying there.

It's, it's a huge, huge swing.

This, this movie is a, is a massive swing, and it's one of those ones that [lip smacks] shout out A24 for trying something with this, and it looks fantastic.

Um, but I, I don't know.

It's, it's almost like I, I think you almost had to...

It...

The way it sets it up, the way it postures from the beginning, like, it almost just had to stay, like, he's just the worst the whole way.

I don't know if that's maybe...

Maybe that doesn't work.

Maybe I'm nuts on that.

I don't know.
Hmm.

'Cause I still liked it.
Yeah.
I, I get what you're saying.
I, I think it's...
It'd be hard because then who's your antagonist? If, if he's just a bad way the whole way through, I guess who's your antagonist protagonist, right? I already know you want, like, the other Gooch side.

Would that have been interesting though if you go, like, full on, like, he is...

Like, you take the myth and you just flip it on its fucking head and he's just, like, this just absolute piece of shit, and there's another...

He's the antagonist the whole way through.
Hmm.

Is that too, is that too much of a swing?
See, I also like in, I guess this is kind of like a spoiler talk, but I also like, like, the flip with Jodie Comer's character.
Like, when they do the reveal for her backstory and everything like that.
Like, I thought, I thought that part was very, like, oh shit.
And, like, so you don't get something like that out of that movie, I guess, so I don't know.

Yeah.

I get, I get, I get, I get what you're saying there.

I guess that'd be my one, I guess, swing that just doesn't...

It's like, man, like, I, I, I'd be curious how that would've played because I could, I could very well be sitting here talking about it if they did that, where, like, you know, the movie ends with, like, t- the townspeople fucking slashing Robin Hood's throat because he's such a bad guy, right? Like, I guess, I guess you could do that, but then I could be sitting here saying, "Well, that was fucking stupid."
Yeah.

Like, that was like...

Like, that, that almost sounds like some, like, Zack Snyder, like, edge lord bullshit, right? Where like [laughs] maybe that's, maybe that's, like, maybe that's too stupid.

'Cause I, I...

Yeah.

I don't know.

May- may- maybe that's dope 'cause that, that's my big, like, that's the big thing that didn't work for me, I'd say.
Hmm.
I will say this is, this is the best Robin Hood movie in 25 years.
What...
When was the Costner one?
That was '90s, right? So early '90s, like, 30 years really.
30 years? Which is nuts for, like, a character that has been on movie screens for, I mean, since the dawn of movies.
Um-
Yeah.

Yeah, we've kinda hit a lull, right, of not a lot of Robin Hood stuff.
Yeah, the, the Eric Edgerton one-
I mean, I think that Taron-
Yeah.
Sucked
That Taron one killed it.
[laughs]
Yeah.
I think people were like, "Nope."

Yeah, you have the, the 2018 Taron Egerton one with Jamie Foxx, which is-
And Ridley Scott one.

Yeah, it's a bad...

And, uh, what's her face is in it.

Fucking, uh, y- uh-
Which one?

U2's daughter.

Bono's daughter-
Eve Hewson

... who was in Disclosure Day.
Yeah.
Mm-hmm.

Eve Hewson, yeah, she's in it.

Um, who-
What a character, right?

Not great in Disclosure Day.

[laughs]
Dude, she was-

Not great in Disclosure Day.
She stunk.
She-
Um-
It's very hard to blame her 'cause the writing is not exactly helpful for her, but she was not good.

Yeah, I mean, the 2010 Ridley Scott one is-
Also not great.
Not great.
Yeah.

Horrible.

Te- terrible movie.

And then, yeah, I guess you go back to Prince of Thieves, right?
Yeah.
Prince of Thieves or honestly you could do Men in Tights if you wanna can technically consider that.
And I'm asking-

Yes, I would also-
... whether you consider that or not

...

if you really wanna rip something, I mean, Men in Tights is fantastic.
Yeah.
Or the animated, uh, the animated one too, also not bad.

I'm high on Men in Tights.

I know some people don't love Men in Tights, but I'm high on it.

I, I think it's a, a excellent movie.

But I, I, I love Mel Brooks stuff.

Yeah, there really haven't been a ton...

Wasn't, wasn't he in, was he in Snow White?
Who?

The live an- the live action Snow White.

Wasn't, like, his...

Wasn't that basically Robin Hood? Didn't they, like, basically-
Basically, yeah

... put him in that movie?
Eh, I don't know.
I think they did.
I didn't see that.

Yeah, I'm pretty sure, I'm pretty sure the, the new-
I boycotted it

...

the, like, the, the love interest character I'm pretty sure is, is, um, it's basically Robin Hood.
Okay.
Yeah.

I, I think, like, that's the thing though.

It's like what is, what is the, what is the, the cultural interest in Robin Hood in 2026?
Yeah.
I think it works 'cause he's, like, so class warfare based and, like, that is kind of the, the topic du jour right now.

Yeah.
Yeah.
I think, I think if you took it...
Obviously this is, like, going in the complete opposite.
Like, it's trying to run away from the-
the-The classic telling of Robin Hood.
But I do think like a classic telling of Robin Hood, if done right, would really work right now.
Yeah.
Really, really work.
Yeah.
It's gonna be s- like very pared down, I guess.
Like very simplified.
But I like this one a lot.

Yeah.

This is, this is...

It, it's a cool swing.

I didn't love it.

I, I li- I enjoyed it.

I didn't love it, love it.

Like I didn't walk out being like, "Yeah." And I actually kinda liked it more the more I thought about it.

Um, but I think Sarnowski's a, a really good director, and the, the look of this is, is also fantastic.

It does look great too.
Beautiful.

Um-
Beautiful, beautiful movie.

So, you know, I, I, I hope...

Look, again, like, you know, Pig is, Pig is something else.

Like, uh, Pig's an excellent movie that kinda got lost in the year it came out, and should have been nominated for more things.

It should have gotten more recognition.

And I know the people that have seen Pig quite like it.

Um, he also did the A Quiet Place movie, which is obviously a big time one for you, one for me type thing.
I think he, I think he literally said that.
[laughs] Like he was like-

Did he literally say that?
Yeah.
I think he like just came out and said it.

And that, that movie, that movie's really solid too.

Like I, I, I, I mean, honestly, I think I fucking like that movie more than this one.

Um, but this is like a swing and it's his thing, and he went for it.

And, and that's cool, and I'm excited to see what he does next.
Yeah.

Essentially.
No, he was very impressive when we talked to him.
Like I, I would place a future on him right now if I could.
Like he, he's got the juice as a writer and a director, for sure.

Yeah.

Like, like even though like story didn't fully work for me here, like I respect it and I see what he was going for, and I like that much, so.
Mm-hmm.

Yep.

Uh, check out Death of Robin Hood from A24, uh, in theaters now.

Definitely check it out.

You need to...

You know, go see, go see the Toy Story, go see the blockbusters.

But this is smaller movie, um, which deserves some more love.

'Cause yeah, that's, that's a director that should definitely be making more things.

Um, next week, Supergirl, which I know you guys talked to Craig Gillespie.
Mm-hmm.

Um, but Supergirl comes out next week.

You also have the, the apparently the last Jackass movie.
It should be.

So they say.
They're getting old.

And then Invite as well from Olivia Wilde.

So a big week, um, a big week next week, uh, in the theaters.

Potentially, we'll talk about Supergirl in a minute.

Uh-
Oh

...

I'm not sure how big of a week it'll be.

Um, the reactions are pretty positive.

People seem to like it.

People seem to have a good time with it, but we'll get to that in a minute.

But we'll see how the box office does this last week before a, a pretty massive July, which has minions and monsters.
Let's go.

Moana, which we'll see.

I could see Moana maybe underperforming.
Every time I see that trailer-
The vibe I'm getting from like parents I talk to is that they are not that interested in seeing this.

They're super off-putting.
Yeah.

Uh, we have The Odyssey obviously.

That's gonna be humongous.

Um, I know you're pumped, Gooch, for The Dink, the pickleball movie.

Uh, we're gonna trailer for that-
What?

...

in the next 48 hours.
Wait, there's a different one? There, there's one Chris Far- Farley or Farley, Chris Farley that just came out recently too.
That's crazy.

Two pickleball movies?
Like a, like a pickleball movie?
Yeah.
With Chris Farley?
No, not Chris Farley.

Pete, Pete Farley.

His brother?
Yeah, yeah.
[laughs]
Yeah.

I tell you what, if it's Chris Farley that will make a billion dollars.
[laughs] I came back just for a pickleball movie.
You got one last chance here.

Um, Spider-Man, all that, which we'll talk about Spider-Man here in a second.

Um, so yeah, some, some big things coming up.
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Uh, let's talk about that Spider-Man trailer.

Did it, did it come out before or after you guys recorded? I don't, I don't wanna talk too much on things you guys talked about.

Uh-
I think it literally dropped while we...
I think we were-

Yeah
... recording and it came out.

Yeah.

I think it's a g- So I, I have a...

I guess it's a, it's a compliment sandwich here.

Really good trailer.

The, the middle of the sandwich is the negative here for me.

Way too much shown in this trailer, like preposterous amounts.

That's the Sony calling card.
Yeah, I stopped watching it.

Uh, it's just like I, I, I don't know why I watched the whole thing, but then on the, and the compliment sandwich on the other half, really good trailer.

Like got me very excited.

Looks really cool.

Um, I'm curious where the story goes.

Obviously, there's a huge question which can swing this movie.

First of all, we saw Hulk transform for the first time in like 15 years.
Yeah.

Um, I'm excited to see like, like, like Savage Hulk.

This movie and its success, and I'm talking about this from the nerd side of things because the movie's gonna make a shitload of money.

But how this movie is viewed and how it's talked about in the nerd community is gonna be massively tied to whoever the fuck Sadie Sink is playing.

