Jun 23, 2026 · 15 min · 6 segments
In GHJ’s latest episode of the *Media Clips podcast,* Entertainment Practice Leader…
Elaine DouglasGuest
Ilan HaimoffHost
Okay, so I'm going to go into my first question, and it's going to take us back in time.

Please share your journey that led you from theater, which I think that was really where you started from, to a career in forensic accounting.

I managed to get by, but I had a young son and I was going through a divorce.

So I went from basically realizing that I was good with figures, that I spent several years with Santa Cruz Repertory Theater, and I was the one who had to do the books because I was the only one that could add two and two and consistently come up with four.

After I moved down here, I had been doing some small parts in movies, and I seemed to end up in the production accountant's trailer helping him out, largely because he had an air-conditioned trailer, and I was not a star, so I didn't.

So I started doing some production accounting and then I went to work full time for an advertising agency as the billing supervisor.

And at that point, my supervisor suggested to me that I was being grossly underpaid for the work I was doing and that it was because I didn't have the credentials and that I should do myself a favor and go back to school and make up the accounting courses.

So I thought, yeah, I'd give it a try going at night because UCLA has this wonderful program where you can essentially do all of the basic accounting courses at night.

And when he found out what my background was and I found out what his business was, which was profit participation auditing, And looking at the Hollywood accounting, if you will, and coming up with what was wrong with the accounting that was being issued.

Okay, so I'm going to go into my first question, and it's going to take us back in time.

Please share your journey that led you from theater, which I think that was really where you started from, to a career in forensic accounting.

I managed to get by, but I had a young son and I was going through a divorce.

So I went from basically realizing that I was good with figures, that I spent several years with Santa Cruz Repertory Theater, and I was the one who had to do the books because I was the only one that could add two and two and consistently come up with four.

After I moved down here, I had been doing some small parts in movies, and I seemed to end up in the production accountant's trailer helping him out, largely because he had an air-conditioned trailer, and I was not a star, so I didn't.

So I started doing some production accounting and then I went to work full time for an advertising agency as the billing supervisor.

And at that point, my supervisor suggested to me that I was being grossly underpaid for the work I was doing and that it was because I didn't have the credentials and that I should do myself a favor and go back to school and make up the accounting courses.

So I thought, yeah, I'd give it a try going at night because UCLA has this wonderful program where you can essentially do all of the basic accounting courses at night.

And when he found out what my background was and I found out what his business was, which was profit participation auditing, And looking at the Hollywood accounting, if you will, and coming up with what was wrong with the accounting that was being issued.
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