Mentors on the Mic: Your guide to pursuing a career in the Entertainment industry
Oct 19, 2026 · 1 hr 6 min · 12 segments
Susannah Flood is a New York based actress known for her work across Broadway, Off Broadway, television and film. She most recently starred as Lizzie in Bess Wohl’s *Liberation* on Broadway, a role…
Michelle Simone MillerHostSo how was all that? And did you find it to be a big difference between, you know, obviously you'd been probably auditioning for TV and film the whole time.
But was there a difference you feel like in terms of getting that show?
anything in terms of the comparison of these Broadway shows that you were booking and then simultaneously at some point booking a recurring character?
Well, you know, what happened was that I – I booked a few, what was it? I had booked a few off-Broadway shows that became kind of splashy cultural moments.
And because of that, my agents were, and I was with slightly different agents at this point.
And those people, by the time I was working with like Ivo Von Hovo, they were like, we can get, you know, casting directors are interested in this.
I mean, people always ask, what are ways to get reps? And there's so many.
And obviously, there's a Catch-22 about getting reps when you don't have the credits, but then it's hard to get the credits without the reps.
But that is a good way, is taking a show and then having casting directors come to the show.
Yes, and it's hard because it ended up being that a few of us in the cast paid for tickets for casting directors, which I, looking back on, do not like at all.
So how was all that? And did you find it to be a big difference between, you know, obviously you'd been probably auditioning for TV and film the whole time.
But was there a difference you feel like in terms of getting that show?
anything in terms of the comparison of these Broadway shows that you were booking and then simultaneously at some point booking a recurring character?
Well, you know, what happened was that I – I booked a few, what was it? I had booked a few off-Broadway shows that became kind of splashy cultural moments.
And because of that, my agents were, and I was with slightly different agents at this point.
And those people, by the time I was working with like Ivo Von Hovo, they were like, we can get, you know, casting directors are interested in this.
I mean, people always ask, what are ways to get reps? And there's so many.
And obviously, there's a Catch-22 about getting reps when you don't have the credits, but then it's hard to get the credits without the reps.
But that is a good way, is taking a show and then having casting directors come to the show.
Yes, and it's hard because it ended up being that a few of us in the cast paid for tickets for casting directors, which I, looking back on, do not like at all.
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