And-
And-I'm still not fully convinced she's Jean Grey, but the, but the...
If there was a meter of Jean Grey, not Jean Grey, the meter is definitely swinging heavy Jean Grey right now.
I don't mind them introducing her in this movie.
I think that's a cool swing to make.
They've obviously introduced big characters in, in smaller roles.
Spider-Man was introduced in Civil War, so was Black Panther.
Um, but Jean Grey is a pretty big character.
Um, and obviously there's, there's some sort of mutant mutation storyline here with Peter Parker, so it would make sense.
Really good trailer, but showed way too much.
Yeah.
Like a, like a shocking amount of stuff shown.
There also seems-
Yeah.
I got like fourth the way through and I tapped out and I was like, "I, I should not...
I don't wanna watch this anymore.
I don't wanna learn or anything.
I don't...
I wanna figure stuff out in the theater." You know?
Yeah.
That's under- I've, I've been like that with, I mean, most trailers, especially The Odyssey right now-
Yeah
... 'cause they've really ramped up the TV ads.
And the TV ads always just show way too much stuff.
Way, way, way too much stuff.
But I did think this, this trailer, they, they very clearly like tweaked how it looked from the first trailer.
Like they, in a, in a good way.
Like they, the contrast, you can tell they cranked the contrast up, turned the exposure down a little bit.
It looks way more cinematic-
Mm-hmm
... uh, which I appreciate greatly.
I do worry this may be a little...
Is there any concern that this movie's a little too stuffed? There's a lot of characters in this, which I think the Spider-Man movies have done a decent job at points of-
Ugh.
Not the last one.
Not the last one, but the first two I think did a pretty good job of-
I would agree for sure
... being contained to Peter Parker's life.
And I do worry that maybe, I mean, there's a lot of people in here.
Um, it'll be fun to see him going up against the Hulk and stuff like that, but anytime these superhero movies start getting a little too bloated, you can run into some problems.
Mm-hmm.
But I'm pumped for it.
Very pumped.
And they're teasing like Peter Parker might fucking die in this movie, which I guess they always have to do, but Zendaya's out here like, "Bring the tissue box 'cause we're going there." I'm like, "Okay."
Yeah.
"All right, Tom Holland."
It'd be crazy if he just fucking dies, but I guess they bring him back and fucking...
Jean Grey brings him back.
They'll reverse a brody.
I also, I also think Spider-Man, that's smart, 'cause Spider-Man does, he has in the comics before, he's a good crossover for the X-Men 'cause he's, you know, young, can relate to the students at Saint Xavier's or whatever they call that, Xavier's School for-
Gifted Youngsters
...
Gifted Toys.
[laughs] Um, so yeah, that, that does make sense.
I like that.
Mm-hmm.
Yeah.
It, um, I'm, I'm excited if this does well, it's going to very much fuel whatever happens with, uh, Avengers in the f- in the f- in December, um, for Marvel.
Marvel would, this would be a big win for them if this ends up being good.
Careful on, on Avengers Doomsday stuff, by the way.
There's a lot of leaks starting to happen.
Yeah.
And they're not finished either, which is like, I'm not, not saying leaks are good, but it's even worse when it's like not finished VFX.
Like previews.
Yeah.
Like it, it just creates...
Yeah.
Um, so we'll see how this plays into that, but no, I'm very excited for the things.
This looks, this looks really cool.
And I tell you, if, if, if this ends up being really good, and like I like Shang-Chi quite a bit.
Destin Daniel Cretton, I mean, this would be two Marvel movies where-
Hits
... like kind of...
Which is like, that's kind of crazy.
Two, two completely different franchises.
Um, and I know the, the Russos did Captain America as well as Avengers, but that's a, that's a little different.
These are like two character stories, so we'll see.
Um-
Didn't he do, uh, Wonder Man too? I think he was like a producer or something, right?
Yeah, yeah.
He was, he was heavily involved in Wonder Man.
Yeah.
Which I thought was fantastic.
Um, directed two episodes, also the co-creator.
So yeah, that's actually, fuck that, that's, that's three things.
Yeah.
That's pretty crazy.
Um, yeah.
Uh, so you guys talked Shrek 5, but since then Shrek 5, oh boy.
Stunning reaction to Shrek 5 on you- on, on, online.
Um, people hate it.
People hate it.
Good.
Looks horrible.
Yeah.
I don't know what they were thinking.
It, it was, it was one of the worst trailers for a franchise I've ever seen.
And, and I'm not, I'm not saying it like...
Look, the animation thing is the animation thing.
You've advanced in animation.
It's, it's hard to s- what are you gonna do? You're, are you g- are you going to animate it exactly like the OG?
No.
No. Right? Now, Toy Story does a very good job.
I mean, they-
Like the action, yeah
...
the difference between Toy Story and Toy Story 2 is huge compared Toy Story-
Yeah
... to now.
But they still, there's not like this unrecognizability to Toy Story, right? Like it just looks like it's, you know, it's kind of slowly worked its way up.
This looks crazy.
So the, the, the comments are turned off completely, which is crazy.
It got 2.6 million views on YouTube, which is not very good in compar- in com- And this is, this is, this is not like they're, they're resurrecting s- this is not like they're resurrecting like Ichabod Crane.
Like they're, it's, it's, it's Shrek.
No offense to Ichabod Crane.
But like-
It's goofball shit, yeah
...
Spider-Man at 25 million views.
And I know Marvel's bigger, but Shrek is pretty fucking relevant still, and pretty big.
Oh, it's awesome.
So yeah.
Um, I don't know.
I wanna find what the dislikes are in the video 'cause it is, it is [laughs] it's pretty fucking crazy.
Um, I don't know how to find it.
They, they, they, they, they, they kinda hide that now.
Disabled it, yeah.
Um-
I said the last one turned off disabled
... anyway, I'll find the second.
But yeah, the trailer, it just, there was something about the trailer.
It was, it was just terrible.
Like it was almost like they, like is there any, like what's the story? What's the movie? What's the anything? They got Marcelo Hernandez ogre with the broccoli haircut.
Broccoli haircut, yeah.
What are we doing? What are we doing?
Yeah.
Again-
And-
... you can't talk shit on that
... and, [laughs] and as I wear my, my this is not a squad it's a family-
A family
... [laughs] uh, avatar shirt.
But, um [laughs] the, the, the jokes weren't funny either.
Like, they were really, I thought, like, beneath them is ...
Which for a Shrek franchise, like, that's absurd to say but, like, Shrek is funny.
Mm-hmm.
Like, having the gingerbread man have, like, big ass cheeks and being like, "I'm caked up now" -
Yeah
... not funny.
Not funny.
And I said they should, like, go back to the lab-
[laughs]
... and maybe Sonic this thing.
Apparently they already did that.
Yeah.
I forgot that.
They already did.
I forgot they actually did that.
Because the reaction to the first one was so bad.
And this is what they came back with? Like, do they ...
I mean, this could be disastrous for them if they don't-
[laughs]

67,000 likes, 102,000 dislikes.
Jesus.
It's like a Will Smith movie video or whatever.

Yeah.

They already went, they ...

Remember, do you remember from the, from the, the-
Yeah

...

the first ...

Was it ...

Not teaser.

Was it pictures? Is that what it was?
I think it was pictures-

Yeah
... 'cause they were like Zendaya is now I don't know.

Yeah.
What is it? Zendaya's Meechee now.
I don't know.
Um, like, she's the daughter, and people, like, looked at the picture and they were like, "What the fuck?"
Yeah.

Yeah.

It's like I, I just like-
Also, do they need to have three children? Do we need three ogre babies?
Mm.
Now we have four characters.

Probably too many characters.

Probably right on that.

Yeah.

This was, this, this, this, this was, this was bad.

This was disappointing, honestly.

Um, so those are the two big trailers.

Um, mentioned Super Girl reaction is decent.

People, some seem like they're having fun with it, but box office could be an issue.

Um, we'll see how that goes.

Ticket sales are, are interesting to say the least when I was looking at it, but I will be seated.

Very excited to go see it.
Mm-hmm.

Um, from Craig Gillespie.

Uh, live action Grinch apparently in the works.
Grinch 2.

Li- se- sorry, sequel.

Yeah, sorry.
Yeah.

Live action Grinch sequel.

Jim Carrey expected to return.

Ron Howard expected to return in some capacity.
It was an interesting crew that they had writing it.
It was, like, a bunch of, like, Curb Your Enthusiasm alum.
The guys that, like, basically wrote Cat in the Hat, which I don't think was right for kids but was good for adults.
So it's a strange crew adding on to Ron Howard, but, uh, I'm, I don't know, I'm interested.
But I'm a big live action Jim Carrey Grinch defender, so-
Yeah, I'm not against it-
... gonna be a big part of it
... at all.
Uh, I think Jim Carrey very much, although he is, like, retired basically, he's still got it.
When he appears in those Sonic movies like he has his fastball very much.
[laughs]
Yeah.
Um, but the question I think will be, like, I think a big part of why I love that first Grinch is, like, the production value on it, which is notably, like, almost killed him, um-
Mm-hmm
... doing that makeup and wearing that suit.
Like, are they gonna be able to do that again with a, what, 60-year-old, uh, Jim Carrey? I don't know.
How old is he now?
Yeah.
Probably late 50s, 60s.
Big 60s, yeah.
Yeah.
I mean, recapturing that kind of production level, you just don't see that really in movies anymore.
Like, that specific type of, like, very, like, stagey kind of costuming and-
He's gonna end up looking like, uh, what's her name in, um, X-Men Apocalypse where, like, she just, like, clearly didn't wanna be in the chair, so they just, like, made her, her makeup like-
Jennifer Lawrence?
Yeah, Jennifer Lawrence, where, like, the makeup, like, was half-assed.
She's like-
Yeah
... "Just get me out of here."

Yeah.

This ...

We'll see.

What's the story on this? What are you s- What's there to say? He's fine now.

He's got the big heart.
He's supposed to be a good guy, so maybe there's a new Grinch.
I don't know.
Good question.
He's doing Hanukkah.
Doing Hanukkah now? [laughs] In Whoville?
[laughs] He can go on other holidays.
Um, Timothee Chalamet and Selena Gomez are in a new animated movie.
I thought he was taking a break for a while.
Now it is an, it is an animated movie, um, but it's called Not Alone from Illumination.
Yeah.

It's an animated alien movie.

Maybe this is a break then.

He's taking a break.

He's, he's lending out his voice.

An introverted rocket mechanic who lives a quiet life alone.
Is this for adults?
Interesting.
Yeah.

Of Illumination I'd assume no.
Yeah.
I thought I saw it described as a rom-com though.
Oh.
Which I guess a lot of animated movies are kind of.

In his first ever feature length animated film, four-time Oscar nominee Chalamet will star as Joe, introverted rocket mechanic.

Co-starring with Chalamet is Emmy and Grammy nominee Gomez as Fran, a brilliant, uh, astro botanist who is developing the world's first ever plant-fueled rocket.

When Joe and Fran are brought together to prepare for the inaugural launch of the revolutionary rocket, there are immediate sparks, but neither is particularly adept at romance.

Life becomes more complicated when three aliens, tiny, unruly, and adorable, take a refuge in Joe's home.

Are they minions?
These are more like-

Dunwellie and Shrimp-
...
these are more like a teen thing

... are on the interplanetary run from a zealous yet inept officer of the law named Zandro.

The aliens determine that Fran's rocket could provide their means of getting back home safely.
This is more like a teen thing it sounds like.

Yeah.
Okay.
Yeah, I mean, I'm into that.
I'm, I'm, I'm interested to see, I'd say, Chalamet take on a new medium.
Maybe he's a great voice actor.
I like his voice.
I think he has a really good voice.
I think he did that, uh-

Yeah.

I, yeah, yeah
...
I think he did that Kid Cudi series or movie.
Oh, really?
Intergalactic.
I think he-
Forgot about that, yeah
... did a bit role in there.
Uh, but yeah.
No, this could be good.
Who knows? I, I do think Illumination is probably better than we give it credit for, um, although they do have a habit of doing some really lowbrow stuff.
[laughs] I think, I think their animation department is, has beefed up quite a bit in the past few years and-
I'm sure once you get Chalamet signed on, it's like, "Okay, we're, we're locked in." I'm sure that [laughs] I'm sure the budget got good on this one.
Yeah.
And it's Selena Gomez's follow-up to Emilia Perez, so-

Heh.

Oh, shit
... gotta be excited for that.

Right, right
... can't forget that.
How could we possibly forget?

Can't forget that.
Oh, my God.
Oscar nominated

Netflix and A24 have now passed on Luca Guadagnino's movie Artificial.

It's an AI-based movie.

Not based on A...

It's based on, like, the world of AI, I believe.

Correct?
Yeah, it's a biography on Altman, no?
It's, it's social network for Altman.

Yeah.
Yeah.

Like, like, uh, yes.

And then it was dropped initially by Amazon after OpenAI's partnership, conflict of interest.

Netflix said no, A24 said no, Focus said no.
I saw-
Neon maybe?
...
A24 was circling.
Maybe, yeah.

That's right.

Andrew Garfield-
Neon

...

Sam Altman, Monica Barbaro in it as well.

Uh, Yura Borisov from Anora's in it, Ike Barinholtz, Cooper Hoffman, Jason Schwartzman, Billy Lord, uh, Chris O'Dowd, um, Mark Rylance.

So yeah, but it does not have a home right now.
Yeah, this is crazy.
This is honestly, I think, like, the story of the week.
Like, this is-

I get, I get the Amazon thing.

Now, I'm not saying it's, like, good for them, great move.

I'm just saying, like, okay, whatever, you partnered with the guy, you know, like, whatever.

Like, sure, fine, whatever.

Makes, like, makes sense.

But I figured, like, anybody else would've picked this up.
Yeah, it's a little concerning.

That's why I was, like, shocked.

It's like, what...

Like, again, I get the conflict of interest.

Like, if they don't wanna do it, if they'd rather be dead with OpenAI, well, okay, whatever.

Fucking Amazon.

It's not like we're talking about some mom and pop shop that's just gotten, you know, put up to Amazon.

But again, no one...

I g- I'm kinda shocked A24 said no. Um, maybe like Neon will pick this up.

Neon seems to pick up everything they can.
Mm.
Yeah, I, I was reading that it basically, like, kinda boils down to whoever is not keeping...
Like, not interested in incorporating AI into their business model, which seems like all the studios wanna do now.
Um, it's tough.
You know, you know what I mean? Like, it's...
Can we not make a movie critiquing? Like, I'm not saying-

Yeah
... like, every studio should be coming out with a movie critiquing AI and kind of the industry, but-

Why A24? I, I wanna know the explanation on that.

That doesn't make any sense to me.
They just did a big AI deal.
They just did a big AI deal today.
I think-
Yeah, they're, they're on the board.

Oh, really?
Yeah.
He's on a board with Altman, the, the guy who runs A24 currently.

Got it.

I didn't know that.
Yeah.

Okay, well, that makes fucking...

