When Distribution Abandons Independent Film
A successful premiere exposed a distributor's indifference
Aug 31, 2026 · 1 hr 4 min · 11 segments
Writer-director Nat Boltt joins *Off The Lot* to break down the decade-long journey behind her feature directorial debut, *Holy Days*. The film stars Judy Davis, Jacki Weaver and Miriam Margolyes…
Nat BolttGuest
Ken KabatoffHost
Anthony EppHost
So even from when you met the author to that moment where it went out to cast, I mean, how long was that process? How long was that development process? And did you have distribution on board at that point? Kind of run us through the development, I guess, because this is a co-production between New Zealand, right? This is a big...

And I mean, I think this is such an important conversation to have because people kind of go, oh, we'll do a co-production.

You know, you're like, but do you know what you have to do for all that, for those two sets of money? Right.

And so, yeah, the development process was excruciating for somebody who's doing it for the first time because you are in such a rush, right? You want your first film made and you think, oh, well, you know, it'll take two to three years.

And then, you know, you speak to people in the know and they kind of go, well, first feature probably take you seven to 10.

In fact, I made my first short film called The Silk, which is on my website, natboltdirector.com. And...

If you watch it, you'll see it has similar themes and it's by the same author, Joy Cowley.

And so that's how I developed this relationship with this absolutely beloved national treasure.

So even from when you met the author to that moment where it went out to cast, I mean, how long was that process? How long was that development process? And did you have distribution on board at that point? Kind of run us through the development, I guess, because this is a co-production between New Zealand, right? This is a big...

And I mean, I think this is such an important conversation to have because people kind of go, oh, we'll do a co-production.

You know, you're like, but do you know what you have to do for all that, for those two sets of money? Right.

And so, yeah, the development process was excruciating for somebody who's doing it for the first time because you are in such a rush, right? You want your first film made and you think, oh, well, you know, it'll take two to three years.

And then, you know, you speak to people in the know and they kind of go, well, first feature probably take you seven to 10.

In fact, I made my first short film called The Silk, which is on my website, natboltdirector.com. And...

If you watch it, you'll see it has similar themes and it's by the same author, Joy Cowley.

And so that's how I developed this relationship with this absolutely beloved national treasure.
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3 of 12
When Distribution Abandons Independent Film
A successful premiere exposed a distributor's indifference
Why Filmmakers Are Going Broke
Independent filmmakers cannot survive on exposure alone
Eleven Years With Nothing
Independent filmmaking can demand everything before delivering
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