visual effects

He's just gotten things off Amazon for not much money.

But when it is finished, he was able to run that footage through his VFX wonder machine.

And it looks absolutely fantastic.

It is really, really incredible work.

It's like a mini vacation.

But you can also turn it over to sound, to VFX, to music, to whatever it is that can then have a few days to work so you have some new stuff to work from.

And it's not like it's not taking more time.

It's just a different way of working.

They're still cleaning up things.

They're still VFX.

They're still trying to make look better and better and better.

So.

And then we do get our another sort of like historical event.

And this is where like the movies like visual effects, I think are really, really good.

I didn't even know about this particular historical event.

This was sort of like this governor, George Wallace, like was doing sort of like a stand in protesting the end of segregation, like he very much wanted to keep everything segregated still.

I will say the cinematography looked amazing here in the Vietnam portion.

Yeah, it did.

I don't know where they filmed specifically, but it looked... like you were there like this was all like practical locations and at one point we see them all kind of like walking through the the jungle terrain and it's like downpour and raining and he says like oh and the rain stops and it was beautiful and then bam gunshots explosions and it's a huge ambush and i thought all of the whether they were practical or visual effects i thought all this like looked really good just a ton it was very it went from like peaceful beautiful serene to just all out chaos explosions and i knew this was coming because again carly and i we know we know

we know war dude

That scene was perfect.

The VFX was also incredible.

I thought the editing was really well done, and the only issue I had with that was in the end scene, but it didn't really ruin anything.

A lot of the scenes were really disgusting for me.

Justin Smith, not Justin, himself came up with all of Simon's hand gestures for casting spells.

He joked, I tried to trip up the VFX people, see how they're going to see the magic around my fingers.

So,

yeah.

A new interview entitled Turn Back the Clock, directing Time Cop with director Peter Hyams.

A new interview entitled Out of Space and Time Inside the Visual Effects with visual effects coordinator John DJ Desjardins.

Another interview entitled Past, Present and Future, Scoring Time Cop, which is an interview with composer Mark Isham.

an archival interview with actor Jean-Claude Van Damme, an archival interview with director Peter Hyams, an archival interview with actor Ron Silver, theatrical trailer, aspect ratio of 2.35 to 1, audio English DTS HD 5.1 surround and LPCM 2.0 mono, and optional English hard of hearing subtitles.