Oh, that fucking makes sense.
Yeah.
It's also, like, the movie just might not be very good, and that's also probably a factor.
It's like, do you wanna potentially fuck with any whatever your sponsor thinks, and the movie's just not very good on top of it? And I mean, God bless Luca, like, are his movies some giant box office draws? Not really.
Like, uh, it's just, there...
I feel like there's cascading levels to it for sure.
But I do agree, like, the whole everybody's seemingly not interested in an AI movie or a movie about Altman does seem a little strange, especially because Garfield alone should be, like, enough of a price of, like...
Ob- I should be interested, right?
No, this is one of my most anticipated of the year coming in, just based on, like, the cast, who's working behind the scenes, the subject matter.
I thought it was big swing, but it could, if it lands, like, be something really great.
I mean, Luca's hit or miss, but when he hits, he really fucking hits.
Like, he-
But when he misses, he really fucking misses too.
[laughs]
Oh, yeah.
Um-
That was a fucking low point
... also, maybe this is...
You know, he, he came out against the king of Hollywood, the king of movies, Mr. Movies-
He did
... a week a- a week or two ago.
Maybe Tom Cruise pulled the plug on this thing.
Honestly, good for, good for Cruise.
Getting, getting that Scientology stuff to work.
[laughs] Fuck you, Luca.
You gonna talk shit about Top Gun? Fuck off.
That was crazy.
That was such a crazy thing to say.
I don't mind it too much, to be honest.
I like it when the actors-
I, I, I, I get, I, I get, I get where he's coming at
...
he picked the worst example.
He picked the worst fucking example for his main point.
His main point wasn't terrible, but it was like saying like, like, "I, I hate how they shoot too many threes in the NBA.
Look at Steph Curry, he sucks." It's like, no, he doesn't.
You pick the one guy who makes it look really cool.
Like, you gotta pick-

Yeah
...
the example that sucks.
Oh, it's crazy.

For me, for me, a big part of it is, um...

Y- you can, uh, uh, their, the reaction to it, I was more bothered by the people.

Like, you can have both things, right? You can have a Luca Guadagnino movie, and you can have...

Like, I, I don't, I don't understand why there's a need to kinda rip it down.

But that was his take.
We need more directors giving batshit takes.

Yeah, I, I, I would prefer more to be open like that.

I don't have to agree with them, but-
Yeah, like Tarantino's got terrible takes, but I like listening to them.
Soft takes.
I like listening to him.

He apparently, he apparently has seen Horizon 2 from-
From Kevin Costner?

...

Kevin Costner.

Yeah.

Said he quite liked it.

Uh, that's that-
For real?

... that's just, that's just fucking bullshit.

I, I, I believe he's seen it, but, like, it don't...

I don't, I don't believe Tarantino liked that movie.

Give me a break.
No.

Um, George Lucas apparently has a role in Minions and Monsters.

What's happening?
Perfect.
Perfect.
I think that's perfect.

But are they, are they just trying to preserve their, they're older in age, him, Scorsese.

Are they just trying to preserve themselves in, like, younger movies for their, like, grandkids and stuff like that?
Have a little fun.
Do a little banana for the, for the people.
Like, half of his characters are basically minions anyway in Star Wars.
Like-

Is he a minion? Like, who is he voicing?
It's gotta be.
He's replacing Blerb, Jeff.
Yep.
Herb.

Is he, is he...

Like, I wanna...

I need to know who George Lucas vo- I wanna know how that's...

Like, 'cause he is largely out of the public spotlight.
Yeah.

Like, he'll show up on red carpets.

He was at the World Cup the other day.

He, he just opened up that massive museum-
Yeah

... near USC's campus.

But otherwise, he's very, like, not...

I don't know.

I've, so I, I, I kinda need to know.
You know what I bet it is? 'Cause it's gonna be old Hollywood, like silent era into talkies, just like Babylon.
Um-
Yeah
...
I bet he plays a director.
I bet he voices a director.
Sucking down a Diet Coke, directing a movie.
Like, I, I...
Like, with the big ass hair.
I'd love it.
Yeah, that'd be fun.

I could, I could see him doing a director.

Speaking of directors, uh, Jesse Eisenberg's movie's title got announced.
Yes.

His next one, The Debut, stars, um...

He's been produced, he's producing with Emma Stone.

Uh, he w- he wrote and directed.

Julianne Moore, Paul Giamatti, Halle Bailey.

Um, [lip smacks] forget who else was in it.

But, uh, [clears throat] a shy woman is unexpectedly cast in a local production of an original musical.

Under the spell of the strong-willed and, uh, enigmatic director, she loses herself in, in the role and the high-stakes world of this community theater production.
Very excited for this.

On board anything he does after his last movie.

So-
Mm-hmm.
Hell yeah.
Yeah.
Shout out to Emma Stone just financing his career now.
Uh, that's great.
She did, uh-

Yeah
... a real pain too.
[laughs]

Yeah, that's right.

That's right.

I forgot she did that.
Yeah, and she's finally free of Yorgos' clutches for like a little bit to go do her own thing.

He's doing something else I saw.
Yeah, but that doesn't involve her, which is like, I think great for the personal growth of both of them.

Yes, I would agree.
And her marriage probably.
Yes.

Time to do a little something, just a little something different.

Um, but yeah, he did, uh, he did A Real Pain two years ago and he's back for this next one, so very, very excited to see what, what he's got on tap.

Uh, no more Now You See Me movies.

Come on.

Oh, he's also in Minions: The Monsters.
Oh, come on.
Come on.
Come on.
Come on.
Heisenberg is?
One more.
One more Now You See Me.

Yeah, he's voicing Dort in Minions: The Monsters.
Good for him.
Respect.
Ah, Dort.
[laughs]

And then finally, Peter Serafinowicz-
Face tough defense

... who famously voiced Darth Maul among many other things, had a very funny Star Wars story, which he-- Every time he talks about Star Wars it's pretty funny, um, 'cause it was a horrible experience for him.

Um, he-- It was a huge letdown.

He voiced Darth Maul, didn't play Darth Maul, uh, just voiced the character.

Uh, he said he was told by George that he would be the next James Earl Jones.

Which is a, which is a pretty crazy thing to tell someone when you know they're gonna die at the end of the movie, and then also have...

Over, under.

Let's, let's, let's play a game here.

How many words does Darth Maul say in The Phantom Menace?
They have, they have that conversation, him and, uh, not the Emperor.
They have a conversation like-

Yeah.

And he, he talks to the, the Neimoidians-
Yeah, like in nighttime

...

Gunray, Gunray.
Yeah.
And he says like-- They say like three words to each other, like, like the, the, "Finally the Jedi will be ours." Like I would say he says less than 20 lines in this movie.
Yeah.
I was, I was gonna say 18.
There are 20, 20 words roughly.
Six, maybe seven.

I'm gonna say s- I'm gonna say 17 words.
Mm-hmm.

So he says...
What does open AI say?

Seven, eight, nine, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36.

I'm guessing that's it.
36 words?

I don't think he speaks again after that.
He doesn't say shit during their duel at all.
It's all silent.

37, 38, 39.

Damn, I knew, I knew I should have guessed in like the high 20s.

I was-- It still would've been off.

Yeah, he says 39 words the entire movie.
'Cause he talks to the Neimoidians, then he talks to the Emperor at the nighttime, like Coruscant scene, but I don't remember him speaking again.

Yeah, he says he has a, he has, he, he...

Yeah, he's 39.

39 total words were spoken by Darth Maul, and George Lucas told the, told Peter, Peter Serafinowicz he's the next James Earl Jones.
Yo, bad joke.
Serafinowicz does have a great voice.

He does.
And very funny guy too.
He, he had a, he had a writing show once.

He does not voice Darth Maul anymore.

It's now voiced by, um-
Sam Witwer.

Sam Witwer.
Witwer.

Yeah, yeah.
Sam Witwer's a great voice too.
That, that doesn't, that doesn't...
That has to feel bad too.
Like-
Yeah.

Yeah.
People...
Like that's one of the most respected voice acting performances I can think of in my lifetime.

Yeah.
Yeah.

Yeah.

Um, all right.

Uh, what have you been watching lately? Anything?
Thrones.
Off to a good start.

Yeah, people seem to be very happy with the return of the House of the Dragon.
I think they should've-- 'Cause this episode's like, it's just one big battle, and I think they should've ended the last season.
I know that was like a big point of contention between HBO and them about it.
Um, but like I wish this episode was the ending of the last season, not the beginning of this one, because it throws you right in the middle of the action without like really refreshing you on the characters, and they just have five billion characters.
And it's like in Thrones they're a lot more, I don't know, like judicious in how they deal-- they split the screen time between people.
Like this is just, it's all over the place and there's just too many people to keep track of, and it's, that was a little bit of a bummer.
But the fights were good and that's what you really want, especially 'cause last season was so boring.

Yeah, I, I, I, I have not watched yet.

I will watch.

Um, I'm not as big of a-
Widow's Bay great

...

Game of Thrones fan as other people, so.
You did Widow's Bay too, right?

Say it again.
You did Widow's Bay too, right?

Widow's Bay, fantastic.
Really good.
Really, really good.

Just excellent, excellent, excellent show.
Mm-hmm.

Um, makes you wonder, and actually the, the, the Red Letter Media guys brought this up in their review of it, and this is kinda what I was thinking when I was watching Widow's Bay.

Katie Dippold is the showrunner for the show.
Yeah.

And she did the female Ghostbusters movie.
Yeah.

And it makes you wonder how much of that was really Paul Feig's fault more than anything.
Right.

'Cause she got, took a lot of shit for that movie.

Rightfully so.

It's a, it's a horrific movie, uh, terrible in every way, shape, and form.

But this, this, this show was fantastic.

They brought in some excellent directors too.

Um, they brought in Andrew de Jong, who did the Tim Robinson movie, Friendship.
Yep.

Uh, he also did Chair Company with, um, Tim Robinson as well, and you can tell the episodes that he directed in this.

They just have that like Tim R- that like sicko, weird Tim Robinson feel.
Deliberate, yeah.

Uh, uh, Ti West did an episode.

Uh, Hiro, um...

I don't know how you say his last name.

Hiro M- Murai, he did, um, he worked on Atlanta, uh, Barry, um, worked on The Bear as well, executive producer.

He did a ton of the episodes of Widow's Bay as well.

[swallows] It's a great show.

Very funny and very dry.
Mm-hmm.

But also like really good horror and I w- I won't spoil it, but the, the, the, the episode that was my favorite I think was, um- The, I'll just say, I'll just say one word.

I'll say Boogeyman episode.

Like just a crazy out of nowhere episode for that show.
Mm.

Um, so yeah, I highly suggest that.

Have you guys watched Cape Fear at all?
Not yet.
I want to.
No.
I heard it's really good.

Yeah, it's getting a lot of good reviews.

I haven't watched it, but it's getting a lot of hype.

That's kind of next on my list.

People seem to quite like it.
Yeah.

And I don't do that show Sugar on Apple TV.
No, I didn't watch.
It's tough deciding which Apple TV show you're gonna watch.
They have a lot of really...
You know, like the, the floor on all those shows is so high, like you know you're gonna probably watch something good when you click play, but there's like so many coming out all the time and it's-
Yeah
... kind of tough to decide where you're gonna spend your time.
Yeah.

Yeah.

I'm excited to start Cape Fear, 'cause I, I've seen mixed things, but I've seen some people, I've seen some people swear by it, but then some people say like, "Didn't really do anything for me." Um, that's got Amy Adams, Javier Bardem, Patrick Wilson, so I'll definitely, I'll definitely check that one out.
Mm-hmm.

Um, anything else on, uh, what we've seen?
Hmm.
No, nothing crazy for me.
Yeah, no.
Pretty busy the last week.
Did a lot of rewatching.
Spielberg rewatching, Toy Story rewatching, but outside of that, nothing.

Yeah, I, I, I sn- I snuck in some, some, some, some Toy Story stuff.

Um, got a couple things in the mail.

Got probably way too much if we're being completely honest.

Um, Umbrella, The Fall.

This has been a huge blind buy recommendation to me.

Um, watched it.

Unbelievable movie.

Um, fucking incredible box set.

Umbrella's like big time, like great boutique label.

Comes with like hardbound books.

You get the book, you get the behind the scenes, uh, content as well.

Um, I'm just fucking hiding it here.

You get like a full book, make of the movie.

You get essays and everything, and looks fantastic.

Um, Tarsem Singh's The Fall, which I had not seen.

Watched it yesterday.

Fucking incredible movie.

Um, very glad I got that.

Umbrella's, they got some fantastic stuff.

Um, and then I also got second version of Mean Streets from Second Sight.

Um, so you-
Which is supposed to-

... get the definitive Mean Streets from Scorsese.

Found a, a one of 100 Oppenheimer.

I'm now just into just collecting every version of Oppenheimer and Sinners that I can possibly find.

Those are like the two.

I just like everything...

And Dune.

Um, but this like crazy looking Oppenheimer-
That's cool.
Yeah, that one's cool

... uh, special edition 4K, which there's only 100 in the world.

Can't believe the guy got rid of it.

Guy's a lunatic for getting rid of it.

And then Curzon, I've not had many of this, uh, label, but the Three Colors trilogy from Curzon is beautiful-
Oh, yeah

... and I had to get it-
Very nice

... 'cause this is like, I mean, some of the best shit ever made.

