Do a Journalism

So basically when you see those studio shoots, you don't get to drive the car.

You just get to have like a first look.

And very late the night before, we got a spec sheet for the car.

We turned up at the event.

We had a briefing for which we missed the first half of because someone left us outside a locked door for about 15 minutes on a different floor of the building.

And luckily, someone texted us to say that they were in a briefing.

Sounds made up, doesn't it? And we went in and all the stats were completely different to the ones on, well, not all of them, only 80% of them.

And then we went to film and they said, oh, you know, you've got half an hour.

Could you make that like 15 minutes instead? And I said, no.

And it was like 20 minutes.

I was like, all right, 20 minutes.

I'll do it in 20 minutes.

the lighting was atrocious the car was reasonably well lit the rest wasn't i was in so much of a rush i left the polarizing filter on my camera so the video looked awful and then we came to the interactive workshops this afternoon which are actually presentations so i can't really make a video on those sounds like a bit of a tragedy that i missed out then But it's been good company and everything.

It's just like three days to do this is tough when you're self-employed.

I've left my phone on schoolboy error.

I owe everyone a point.

Always the professional.

It is a bit tough when you're self-employed and it's your sole source of income.

So I actually thought the car was really nice.

Yeah, so we can actually talk about it because this episode will go out after the embargo.

I don't know the embargo dates.

Tomorrow.

Oh, okay.

I didn't know that

either.