Walk With Me – Final Rest Installation Space
Oct 1, 2026 · 13 min · 9 segments
Walk With Me – Final Rest Installation Space by Arts House Listening Program
Oct 1, 2026 · 13 min · 9 segments
Walk With Me – Final Rest Installation Space by Arts House Listening Program
On the panels is a collection of black and white photo prints of varying sizes, the largest being 80 by 60 centimetres and the smallest being 40 by 30 centimetres.
The photos are arranged in a grid-like formation with a combination of portrait and landscape orientations.
The photos show different stages of the creative process from rehearsal to filming and finished images.
The panel on the left has eight evenly spaced photos.
Four of these show the man from the film, Alex, rehearsing in a dance studio with a dark-toned suitcase.
He's dressed in black, wearing long-sleeved top and track pants.
We can see the studio has a light or white-coloured ceiling, one wall in a matching shade, an exposed brick wall and at least one wall covered in mirrors.
The floor is smooth and slightly reflective in a pale grey tone.
The other four shots are candid style photos taken from the film shoot on the beach.
We can see Josh hold a camera with Tyler and Alex looking at it from over his shoulder as if reviewing footage.
Photos of Alex rehearsing moments while wearing a bucket hat which doesn't feature in the film.
And a shot of Tyler and Josh standing knee deep in the water spreading white flowers on its surface.
On the second panel to the right are five images of Alex from different moments in the film.
These could be stills lifted from video footage or high quality photographs taken separately.
There are two smaller photos on either side of a larger central image.
On the left, one photo shows Alex lying on his stomach on the beach and one shows him floating on the water on his back.
On the right we see him dragging the suitcase along the beach behind him and a close-up of his lower body standing in the water fully clothed holding a bunch of white flowers.
The central photo is a large portrait shot of Alex mid-motion in profile to the left from the waist up with clear sky filling most of the frame behind him.
His face is turned upwards towards the sun, his arms bent at the elbows, drawn in towards his chest, his wrists held together with open palms almost cupping his chin.
On the panels is a collection of black and white photo prints of varying sizes, the largest being 80 by 60 centimetres and the smallest being 40 by 30 centimetres.
The photos are arranged in a grid-like formation with a combination of portrait and landscape orientations.
The photos show different stages of the creative process from rehearsal to filming and finished images.
The panel on the left has eight evenly spaced photos.
Four of these show the man from the film, Alex, rehearsing in a dance studio with a dark-toned suitcase.
He's dressed in black, wearing long-sleeved top and track pants.
We can see the studio has a light or white-coloured ceiling, one wall in a matching shade, an exposed brick wall and at least one wall covered in mirrors.
The floor is smooth and slightly reflective in a pale grey tone.
The other four shots are candid style photos taken from the film shoot on the beach.
We can see Josh hold a camera with Tyler and Alex looking at it from over his shoulder as if reviewing footage.
Photos of Alex rehearsing moments while wearing a bucket hat which doesn't feature in the film.
And a shot of Tyler and Josh standing knee deep in the water spreading white flowers on its surface.
On the second panel to the right are five images of Alex from different moments in the film.
These could be stills lifted from video footage or high quality photographs taken separately.
There are two smaller photos on either side of a larger central image.
On the left, one photo shows Alex lying on his stomach on the beach and one shows him floating on the water on his back.
On the right we see him dragging the suitcase along the beach behind him and a close-up of his lower body standing in the water fully clothed holding a bunch of white flowers.
The central photo is a large portrait shot of Alex mid-motion in profile to the left from the waist up with clear sky filling most of the frame behind him.
His face is turned upwards towards the sun, his arms bent at the elbows, drawn in towards his chest, his wrists held together with open palms almost cupping his chin.
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