One of the best trilogies ever made.
For sure.

Um, and I have the Criterion, but wanted to pick this one up as well.

Couple, uh, couple new Criterions came out this week.

They announced they got 12 Angry Men going to 4K, which I'm very excited to see how that looks in 4K.

Um-
Oh

... 'cause the Blu-ray looks great, but I'm curious how that looks like in, in, in the 4K kinda remaster, so, uh-
See, the other big announcement, better start saving up.
I know I am.

Yeah, the, the, the...

Well, so here's my concern.

So they're, they're coming out with a Kubrick box set, Criterion.
Let's go.

My concern is I...

Look, I obviously have a lot behind me, but I have one rule: no, no goofy fucking box sets.

The Wes Anderson box set is preposterous.

It's just, it's just ridiculous.

It's like this...

And, and they, uh, there was a leak of what the, what the Wes Anderson almost looked like, and it's like just normal.

You can put it on a shelf.

This thing is like, it's got, like it's got a fucking record player.

It's just got these like, it's like a briefcase.

It's just too big.

And they've, they've had some other things.

Like, I think their Fellini box set is massive, right? You have it.
It's right here.

It's just...

It's the record.

That's cool.
It's got another box.
It's like, that comes out of the box, and it's got like-
Yeah, it's just, it's-
... got those essays and stuff.

It's, it's just...

And even this, like I got, I picked up this.

Like I got the film vaults, like The Shining.

It's too big.
So you just don't like how it fits on the shelf?

Yeah, like there's, there's a little bit of like [blows raspberry] I want it to fit on a shelf.

Like it's got...

It's, you know, it's like imagine wanting to...

The...

I, I ordered a Kubrick thing a couple years ago, and it, and it, it's like this big.

So I'm a little worried that the Kubrick thing is gonna be this monstrosity.

But it is funny, 'cause like I buy things, I buy a lot of things on, on Discord and, and Reddit and eBay, and people are unloading their Kubricks.

[laughs] They're just...

And a- all the comments are like, "Why are you getting rid of this?" [laughs] "What are, what are you...

Why are you getting rid of this one?" Um, so yeah, I'm, I'm curious what it is.

Kubrick.

Look, I know my guy Stanley.

He'd want it simple.

He wouldn't want, he w- he wouldn't want a big fucking coffee table book that folds out into his head, bust of him.

Eh, no, n- none of that.

Um, all right.

Top 10.

Let's, let's do a, let's do a re-vote of our, of our Spielberg list.

This is, this was...

It was incorrect last week.

That's my fault.

I left off E.T. Top 10 with my E.T. included goes Jaws, Raiders of the Lost Ark, E.T., Schindler's List, The Last Crusade, Jurassic Park, Saving Private Ryan, Catch Me If You Can, Close Encounters, West Side Story.
Still great.

Yeah.

That's crazy I forgot it.

Wes-
I think West Side Story actually ended up getting bumped by Duel, because I, I ended up putting Duel in my top 15.

Oh, okay.

Okay.
And it was, so that was across the board for everyone.

Um, yeah, Duel's great.

Duel for me I think was like top 15 as well.

Um-
We all had it at...
Our rankings, by the way, were just like, I think it was the most aligned we'd ever been, like across the board for everyone.

Yeah, for the most part, except you, you don't have E.T. as high.
No.
I was low on E.T.
I think me and Kirk like were swapped on E.T. and Jurassic Park.
Like-

Yes
...
I had Jurassic Park at two and he had it at 14, and then he had E.T. at two and I had it at 14.

Yep.

Y- obviously Jaws-
Yeah

... was our first unanimous number one, so.

All right, these guys interviewed Craig Gillespie.

Big, big release from him coming up, Supergirl.

Very excited for it.

