Yair Elazar Glotman

The cello, talk about the textural aspects, really interesting, because that's something that I've noticed on the film side, where they're kind of all from a similar grouping, where you have Hildur Guthnadater in film doing a lot with...

Cello, Robert A. Kiabri Lowe, Yair Elazar Glotman, like a lot of these kind of more experimental composers coming in with cello heavy stuff on the textural side of things that it adds a lot of depth and just a really interesting angle, I guess, that maybe you weren't hearing that much of a decade plus ago.

Yeah, I believe, I mean, as for me, you know, I'm not a cellist at all.

And the thing was that when we started working on Vampyr, the way I wanted the cello to express itself was much more like harsh and sort of aggressive and very strong.