Good Aural -The Audiobook Podcast
Oct 7, 2026 · 18 min · 9 segments
Send us Fan Mail Penguin Random House and SAG-AFTRA have created a new limited RS+ model for roughly 200 backlist titles. But the agreement has…
If you do not know already, Penguin Random House has around 200 backlist titles that they are looking to produce in audio.
And these books are apparently... not projected to have sales to justify producing them under PRH's traditional audiobook production model.
So this limited agreement was created to get these books produced with human narrators under a different compensation structure.
I'm choosing my words carefully there because I'm not actually supposed to tell you what the per finished hour rate is.
The rate has been shared with narrators who've received information about these projects or have requested it through the union, but the union has reminded us that individual contract rates like this are confidential and shouldn't be discussed publicly.
I'm going to tell you that it's substantially below what we would normally associate with full production at this level of the industry, because that's important to understand why people are talking about it.
You are responsible for handing over something that's ready to go to a big five.
And there's also a revenue sharing component for seven years, which is similar to ACX.
And it's something that hasn't been seen in Big Five audiobook contracts until now.
And they are promising that union health and pension contributions will be involved.
So narrators who take these books... would be onboarded into PRH's Orion system for proofing and QC.
And in addition to that, they would be editing and mastering and then representing a finished product by a big five house.
And they say that narrators are encouraged to submit only if they're comfortable with the technical side of production and confident that delivering the final product won't be a large undertaking for them or their schedule.
But that's probably the first place where I started going, it is a big undertaking though.
If you do not know already, Penguin Random House has around 200 backlist titles that they are looking to produce in audio.
And these books are apparently... not projected to have sales to justify producing them under PRH's traditional audiobook production model.
So this limited agreement was created to get these books produced with human narrators under a different compensation structure.
I'm choosing my words carefully there because I'm not actually supposed to tell you what the per finished hour rate is.
The rate has been shared with narrators who've received information about these projects or have requested it through the union, but the union has reminded us that individual contract rates like this are confidential and shouldn't be discussed publicly.
I'm going to tell you that it's substantially below what we would normally associate with full production at this level of the industry, because that's important to understand why people are talking about it.
You are responsible for handing over something that's ready to go to a big five.
And there's also a revenue sharing component for seven years, which is similar to ACX.
And it's something that hasn't been seen in Big Five audiobook contracts until now.
And they are promising that union health and pension contributions will be involved.
So narrators who take these books... would be onboarded into PRH's Orion system for proofing and QC.
And in addition to that, they would be editing and mastering and then representing a finished product by a big five house.
And they say that narrators are encouraged to submit only if they're comfortable with the technical side of production and confident that delivering the final product won't be a large undertaking for them or their schedule.
But that's probably the first place where I started going, it is a big undertaking though.
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