Uh, here's our interview
interviewOkay, we are very happy to be joined by the one and only Craig Gillespie to talk about Supergirl, Kara Zor-El.
Is it Kara or Kara?
Kara.
I always- Kara.
Kara Zor-El, uh-
Kara
...
AKA Supergirl.
[laughs]
Let's go Supergirl.
Supergirl.
I...
We were just saying right before we started, I, sometimes Kryptonian can get a little b- uh, over my head.
[laughs]
Uh, joins forces with an unlikely companion on an interstellar journey of vengeance and justice when an unexpected advers- adversary strikes too close to home.
June 26th, Supergirl.
What I think one of the many great things about the movie is that you guys really struck a home run with Milly Alcock, uh, as Supergirl.
She is so fantastic, so great, and you signed on actually after the casting.
I'm curious how much of it-
[laughs]
... was influenced by that.
You guys already getting, like you got, you got the girl.
No, it's funny.
It's like that is the single most hardest thing to do, to find the lead for a film, particularly this kind of film, and I got to go in and meet James after he'd already cast Milly.
So knowing that that was the tone they wanted to go with, to have like an actor of her caliber, I think her performances had been brilliant prior to that.
I'd watched her in House of the Dragon and several Australian television shows.
I could see like the dance she did between drama and humor, and I, I, I couldn't be more excited.
I couldn't even think of anybody else that, that would be right for the role besides her.
Mm-hmm.
So knowing that that was what they were going for made it really exciting to step into.
I didn't even think about the, the Australian connection before we thought about it, but yeah, you...
And it's so funny, Australians are, you guys are getting really pervasive in Hollywood.
You guys are everywhere.
[laughs] No, it definitely was a little, uh, Australian camaraderie going on set I think, and there's a sense of humor that maybe sometimes it was too Australian.
[laughs]
Mm-hmm.
There's like...
No, we'll talk actually a little bit about where I felt I saw a little Australian influence at a specific movie.
We'll talk about that in a bit.
Uh, what I really liked about the way you guys handled, uh, the character I think is that you established this iteration of Supergirl where she's a great yin to Superman's yang.
Yeah.
Especially when you have them on screen together, which is so great, and I was curious how important that contrast in characters was for you guys in just setting them up.
Well, it's, it's built into the story.
Anna Noga- Nogari wrote an amazing script off of, uh, Tom King's, you know, graphic novel obviously.
But she is quite the Krntarian and she's, she's running away from her trauma.
She's running away from responsibility, and it all makes sense from what her upbringing was and like what, the loss that she suffered, and she was never groomed for this role where Superman was.
So that, that conflict was built in in the best way and, and being able to play with that and the altruism of Superman versus her like lack of responsibility that she has-
Mm-hmm
... makes for some great scenes.
Yeah, especially every time they're on screen together it's, it's like, oh this just, it's right.
[laughs]
It feels so right.
You feel that sibling rivalry even though they're cousins.
Exactly.
Cousins that met like pretty late into their lives-
Yeah
... and it's like immediate, like it just works right away.
[laughs]
Uh, you mentioned James Gunn.
I feel, and we've talked about this like long before you had ever signed on for Supergirl, like you and James Gunn feel like such a match made in heaven because the way it feels like you guys approach...
Jesus Christ.
[laughs]
The way you guys approach movies does feel very similar in that you guys are really, really great, I would say maybe the best, at especially integrating music into your pictures.
Right.
I'm kinda curious like what your guys' meeting was like and like how you guys felt about it.
Um, I was so excited that James got to head up the DC Universe, uh, 'cause I love his tone and I, you know, I've loved the work that he's done and I do feel a kinship with the kinda style that he's doing and, and the tone that he...
You know, it's always a tricky tone.
I love to be in a tricky tone with space, and music is obviously close to my heart.
I met, when I met with him, which was at the beginning of this, all of this happening, I had to pitch myself as a director.
They were meeting multiple directors at the time.
Um, and I asked him, I said, "How much do you want this to be in your universe that you're doing right now with Superman?" They were in the middle of shooting.
And he's like, "Not at all."
Mm-hmm.
And which I was candidly surprised by.
He's like, "We're treating this like each one is its own graphic novel, and they're as distinct as graphic novels are in the comic universe, and you, you get to do y- what you do." And, uh, that was an amazing gift that he gave.
It was also a little scary because this, this is a whole world that we had to create.
Yeah.
Um, it was all off-planet.
It's a universe.
I didn't quite appreciate the enormity of that, you know?
Mm-hmm.
50 different aliens, wardrobe, locations.
It's, it was an enormous undertaking.
But he, and he was amazingly, uh, true, true to his word.
Yeah.
Um, and then again in post we got to like sort of roll our sleeves up together, and that's a really fun process to be like dealing with a filmmaker instead of a studio.
Sure.
Oh, yeah.
[laughs] You know? So to be able to be like, "Well, what if we tried this, or what if we cut this out, or what if we moved..." And, and like, you know, that kind of dialogue is just such a shorthand that you have amongst filmmakers.
Yeah, I imagine it's almost like being a, like an actor's director.
You know what I mean?
Yeah, exactly.
Yeah.
But in this case you have the guy that like he understands where you're coming from.
Yeah.
And, and the music and it, it's like everything.
There's a...
You know, it's like, "Well, what if...
Drop the music here, and like do this, or like we cut out right now." It's like, you know.
I imagine too 'cause you, this is early days for like the update to DC, I'm kinda curious how important it is for you guys to kinda match your visual acumen at all.
'Cause like obviously you wanna look similar, like you're still in the same world, but you also wanna establish your own independent identity, so.
Well, that was the, the...
You know, I, m- from the get-go, like when I came in and, and met on this movie, I s- I...
It's very hard to second guess people, and I think you ought to stay true to your own instincts.
So for me, I put together this deck, like 120 pages of visuals of what I wanted to do, and if they didn't wanna do that, no harm, no foul.
Sure.
But like you don't wanna get down the road and suddenly be like, "Hang on, but what movie are you making?" [laughs]
Mm-hmm.
Uh, it's a terrible place to be.
Um, so I wanted to be as upfront and clear as possible of what I thought this should be, and it was dark and gritty.
And the cinematography of it, just the style of it, it's like I, I pushed f- in that first meeting that let's have her not get into the superhero outfit till as late as possible.
Mm-hmm.
Which wasn't in the script.
Um, and so and he leaned in on all of that, and so that g- to have that kind of confidence and be able to run with that was amazing.
And I kept waiting for the shoe to drop.
[laughs]
Yeah, right.
And, um, it didn't.
We ended up shooting the whole thing, and it was like that bible was kind of for all the departments and we, you know, we just marched forward and, and got it done, and, you know, that was really special.
And-
It's so funny, 'cause this is like the opposite experience.
Remember we interviewed, um, uh, Matthew Vaughn, uh-
Uh-huh
... for something a long time ago.
He was Kingsman.
And he talked about his experience on like, um, Fantastic Four.
Mm-hmm.
And he...
The way he describes it is the exact opposite-
[laughs]
... trying to deal with like a studio where it's like they're overbearing, they're telling you, "You need to cut this.
You move this, move this, move this," and it sounded like such a collaborative experience with Gunn feels like a relief comparatively.
I think, yeah, absolutely.
And it's like it's, it's...
It's an interesting thing because there's, there's a lot at stake, you know?
Exactly.
So the people, you, you s- usually do feel the pressure.
Yeah.
You know?
Yeah.
Trickling down.
[laughs]
We actually had, a few months ago, Jason Momoa was sitting in the exact seat you're sitting right now.
[laughs]
And we asked him a lot about getting the call for this, and he mentioned how, uh, when Zack Snyder called him initially for Aquaman, like he gets the call, he's like, "I want you to be in this movie." And he's like, "Oh, you want me to be Lobo, right?"
[laughs]
And he's like, "No, I want you to be Aquaman." He's like, "Oh, okay, cool.
But I- Lobo's cool too though."
[laughs]
So what...
Well, how, how amped up was he to get the call from you guys, like, to do this?
It literally came up in the first meeting-
Right away
... with, about, about Jason.
Yeah.
You know, with James and Peter.
And, uh, it me- he's been championing it for 15 years, Jason.
So I couldn't imagine anybody else in the role.
Mm-hmm.
And he came into it with such enthusiasm and gusto.
And, you know, a lot of, uh, you know, conversations, he was s- he's probably the biggest Lobo fan there is.
Oh, yeah.
There's been decades of Lobo comics.
Like, trying to single it out of like, "All right, so what's his look?"
Mm-hmm.
"What's it gonna be?" We quickly like landed in the '90s with the look.
And I start trying to really stay true to that character and, and his lineage and where these like facial markings come from.
And there was a, like a lot of great discussions.
But then to get him on set, and his energy, and he's so gregarious in the best way, and his willingness to play.
Mm-hmm.
You know? Like try something, try something completely different, and find the character was so much fun.
Yeah, it's funny, we were talking about that with, uh, Momoa, and like, 'cause you see in his early work, like, a very specific sorts of characters.
But then like we watched, uh, like Fast.
Uh-huh.
Fast and Furious when he plays like basically the Joker, and we're like, "Oh, my God, this guy can just, he can riff, he can do this crazy stuff."
Yeah.
And I feel like you definitely get a lot of that in Lobo.
And obviously we're seeing that range now all over the place with him-
Yeah
... which is amazing to see.
Yeah.
It's very cool.
And he actually, you mentioned like the stylized look.
Like I felt like he almost regularly dresses like a human Lobo.
[laughs]
Like he has like just this, a very unique like visual-
Yeah
... like style to himself, so.
He does.
He does indeed.
And it's like when we, um...
And, and the other thing that happened with him, like, you know, so we...
I wanted this movie to be as practical as possible.
Sure.
And like, okay, I want Lobo's bike to work.
I want him to be able to ride it through a whole stunt team, 50 like people on the set, fireballs going off, and like do these power turns.
Mm-hmm.
And Jason was, of course, was loved that and was totally up for it.
And we built this bike that, you know-
Oh, that's so cool
... that worked.
And so those sequences where you see him riding that bike, he's riding that bike through those crowds and those explosions.
Oh, that's awesome.
[laughs]
We mentioned that too when we left the, the screening where, we, uh, yesterday.
The practical sets, especially when you see like aliens show up on scene.
Yeah.
And you could see like obviously there's CG where like there needs to be CG, which feels like such a sort of breath of fresh air, especially in the comic book world where it felt like there was like an overabundance, and now it feels like it's like let's be more, I don't know, judicious with our shots.
Yeah.
'Cause like especially with the aliens, you get a lot of practical up to here.
Yeah.
And then maybe just the eyes.
Yeah.
Or something like that.
But I love that touch.
It...
Yeah, Legacy, uh, we did a lot of our key visual effects and, and it's all animatronics for them.
But they're great too with like the, the h- the handover where it's like, you know, the blinks and the, the eyes turning.
Yeah.
We can do CG, but like let's make it as practical as possible.
Mm-hmm.
Yeah.
And find that line.
Yeah, we, we, we loved that.
And that's something we talk about t- a lot with like Star Wars too where like I feel like audiences, sometimes maybe studios, there's a certain point maybe, uh, post-2000s where like audiences love CG.
They want a lot of CG.
Yeah.
But I do feel like audiences do like a lot of practical work.
Like they, there's a suspension of disbelief for animatronics and puppets-
Yeah
... which like audiences do seem to have.
[laughs] Which they don't for CG.
[laughs]
Yeah.
Which they now it's, it's flipped and it's on the opposite end.
It's flipped.
Yeah.
But the other thing I'd say, and I, I think all practical effects, it's the same with the stunts, like we built that stage for that big fight sequence-
Yeah
... on the biggest stage in Leavesden in London.
Um, so we built that whole city around them.
And we had seven tanks in there, one of them blowing 40 feet in the air with explosions, Lobo on his bike.
The stunt team had eight miles of cable ratcheting-
Geez
... stunt guys.
It s- it...
My stunt coordinator Robin came over and he's like, "I've never used this much cable in a, in a film before." And so it's as practical as we can make it.
Yeah.
With just set extensions up above.
And I, I think the audience appreciates that.
I think it's like they're so savvy now-
Mm
... that they can just tell.
Mm-hmm.
Like what's CG, when's the blue screen, and, you know, and it kinda takes you out of it.
It's like, but there's a, there's a, there's just a tactile feeling to something when it's-
Yes
...
in camera-
Absolutely.
I think it's-
... that you can't deny.
It's absolutely a perfect way of putting it.
And I think you feel that a lot, especially on these sets, uh, like the bar for example.
Yeah.
You have a big bar sequence.
Like you can phys...
That feels like a real bar, like a dingy, real bar on the left.
It's, you can look 360.
It's like that, again, characters in that bar, if they're flying out a door, they're getting ratcheted out.
[laughs]
Yeah.
They're getting blown up.
You're seeing-
Yeah
... big stuff, and like it's like you're saying, the tactile, like you feel like you could reach out and touch it.
Yeah.
Versus like sometimes the, if it's blue screen, like you don't really feel that immersion maybe-
No
... as, maybe as much.
Um, um, so just kinda curious, with Supergirl, maybe just in coming, approaching this in general, what are the m- comic book movies that inspired you? Or some comic book pictures or maybe just anything that inspired you in this p- i- in making this process?
Well, this is, this is kind of like a buddy road film.
Mm-hmm.
Um, obviously there's, which True Grit-
Yeah
... has that, you know, is, is a favorite of mine.
And just, just to know, i, it, that you can have...
And, uh, in fact, in Logan has it as well.
You know, where you can have like this anti-hero that can be so gruff and unapologetic and put upon.
Mm-hmm.
And the audience will go with that, you know?
Yeah.
It's like particularly when you understand why they're that way and what they're coming from emotionally.
So just working with that with those characters is, is a really fun space to be in.
I mean, obviously there's a ticking clock in the, in the violence in John Wick.
Yeah.
[laughs] Which is another touchstone, although it's different.
But, uh, you know, in terms of a plot device-
Mm
... it's, it's, you know, you can't, you can't deny that.
[laughs]
You also have a great Alien node and space they can't hear you scream moment too, which I also appreciated-
Yeah [laughs]
... quite a bit.
That was also great.
Yeah, and I liked, uh, uh, just the sort of visual you got for Krypton was cool because you don't really get any of it in Superman.
No.
And that's something I think in most Superman origin stories they'd make a point, like, "We gotta show you..." Even in, like, Man of Steel and whatever, like, they show you, like, here's a bunch of Krypton.
But he, they really throw you right into the action-
Yeah
... which I appreciate a lot in Superman.
But you give it a little more context-
Yeah
... to what Clark might be feeling too.
Yeah, no, it was, it was really great to, like, w- be able to roll our sleeves up and spend time there.
Mm-hmm.
And, like, really see this whole story and, and, like, and, and how it unfolded and why she is who she is.
Yeah.
Um, and it was an interesting way, like, when we were doing it, it was, it kept moving around within the film of like, when, when do we make, reveal this to the audience? 'Cause, like, how long can we go with her being abrasive and, and, like, rejecting and, like, other people and, like, running away from things before we need to understand why.
Mm-hmm.
You know? So that was, like, a really interesting dynamic in the film to figure out.
Yeah.
Uh, so Supergirl, June 26th.
Obviously I have to talk to you about-
Yeah
... other stuff where we can.
Uh, you also directed Cruella, which for my money's worth-
[laughs]
... and I've said this at least on our show a million times, it is the best Disney live action adaptation made, period.
And I'm kinda curious 'cause you, I feel, had a very clear understanding of what made a live action r- adaptation work, and that you, you had something to say.
You're like, "I want to make my own spin on this, my own story, my own give you something other than what you've already seen," which I really appreciated.
But I'm kinda curious what you, what your formula you think is for the live action remake and why you think it works.
Uh, with Disney in particular? Or-
Sure, just live action-
Just in general?
... any, any live action remake.
I think [laughs] it's like I, I s- I was saying it on, uh, Cruella with every department head when they would come in, n- no offense to Disney, but I'm like, "We're not making a Disney movie."
Sure.
"We're making an independent film."
Mm-hmm.
"Like, just think of it that way." Like, everything about it, the way we approach every, like, like, fashion choice, like, production design, it's like, it, make, keep it as grounded and, you know, and real as we can.
And it was a s- a similar thing when we got to do Supergirl.
It was, like, just the grit that, you know, diving in with Rob Hardy on the cinematography and just the world that they're in, it's just I wanted to feel the texture of it and, and the, the dirt and the poverty-
Mm-hmm
... and the violence and, and just, like, feel like we're in it.
And-
Yeah
... uh, and that's, again, like, b- a little bit more back to that independent spirit-
Mm
... and then have it on this enormous backdrop.
[laughs]
Yeah.
And make, make something that I think that-
Yeah
... has not necessarily been seen yet, which I think is, uh-
Yeah
...
the smart way to go about it.
Uh, and then in I, Tonya, obviously this...
I think that movie you walked on such a tightrope-
Yeah
...
it felt, because you have a real story that had real consequences.
It was, like, very serious, serious event, but also you were able to inject a lot of humor into it, and I'm kinda curious what your, your guys' approach was to that.
That was, that was, um, that was a stressful approach in a sense.
And it's funny, my first meeting with Margot Robbie on that film, she s- sh- her one question was like, "How are you gonna handle the violence?"
Mm-hmm.
And I said, "I think it has to be brutal.
I think we have to show, like, what she went through so we understand the way she is."
Absolutely.
Um, because she never quite gets to the point of being, being able to have the awareness in the movie of what sh- of, of facing the consequences.
Mm-hmm.
And, but when you see what she's suffered through, you understand why she can't quite get there.
Yeah.
And it gives you empathy for her and what she's been through.
And I think, and amazingly, Margot didn't shy away from that at all.
Mm-hmm, which I think helped make it work.
Otherwise I feel like you would, it would feel, I don't wanna say gross, it would feel, like, weird watching it.
Yeah.
But, like, because you, like, I think, embrace that you definitely, I, I don't know-
Yeah
...
it helps you build more empathy for her.
Uh, you also cast and helped kick off the career of a guy who we've had on the show many, many times in Paul Walter Hauser.
Yes.
[laughs] I would love to know what your, the audition process was like with him.
It was ama- I mean, it was, I, I, I remember it so well.
He came in and he, he basically delivered, because there was so much footage online of all of these people, and he delivered this brilliant performance of an interview of the actual person, and he's so not that.
Mm.
And to see him then s- stop, and we chatted after that, but he, he gave it such complexity and nuance and, and vulnerability that I immediately knew he was the guy.
What I didn't know as much, and he talked about this, uh, Paul, first take with him-
Mm-hmm
... on the set, he improvised.
Oh, really?
And he said he could hear me laughing behind the camera.
I like to be as close as I can to the...
He could hear me laughing and he was like, "Okay, I'm okay." [laughs] He's like, "He's not mad." [laughs]
[laughs]
Um, and Paul improvises all the time, and it's so great to be a- he's a ra- like he's, he improvised.
Margot immediately came back with him, and they, the banter started.
And you got Sebastian there just, like, ping-ponging between the two of them looking kinda pissed off, and I'm like, "Is he actually pissed off right now-
Mm
... [laughs] that he's doing this, or is he-
He's in it
...
in character?" [laughs]
Yeah, yeah.
And I realized he was in character as we, as we went along, but to have him do that, and again on Cruella, it's like there was a moment on Cruella and I walked over after, like, six takes and I'm like, "Hey, can we, like, just try the script?" And he's like, "Oh, I'm sorry." [laughs] I'm like, "No, it's great.
I love it." It's like, "We should just get the script once."
Yeah.
You know?
It's funny, last time we interviewed him he said something like that where, um, he was on, uh, BlacKkKlansman.
Uh-huh.
And he's like, "I like to improv, but then I was like, it's Spike Lee, like, I don't know if I can improv." And then he, like, tried it.
[laughs]
And Spike Lee was like, "All right, you can do this."
[laughs]
He's like, "Yeah, yeah, you, you got it.
You, you know what you're doing here."
Yeah, there would be times, like on Cruella for instance, where I, I would just give him the improvising of, like-
Mm-hmm
... they're doing a bir- just a, a very simple birthday scene and I go over to Paul and I hand him a cake and I'm like, "By the way, it's stolen."
Mm.
And I just give him that little piece of advice.
[laughs]
And he just runs with it?
Yeah.
And then Emma comes right back with it.
Ah, I love that.
And, like-
He, he's such an a- he's an absolute delight.
Yeah.
I'd love to give you some rapid fire questions too.
Some easy, some nice little fun ones.
Sure.
Uh, is there a song that you've been dying to put in a movie but you just haven't found the right opportunity yet?
[laughs]
It's a song you love.
love.I've, I've put so many songs in movies at this point.
There's, there's ...
Certainly there's a Led Zeppelin song, which they're so hard to get.
[laughs]
Oh, yeah.
The rights I'm sure are-
Yeah
... near impossible.
So that's like, that's ...
He's been in and taken out a couple of times.
Mm.
Gotcha.
Um, but outside of that, no.
Yeah.
I think-
I've been very lucky.
In, in fact, on I, Tonya, it was a sort of a blow by blow to get each one of those songs.
Oh, yeah?
Because to that point that you made earlier, people heard Tonya Harding, and they didn't want to be involved.
Mm-hmm.
Um, and then, uh, we end up getting this amazing supervisor, Sue Jacobs, and Dire Straits had said no, Fleetwood Mac, Supertramp, they'd all said no.
Mm-hmm.
Um, and she's like, "Well, I don't know Dire Straits, but I know Mark Hoppus.
I, I got, I have his email."
Yeah.
So she sent him 12, the first 12 minutes.
Um, my, my wife had found this song Romeo and Juliet when we were in prep, and she's like, "This needs to be in the movie."
Mm.
And it's in that first, like, that first scene.
It's a, the, uh, that, uh ...
but it's quite a violent scene.
We sent it to Mark, and then he emailed back, "Send me the movie." And then we sent the movie to him, and he's like, "All right, you can use the song."
Mm-hmm.
And then we go to, like, Fleetwood Mac.
He's like, "Dire Straits is in.
Can ..." [laughs] It's like-
Oh, now it's like a domino after that?
Yeah.
And we say that-
Like, they said yes.
Yeah.
So yeah.
Are you gonna do it?
Yeah.
And so we managed to get everything, you know, that was originally in the film, which was amazing.
I will say that if you're now in the superhero world, uh, the last time I heard a Led Zeppelin song in a movie was a superhero movie.
Really?
I think it was Thor: Ragnarok with Taika.
[laughs]
They used Immigrant Song.
They ...
So, so he managed to get it.
Yeah.
[laughs]
So if you're, you're in the right zone right now.
[laughs]
So if there's ever a world, you're in the right area right now.
Uh, what is the most difficult scene you ever had to shoot? Like, the most, the hardest, gave you the most fits, whatever, production problems, whatever.
Wow.
That's probably [laughs] ...
It's funny.
It's a good question, but, um, there was a ...
Uh, it's probably just the exhaustion of Finest Hours 'cause that was three months-
Oh, on the water
... on the water.
Yeah, yeah.
In the rain, freezing cold rain, um, and it, it, nonstop for three months.
And physically just that was the most exhausting.
That and the other extreme, which we shot Million Dollar Arm-
Yeah
...
in India.
Much burning heat.
In 125-degree weather-
Jesus
...
in the middle of summer.
[laughs]
Jesus Christ.
That's brutal.
Um, what are some of the movies or directors that inspired you growing up?
It was The Shining.
It was definitely-
The Shining's the-
Was, I remember that at 15, and it just completely ...
Like, it was, it completely changed my world.
Um, I almost know that movie frame for frame.
Mm-hmm.
Um, and again, he has this amazing ability to, between humor and drama.
Yeah.
Uh, whether it's that or any of, like, you know, all of his films.
They- they always have this incredible dance.
Um, that would, that would have to be the one.
It's like, definitely influenced by the, the Mad Max films as a, a young Australian.
Of course.
Yeah.
Um, but they're the first ones that come to mind.
I, I wasn't, I was ne- I wasn't one of these young filmmakers, like, growing up as a teenager being, "I'm gonna be a director." It didn't happen for me till my 20s.
Mm-hmm.
Um, and that was with commercials, and then I started doing commercials.
And then I started thinking, "You know what? I think I'd like to do features." [laughs]
Mm-hmm.
And I was amazingly lucky enough to get the opportunity.
It's crazy how, like, I don't think a lot of, um, at least maybe even our audience member knows, like, a lot of commercial directors go on to become, like, huge massive directors.
It is cra- Like, we just interviewed-
There was definitely a, a period in, you know, the '70s and the '80s with, like, Ridley Scott and-
Yeah, of course.
Oh, yeah
... yeah, Adrian Lyne.
Like, we just interviewed Gore Verbinski.
Like, Gore Verbinski was doing, like-
Yeah, Gore and-
Like, all these random-
And David Fincher was, like-
Yeah, Fincher was doing them.
Yeah.
Like, all these actors were d- or directors were doing them.
Spike Jones.
Yeah.
Oh, oh, and Spi- I love more Spike Jones commercials.
[laughs]
He's still so g-
Yeah.
He did one with the, the Zendaya recently that was amazing-
Yeah
... for, I think, Apple or something.
Yeah.
So good.
Um, if you get a blank check to create any movie in the entire world that you want, what would you make it about?
[laughs]
Very broad question.
Um, I ...
You know what? There's actually, uh, it's funny.
There's ...
I would love to do my gangs of New York for Australian convicts.
Oh, so you're doing, like, Ned Kelly gang type thing or?
No, no. It's more the actual, like, Sydney as a whole.
It's like-
Gotcha
...
Australia in the first 30 years, th- uh, they just plopped a bunch of convicts down there.
Mm.
And it was, it was absolute chaos, and for the first 30 years there was no currency.
Oh.
Everything was bartered on rum and sex.
That's so ...
I never even knew.
I knew there were-
[laughs]
I knew obviously the convict stories.
Yeah.
I didn't know of anything about that, but that's cool.
There's a lot of, like, I feel Australian cinema work or maybe Australian stories working their way more into the mainstream now too.
Yeah.
I think there's a spot for that.
I loved Ned Kelly gang too.
Yeah.
That was also a really good movie.
Um, speaking of, what are some Australian movies that you think more Americans should watch?
[laughs] Throwing me un- you're throwing me under the bus there.
[laughs]
No, I mean, it could be ...
I mean, the answer could be as easy as Mad Max.
It could be-
Yeah
... something as s- 'cause not a lot of Americans, I would say, have seen something like Fury Road but maybe haven't seen-
Yeah
...
the original.
I've, I'm a huge Peter Weir fan, and so-
Oh, yeah
... his, you know, The Witness, but they- they're not necessarily Australian movies.
Sure.
But, um, I, I, I think his films are timeless.
Mm.
Master and Commander and-
I love Master and Commander.
You know? Yeah.
My God.
So, so good.
Uh, yeah.
And obviously, and, and the same with the Mad Max films.
It's like, I think it's amazing that he is, is still doing these films in his 80s, and he-
Yeah
...
I think he schooled everybody as action directors.
So it, it's-
Yeah
... rewatching, every time I rewatch Master and Commander, I'm like, how did they not make 50 of these? 'Cause they have, the book series-
Yeah
... is lengthy.
They had so much to work off of, but they just, I guess, I don't know if Pirates of the Caribbean-
Dave Poland Society.
He had just an amazing, like, run of films.
So, so great, and I would highlight ...
And also I recommend sometimes to people Gallipoli 'cause I feel like all Americans-
Yeah, Gallipoli
... know is Gallipoli.
Yeah.
I should've said that one.
Yeah.
A lot of-
I should, I should've started with Gallipoli.
[laughs]
Gallipoli should've been the first one.
Yeah.
Uh, and then lastly, what is something that you have been watching or maybe listening to that you think more people should watch?
Uh-
Please
...
I'm, I'm absolutely l- loving, um, oh, uh, and now I'm drawing a blank on the name, but it, uh, the Widow's Bane.
W- I was gonna suggest it when you said earlier-
Yeah
...
the St- uh, um, The Shining.
I was like-
Yeah
... "Oh, you should check out Widow's Bane."
Oh, yeah.
I, I, I'm loving it.
I think they, they just killed it.
Comedy, horror, fl-
It's that beautiful tonal dance, and Harrow's done an amazing job with it.
Oh, God.
And then-
And Andrew De Jong, and yeah.
Mm-hmm.
And Matthew Rhys is just-
Yeah
... obs- You should see, uh, on social media, just because Widow's Bane has become so popular now, uh, now ev- everyone's going to watch The Americans now, and they're like-
Yeah
... "Oh my God, where's this show? This is so good."
[laughs] Yeah.
Um.
He's been doing this for a long time.
Yeah.
Where is this guy just amazing?
And he's Welsh.
Yeah.
Oh, yeah.
[laughs]
And then he's Welsh, and his wife is Carrie Russell, and, like-
Yeah
...
they just, they now ...
Oh.
Yeah.
They're, they are absolutely incredible.
Uh, but again, Supergirl in theaters June 26th.
Make sure to check it out.
I think most of our audience loves Superman, so I feel like you should.
Yes.
And, and obviously next step.
[laughs]
Natural next step in our evolution here.
But, uh, thank you so much for joining us.
Absolutely.
It's been a pleasure.

pleasure.All right, Pixar rankings.

Top 10 Pixar movies on, uh, as voted on by the three of us.

Uh, [clears throat] here we go.

Number 10.

Everyone's got the top 10 in their list somewhere.

Uh, number 10, 12 on Gooch's list, five on Ken Jack, seven on mine: Toy Story 2, which gets a little lost in the discussion, I feel like sometimes.
Toy Story 2 rocks.
You guys aren't as high on it?

I mean, I, I only have it two spots below you.

I have it at seven.

I mean, I, I quite like Toy Story 2.

Um-
For me, Pixar just has like tiers.
Like, and the second tier is a very large grouping that be- that just comes down to splitting hairs.
Hmm.

I mean, it's excellent.

Great, great villain, Stinky Pete.

Al is a fantastic villain as well.

Some really funny stuff.

[laughs] Really good proof of like what you can do with animated shit as well.

Like, even just like the scene of Woody walking around the, the, the cheese puffs.
Mm.

Um, like that's just great stuff.
Funnier as an adult too, I think, um, when you re... 'Cause like I re-watched it kinda recently too, and like watching like the adult collector-

Yeah
... 'cause you could transpose that guy onto like the Funko Pop guy that's like cutting kids in line at like a Toys "R" Us release.
Like, that guy is so prescient in adult soc- so- society, and I think it's so funnier now as an adult versus as a kid.
'Cause as a kid I'm just looking at him as like a one-dimensional bad guy, whatever.
But as an adult I appreciate that character more.
Yeah, and they nailed the look.
Like that-

Yes
... that guy.
[laughs] That guy's the most obvious toy collector, reseller ever.
Oh, yeah.
Oh, yeah.
Very funny movie.

He is a, a great Wayne Knight performance voice-wise from that character.

Just, just fantastic stuff.

And again, that, that's the side adventure stuff that I think you're missing with four and five a little bit, especially five.

Like, you get the side characters heavily in this one.

You get Ham, you get Mr.

Potato Head, you get Slinky.

Like, that's the shit, Rex.

That's the shit I think you needed more of from this.
I think you get it in five, I think it just comes from the other characters.
The side characters are now the toilet paper thing and the, the, you know, the geolocator and the, whatever the other thing was.
Like it's, it's, those are now the side characters.

Yeah, that's fair.

It's, it's new side characters.

That, that's fair to an extent, but it's like, man, it's like-
You miss the old guys, yeah

... there's a little bit of like you got stuff that still works.

Like I, I actually hate to have him take the backseat.

But two, two is great.
I just can't, I cannot recognize those as toys.
Like the-

Hmm
... potty trainer and the GPS pad, maybe the camera could be a toy.
I don't know.

Yeah, for sure.
That's like it's such a stretch to call those toys.
But that's what they play with, because we didn't play with that obviously, but they did.
Yeah, I guess, but do they...
It's not play.
It's not play.
Hmm.
I'm with you on that.
No.
I was more-
Number Jessie also, just like that's great introduction of a character in this movie.

Oh, yeah.
Yeah.

Shout out Stinky Pete.

Shout out the creepy scene, the, the, the creepy Stinky Pete blooper they cut out from Disney+ where he tells the Barbies, "I can get you a role in Toy Story 3." [laughs]
Yeah.
[laughs]

Cut it out in Disney+.

Um, number nine.

Four for me.

You guys not as high.

I think it's, it's a, I think we're in masterpiece territory with a couple of these, and this is one of them.

That's Wall-E. Ken Jack 10, Gooch nine.
Hmm.

I love Wall-E. Wall-E is basically a silent movie to an extent, but to, has, has so much to say.

Um, again, I mean you guys were earlier...

This, you wanna talk about Pixar saying profound things, like this is one of those.

Um, just has just so much to say.

It is, is absolutely fantastic.

I just, I absolutely f- I fucking love Wall-E.
Probably the closest they've came within Pixar to being like a Miyazaki movie, where it's like-

For sure
... we have the kids stuff, but it's gonna be all about like environmental-

Very adult too
... yeah.

Like-
But still like very good

... outside of Soul, probably their most adult thing.
Yeah.
Yeah.
For sure.
And I think that might be what brings it down in the rankings for me, which probably unfair to it, but you know, I'm...
It's, it's tough, 'cause, you know, I, I give Miyazaki and Studio G like that leeway to be more adult that I, I don't know if I give that to Pixar.
Maybe that's just 'cause I grew up on the Toy Story movies and it was always geared at children, and then trying to reconcile with it, you know, aging with me.
I don't...
Doesn't fully connect, but I recognize that it is brilliant.
Maybe like in terms of what they're going for might be their biggest home run ever, like 'cause it, it was nominated for Best Picture, right? Am I off the mark on that one?

Yeah.
Oh, Wall-E was, yeah.
Yeah, yeah.
Also features the only human in the [laughs]...
Shout out, uh, Fred, uh-

That's true
...
Fred Willard.
Fred Willard, the only human to ever appear in a Pixar movie.

That's true.

Wasn't Wall-E...

No, actually, I don't think Wall-E was nominated for Best Picture.
It wasn't?

No, 'cause Wall-E was what, 2000? Wall-E's one of the movies that would've been.
Well, I only looked at half the list.
I don't-

Let me, let me take a look.

I, I, I know Up was.
Yeah, not sure.
It's, it's, I mean, it is, it is, I think, a great melding of both the kid and adult stuff.

Yeah, it wasn't, it wasn't.

'Cause you know when it was? It was, it was the Dark Knight year.
Oh.
'08?

Right? That would've been, that would've been the year of, of The Dark Knight.
Yeah.

Um, yeah, so like, like a good, a, the...

That's actually, that's actually very quietly a good example of like Dark Knight and Wall-E should've been nominated.
Mm-hmm.

Um, yeah, so Wall-E number nine.

Uh, speaking of Up, number eight is Up.

13 for Gooch, nine for Ken Jack, three for myself.

Beautiful movie.
Really?

Unbelievable opening scene.

Fantastic characters.

Um, Russell, uh, the fucking old man.
Balloon Jerry.
Balloon Jerry.

Balloon Jerry we called him for a long time.

So it's, it's his name.

It's fucking Balloon Jerry.

Um, just a great movie with, with excellent music.

Like-
Really good soundtrack, yeah

...

if we ranked Pixar themes, like Up is...

Up might be my favorite
favoriteReally, really good

I think, I think Up's my favorite.

Another great performance by a, by an old actor with Ed Asner playing balloon Jerry, AKA Carl Fredricksen.

Um, glad they never went back to try and make more on this.

I hope they never do.

Uh, perfect as is, uh, and just looks...

I, I think Pixar's best-looking movie.

Like a beautiful movie to look at.

Um, every, every...

The, the image of that house in the clouds is just, is just next level.
Yeah, and just the opening, you mentioned it, is like...
It's just incredible.
Like that, [laughs] that opening is perfect.
It's one of the most like impressively emotionable, emotionally manipulative things I've ever seen.
Big time.
Like it, it fucking just works.
It...
Like if that doesn't work on you, then you are heartless.

I have heard of this take, and I worked with some people back when I worked at Morning America.

There we had this big fight one day, argument about Pixar, and one of my...

God, one of my coworkers said this, and people agreed, that they think that after the opening, Up is kind of mediocre from there on out.

I don't agree with that.
It's not as good, but it's not mediocre.
Mm.

Kind of falls off its, its, its kind of tracks a little bit after.

I don't think so at all.

A good villain.

Um, voiced by Christopher Plummer.
Yeah, R.I.P.

What a dynamite duo that is, Ed Asner and Christopher Plummer.
Yeah, double R.I.P.

Um, yeah, so fan- fan- fantastic movie.

Uh, Up is at number eight.

Number seven, four for Ken Jack, six for Gooch, 11 for me, though again, like being top fi- being top 15 on this is like almost impossible, uh, for movies.

That's Finding Nemo.
Mm.
Oh, yeah.
That's one registered hard with me.

High for you, Ken Jack, number four.
Yeah, that one just registered with me very hard, and I think I just...
I love the voice crew on this, like Albert Brooks I think just has such a great personable voice, which I think has helped him both in other movies like, uh, we talked about this like even last episode, like Defending Your Life.
Like I just love his, love him and I f- I feel it across the screen.
Ellen too, but whatever.
And I mean, the rest of the voice cast I think is also very solid.
But also it's colorful, bright, good messaging, like you- you've- you feel your heartstrings being pulled very heavily throughout it.
A similar opening in a way to Up I guess [laughs] but also like it gets you really heavily, uh, I think towards the end, and a lot of good quotes coming out of it like, "Just keep swimming" I think always will work.
But yeah, love, love Finding Nemo.
Yeah, I think I was just the right age for this to-
Same
... to hit the way it did.
I think it's also just hilarious.
Like it was very, very fucking funny, and I think Ellen's voice performance is-

Great characters, great voice cast
... yeah.
Yeah.
Yeah.
Willem Dafoe, hot fish, come on.
Yeah.
Sexy ass fish.
[laughs]
And like, uh, just like animated...
There is something to animated films being set in marine, marine life that works.
Mm-hmm.
Just very magical world.
Even like Shark Tale, like all those movies, like I'm, I'm into it.
I'm just...
Like I like that big colorful clownfish, like I love all that shit.
Little Mermaid.
Yeah.
Ponyo.

The, the, the number one thing for me with this list, and I kinda wanna...

And I'm sure you guys have a very similar thing.

The difference between... [clears throat] I mean like the top 10 is still like some of the best movies I've ever seen.

It's like it is pretty crazy.

So Finding Nemo number seven.

Six Inside Out, number five for me, eight for Ken Jack, seven for Gooch.

This might be their best attempt at doing adults and kids crossover.

Like-
Yeah, agreed

... like this is like...

Like you could, you could probably take...

Toy Story 3 is up there, but Toy Story 3 is kinda more nostalgia based for that sense, and that's not a knock on Toy Story 3.

But like you could take Soul and be like, okay, what percentage of this is adult? And I would say probably like 80 to 90% of it.

W- Inside Out you could pull out the adult and the kid of Inside Out, and it's like 100% kid, 100% adult.

Like it's almost like you could say both, and that's kinda the brilliance of Inside Out, which is another great voice cast movie that has a lot to say, and just it- it's, it's the inventive Pixar that you're like, "God, that's fucking...

How the fuck did they think of that?" Like that's just unbelievable.

Like what...

That...

The ideas meeting for Inside Out, whoever ran that meeting just cooked.

I mean just was...

That must've, that must be like throwing 10 perfect games.

They must've been like, "Holy shit, this guy is on fire right now."
Mm-hmm.
Smart, really good lore.
Uh, I like the set, like the sort of like b- build, the build of like what, how everything looked.
Like beautiful to look at.
And great voice cast too on top of all that.
And a lot of like heart, uh, heart string pulling moments, like with fucking Bing Bong dying.
Richard Kind like, "Holy shit, dude-
[laughs]
...
I don't wanna like die watching that."
Yeah.
Uh, but yeah, really, really good movie.
And the sequel's good too.
Yeah, it is.

Uh, Pete Docter directed it.

Pete Docter also directed and wrote, uh, wrote Toy Story, wrote Toy Story 2, directed and wrote Monsters Inc., wrote Wall-E, directed and wrote Up, directed and wrote Inside Out, directed and wrote Soul.

Has not done really anything since then.

He has, he's like the executive producer on almost everything with, with, um-
Yeah, Pixar

... with Pixar.

He's the, he is the CCO of Pixar.

But I mean, I assume he was the one cooking in that meeting, but good Lord, that is just like-
Yeah.
Such a good concept.
Really is.

Crazy good concept.
Mm-hmm.

Um, next one, Monsters Inc., number five.

Nine for me, seven for Ken Jack, three for Gooch.

Gooch big Mike Wazowski fan.
It's so funny.
I, [laughs] it's maybe Billy Crystal's voice performance-

Mm-hmm
...
I fucking love that.
Like it's so, so good, and I...
Another concept which I think is just brilliant, and I do think plays across generations.
Like it does play to an older crowd as well.
Um, the monsters are great.
I think all the character designs are really great, like way out there but work so well, and the little girl is just adorable.
Boo-
Mm-hmm
...
so cute.
Yeah.
Re- I, I'm with you on that.
Like, uh, I, I feel like it just got lost in the shuffle Too heavily because there's so many bangers coming out from the studio at that point.
Like, it is really, really funny and, like, it would've been the best animated movie for, like, a lot of other studios.
That's how funny it was.
And I agree with you.
Crystal, I think something about Crystal's performance just it really j- it really gets me every time.

Yep.
It's just really funny.
Just like he has the perfect, like-

Yeah
... complaining voice.
You know what I mean? For that character.
It just, it just works really well for me.
And the monster designs are all cool too.

Yep.

Great, great movie.

I, I, m- is Monster University great? No, but I still enjoy it as well.

Like, it's still a fun movie.

Concept, or, you know, how things work, how the...

It- it's the world building.

And there's one movie that didn't make this list which someone does have in their top 10, which I will roast in a moment, but also allow that person to give it flowers.

That movie doesn't work-
I know exactly what movie

... because it doesn't make any sense.

Nothing, like...

It's, it's, uh, we'll get to it in a minute.

It's not in the top 10.

Uh, number four is Toy Story 3, which I have at number two, which I have recently bumped up to a 100 out of 100 on my movie rankings.

Um, it's perfect.

Um-
So good

... it's just, it's just unbelievable.

But Gooch, you give it a 10?
Yeah.
Li- like I said, like, there's so many great movies here that I really do like to reward original.
Uh-

Mm-hmm
... like, if I was, like, going off, like, merit-based and just, like, how well-made is this and how well-written is this, this is a top five Pixar movie, but there is just a magic to being introduced to a world for the first time that's hard to replicate and while this does pull on those nostalgia strings better than I think almost any sequel across mediums has ever been able to-

Without steamrolling itself either.

Like-
Yeah, like, it's, it's really, really well done in terms of the nostalgia.
I just, I do like being introduced to a new world.
But this is, I mean, this is a nine

Think, think about, think about what the concept for Toy Story 3, what they did.

They're like, "Hey, we're gonna play into nostalgia." And then someone at the meeting speaks up and goes, "Is Andy gonna find the original box that Buzz came in?" Something like that.

"Is that, is that what's gonna happen?" "Nah, we're gonna, like, almost kill them."
We're gonna incinerate them.

Like, whoa, what the f- [laughs]
Yeah.
Most traumatic way possible.
[laughs]

Yeah.

We're gonna put them, we're gonna put them an inch from death.

[laughs] Like, holy shit.
And hold hands.
Yeah, holding hands.
Holy shit.

And it, it goes on- [coughs]
Jeff is getting choked up

...

it goes on for a long time too, 'cause when they first get in that conveyor belt you're like, "Ah, they're gonna get out of this pretty quick, right?" And you're like-
Oh

... oh, fuck.

'Cause then even in that moment you're like, "They're not gonna kill them." But you're like-
But you're like, "This is the end." You're like, "This is number three." Like-

Because, because you-
... maybe this is

... you are...

Again, this is where Pixar is good.

Pixar challenges a lot of things.

It challenges kids, it challenges adults and it challenges kids 'cause in that moment it's like, if you're a dumb kid you're like, "Oh my God, they're dead."
Mm-hmm.

In an adult, I'm like, "They're gonna save them." But even part of me when I remember watching it I was like, like, "Oh my, oh my God." Like, y- you're seeing into Woody's eyes.

He's viewing death.

Death is on his doorstep.
Staring in the face, yeah.

'Cause a lo- a lot-
Pretty great performance too

... a lot of, like, other studios or, like, or, like, writers, right? Would maybe not do that.

They'd be like, "Ah, no. We'll, we'll, we'll get them along before they get into the pit." So yeah, it is pretty crazy.
He was damned to love.

And then they, and then they, and then they two-piece you with the Andy goodbye after that.
Yeah.
Yeah, that's brutal.

[laughs] That one, that one's-
That was tough

... that one's cr- that's crazy.

Um-
And they damn 'em, they damned 'em to a, a fate worse than death though, I would say, at number five, which is male pattern baldness.
Mm.

Yeah.
They did.

Bald as fuck.
That was it for him.

Yeah.
Although they do fix that.
They fix that on him in Toy Story 2, which I forgot about until they started watching all those again.

Yeah, yeah.

The old guy.

He, one of the most-
Yeah

... pleasing scenes, uh, y- like, like, it's, it's like just visually-
That box

... very pleasing.
Yeah.

Um, he just shines his little boot.

[laughs]
Mm-hmm.

Um, number three.

Lower on my list than I kinda thought it would be.

Um, one, one of these movies did not make the top 10 which is shocking by the way.

But I guess I'm partly at fault for it.

Um, number three I have at 10 and I didn't realize I had it at 10, but I looked at my list and I'm like, "Yeah, that's kinda where it belongs." Uh, and that is Coco.

Um, 10 for me, 3 for Ken Jack, 5 for Gooch.

Ken Jack and I saw the movie together.
Yeah.

Um, what a, what a backbreaker of a movie this is.

Holy shit.
Mm-hmm.

But unbeli- I, I put this up there with Up in terms of best looking Pixar movies.

Um, this looks fucking amazing and the music in this movie is just dynamite.
Yeah.
Beautiful story, great music, vibrant.
Uh, gr- great, I think a great job too also establishing a world where, like, not all of us, like, know any about any of this stuff like Dia de dead or any of that stuff.
So, like, it, I think it very, does, does, does a good job, like, teaching you and then immediately bringing you into the world and then, like, you're immediately like, "I want more of this.
I want more of this.
I want more of this." So, like, I think such a great show.
A great, um, or, or a great movie and also a really good voice cast as well.
Uh, Gael Garcia, right, is I think the, I forget the main bad guy's name.
Uh, his grandfather, whatever.
Uh, but yeah, really, really enjoyed it.
Uh, I know l- and what's the news on the second one actually? 'Cause they are doing a Coco 2, right?

That's what they've said, right?
Yeah, I think so.
It's actually a good question.

Not, I'm not exactly sure.
Yeah.
But yeah, right, I love Coco.
Yeah, no.

Yeah, not exactly sure-
I think, um-

... where they're gonna go with on that one
Yeah.
Is it the only Pixar movie that really incorporates music, like, directly into the text versus, like, just having the music play?
I think so, yeah.
I think really Dis- that's a Disney Animation thing that they kinda pulled over.
Yeah.
I think you're right about that.
And the music-
It-
... was fantastic in Coco
... yeah, and I think that's why I, I, I rank it so high is because I, I just grew up on Disney Animation.
I love when characters break out into song and the music is just so good.
I still listen to...
I love the Miguel version of, uh, Remember Me.
So good.
Mm-hmm.
Yeah.

Uh, number two is The Incredibles.

2 for Gooch, 2 for Ken Jack, 6 for me.
[laughs] Hell yeah.

I know.

Ken Jack's n-
No fucking around

...

Ken Jack's number one Incredible Guy in the world.
Uh, that was, like, one of the only DVDs I owned growing up was The Incredibles and I burned a hole in that thing.
I loved, loved The Incredibles.
Such a cool- ... sort of take, I think, on the superhero world.
Uh, re- a great original world.
Great music.
Uh, Giacchino's score, right? So, so good.
Like, perfectly sets you in that, like, '50s retro futurism-
Mm-hmm
... world or whatever.
Uh, voice cast, like, with all these, home run.
Out, absolute out of the park.
Uh, I think Syndrome's a great villain.
Uh, and also just, like, the fight scenes are cool.
The jokes, I think, work for both as a kid, and then when you're adult you get a lot more of them and you think it's even funnier.
Uh, and Ms.
Incredible, big fat ass, pog.
Love her as well.
So I gotta throw out flowers for all, all those points above, so Incredibles, one of my all-time favorites.
Yeah, I mean, it just...
It's a great superhero movie.
Like, it's one of the, like, five best [laughs] ...
Like, it's incredible.
Yeah.
Pun.
Laugh.
Intended.
Clap please.
Clap please.
Yep.
All intended.
Uh-

Two was really enjoyable too-
Yeah

...

but one just hits different.
Yeah.
Big time.

One of the best superhero movies, movies ever made.

Prob- I mean, right up there with The Dark Knight.

Um, just fantastic.

Just a, just an excellent movie.

Looks great.
Mm-hmm.

Holds up.

Great vibe.

That retro futuristic vibe shit is just always, always fun.

Uh, number one is Toy Story.
Yeah.

Um, 100 out of 100 for me as well, along with Toy Story 3.

One of the greatest movies ever made.

[clears throat] Perfect.
Is that one for all three of us?

Perfect movie.

Zero notes.
I, I assume that's number one for all three of us.

Yeah, we all had it at number one.
Yeah.

Perfect movie.

Like, just a, a perfect movie.

Um, perfectly paced.

No issues.

Great villain.

Great ending.

Holds up for when it was made.
Love the concept.

Still amazing it was made in 1995.
Mm-hmm.

Or earlier, I guess, technically, when they started making it, before it came out.

So yeah, our, our list is Toy Story number one, The Incredibles two, Coco three, Toy Story 3, Monsters Inc, Inside Out, Finding Nemo, Up, WALL-E, Toy Story 2.

After that, after that, Ratatouille number 11.

Shock this didn't make the list.
Yeah, people are not gonna be happy about ...
People love Ratatouille.

[clicks tongue] Shocked.
I think it's just good.
Like, it's not great.

Four for Gooch, eight for me, Ken Jack has it at 13.
Yeah.
I was never that super high on it.
I g- I like it.
I've never been, like, super, super high on it.

They j- they just released the brand...

the, the, the, the Kubrick thing.
Oh, Jesus.
Really?
Oh, really? What's it look like?

It's a, it's a box.

It's $479.
Hell yeah.
Paying half of, half a band for a fucking Kubrick DVD piece.

Eyes Wide Shut, Full Metal, The Shining, Barry Lyndon, Clockwork, Space Odyssey, Strange Love, Lolita, Spartacus, Paths of Glory, The Killing, Killer's Kiss.
Let's fucking go.

That's a big fucking box.

But it's...

I think it's a normal-looking box, luckily.
Paying half a thousand dollars.

Anyway.
Jesus.

My G- my, my God.

[laughs] Um, after that, Soul coming in at 12.

Ken Jack and I both had it at 12.

Soul is great.

Soul, big time hurt by COVID.

Big time hurt by COVID.
For sure.
For sure.

Should've done better.

Should've been...

Yeah, big, big time hurt by COVID.
I'm, I think I'm more impressed by it than I, than I am, like-
Enjoy it?
Yeah.
I'm with you on that, I think.
Like, I like it a-
Yeah
...
I like it, but I am now more technically impressed, for sure.
Yeah, and even the score is great.
Like, the Reznor Ross score is fantastic.
Reznor Ross, yeah.
Um, but just didn't connect with me fully.
Yeah.
And that's concerning, 'cause I think it was targeted at, at me.
[laughs] I think it was targeted at adults.
At the adult, yeah.

It was.

It's, it's, it's easily the most adult thing that they've done, I think, by far, honestly.

Um, [clears throat] like, I mean, not by far, but, like, it's definitely adult.

Um, after that, A Bug's Life, which I will defend this movie.

Ken, you can have on your own.

I'll defend this movie up and down the block.
I'm an ants guy.

Ugh.
I love the ants.

Stop.
I love the ants.
[laughs] Kevin Spacey locust guy, like the fucking genius actor.
Yeah, you're just into bad guy character.

That's just-
Yeah

... that's just gross.

But that, but that's-
That's always-

I will say that is consistent.

You've been consistent about that.
Yeah.
Always been an ants guy.

Ah, man.

Fucking-
Killing the fucking bugs

... fucking ants.

You, you love Woody Allen ant.

Oh, you love Woody Allen ant.
Woody Allen ant was per- he was fantastic.
Cillian Murphy is the, what he looks like, but he unfortunately is voiced by, by somebody.

Um, after that, defend away, Gooch.

Cars number eight.

Came in at F- 14.
What's, what's there to defend?
Wait, which Cars?
Life is a, Life is a Highway.
Come on.

Cars One.

The, the, the logic of this movie just break...

It just, for me, none of it w- it just doesn't work.
So? [laughs]

[laughs]
Who cares? They're cars, they go fast.

It just like...

But see, here's, here's my issue.

[clears throat] And, and, and this is where some, like a big Cars head, a big, a big McQueen, a big Lightning McQueen head [clears throat] would probably say, "But Jeff, it's, it's fucking talking cars, brother." And to that I would say, [clears throat] they make other ridiculous things work logically, right?
For the most part, yeah.

But there's like logic breakdowns with Cars where you're like, eh, this is like...

Feels like they had an idea and they kinda half-assed it just to get the cars to talk and shit.

That's always been my issue.
Yeah, but they have to talk.
That way Paul Newman can talk.
Come on.
Mm.
Paul Newman, banger.
Doc Hudson.

And I am, I am number one Paul Newman fan.

I do love Paul Newman.

But no.
And Larry the Cable Guy.
Who can forget? What a moment with Mater.

Hey, look, when they do you, you like, you like Cars, I can't, um, if you forget Larry the Cable Guy voice as fucking Mater, then I mean, I don't...

Are you even a movie fan?
It's slop, but like, it's like top line slop.
Like [laughs]
[laughs]It's so tough for me because like the other Pixar stuff is so good and it's not like a slight at least in my head against Cars.
Like I just it's not for me and I think the other stuff is just so much better.
So
I think I might just like the fact that like we don't have like animated car movies like racing movies.
I thought that was just awesome.
How many how many animated car movies do we need?
Not many but I'm glad that this is the one franchise that we do have.
I think the racing like actually is pretty thrilling.
Hmm.
What was the one do you remember the way that one movie with the kid from X-Men First Class was a monster truck?
Oh, yeah.
Or was it like a monster that lived in his truck?
I never saw that.
Yeah, I didn't see that but didn't that like end up being like kind of a hit?
Yeah, like people like people did like it I think for the most part but I remember just being like what is this? But yeah monster truck I think it was called.
Listen, give me give me Rascal Flatts over Randy Newman's fake ass any day.
I will I am the Rascal Flatts defender.
I'll be with you on that.
By the way, do we do we accept Taylor Swift's post-credit song, the end credit song as an Oscar play?
Gotta be in the movie.
And is it good enough to like the the campaign is on already.
Very much so.
Very early campaign.
I don't know if that's the right move but it do you think it's good enough to win?
I left while it was playing.
It wasn't it wasn't compelling enough to make me stay and listen to it.
No, no it wasn't.
I was like I'll just listen to it on Spotify or whatever.
I was expecting it to play during the movie though.
Should have like just do a montage let it play.
Yeah.
Dan Warren's Warren is fucking fuming right now.
I mean she's I would assume it's the first of many attempts she's gonna make to try and get an Oscar right.
Oh for sure.
Definitely attainable too for her I think.
It is but when when the the Academy smells that you really want it that's usually when they don't give it to you.
It's true.
But unlike Diane Warren she's putting in movies people actually watch which I do think is a factor here.
Well yes I mean I obviously there's a huge caveat to that.
Yeah like if Jack went on-
People want her to be involved.
Yeah Warren's like making a soundtrack for like you know The Mother's Daughter which is a movie that played in 10 theaters in like Guatemala and like it just gets nominated every year.
Well last year it was literally the Diane Warren movie wasn't it?
The Diane Warren movie yeah where it's like I'm the song was called like I'm Diane like so she still didn't fucking win it's so funny.
It's so good.
And then after that Toy Story 4, Turning Red, Kenji you had that 11, Brave, Gooch you had that, Finding Dory, Kenji you had that, Incredibles 2, Gooch you had that.
Turning Red is more popular than I realized it was.
I like Turning Red.
I think that was a fun story.
Yeah it's a pretty I remember seeing it in the parks once like kids love Turning Red because they love the band the K-pop band.
The K-pop band yeah and do you remember that one guy that gave it a bad rating because they didn't refer to 9-11 like they didn't mention 9-11 during the movie.
They're like this movie I forget who it was it might have been like-
Oh yeah I do remember that.
I forget who it was but he's like this movie set in 2002 and they don't reference 9-11 at all it's like yeah no shit it's like it's a Canadian movie it's a movie set in Canada in 2002 you think they're gonna in a kids movie they're going out of the way to talk about 9-11 it's crazy.
They did in Cars.
They do in Cars hmm.
I think so I think there's like TSA involved in Cars which does yeah which does confirm that 9-11 did happen.
In the Cars universe.
One last question before we wrap things up if you had to buy stock right now and put all your eggs in one basket for an animation studio Pixar Disney Animation Studio G Sony and Illumination I guess.
Studio G is gonna probably die out with Miyazaki so like after no one has any faith in Goro so like who's who's you putting your faith in there?
I mean Sony Sony is going has gone bananas the last 10 years.
Yeah it's a good point.
Especially now with K-pop.
Did they who did K-pop Teen Hunters?
It was Sony.
It was Sony? Sony via Netflix okay.
Yep.
So maybe them I don't know like actually which studio made the insert in Scary Movies 7 with which studio did that fucking bit?
Gooch is still cackling over Scary Movie 7.
Still laughing waking up in a cold sweat laughing at Scary Movie 7.
Oh my god so many fun funny jokes in that movie.
So many fun jokes about smoking weed how funny is that that a grown man is smoking weed isn't that hilarious?
It is it is.
God it was so stupid such a bad movie.
He's back.
Oh that was so bad dude that's so bad.
Oh brutal.
Oh so bad it was so stupid dude.
Oh my god come on Ty Sinat getting his head cut off crazy.
The second he showed up like as I mentally checked out of the movie so hard I was just like we're just doing point and look at thing like it's come on let's do something make a joke here.
Well that's it we'll talk Supergirl some other stuff next week as well that's our Pixar rankings though shout out to Pixar but that's it for Gooch Ken Jack I'm Jeffrey Lowe we'll talk to you next time.
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