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Violin Concerto

Violin Concerto

Violin concerto by Samuel BarberWikipedia

Search complete. 10 mentions across 9 episodes found for "Violin Concerto".

Sep 9, 2026

Brian SavarHOST
0:23
They are on their way to Vienna for the last two concerts, uh, in Austria at the Vienna Konzerthaus.
Brian SavarHOST
0:31
Manfred Honeck, Augustin Hadelich this evening, John Adams, the Barber Violin Concerto, and the Dvorak Symphony Number Nine.
Brian SavarHOST
0:40
Jim Cunningham had an opportunity to speak with the, the principal cellist, Anne Martindale Williams, and he spoke to her in Essen, Germany yesterday.
Jim CunninghamCORRESPONDENT
0:52
Anne Martindale Williams-

5 MINS LATER

Brian SavarHOST
6:18
Jim Cunningham and speaking with principal cellist Anne Martindale Williams, who is retiring after 50 years with the Pittsburgh Symphony Orchestra.
Brian SavarHOST
6:29
This wonderful tour that has been taking place, of course, on their way to Vienna.
Brian SavarHOST
6:34
Tonight, the Vienna Konzerthaus with Manfred Honeck, the music of John Adams, the Barber Violin Concerto, Augustin Hadelich, the soloist, and the Dvorak Symphony Number Nine from the New World.
Brian SavarHOST
6:47
And I guess our last tour report will be tomorrow with the last concert, the Vienna Konzerthaus again with Manfred Honeck, pianist Alexander Kantorow with the Brahms Piano Concerto Number One, and ending the whole shebang with the Shostakovich Symphony Number Five.
Jim CunninghamCORRESPONDENT
0:47
So we first had this evening the main event was the Dvořák New World Symphony.
Jim CunninghamCORRESPONDENT
0:53
We had the, uh, Vienna Concert House hearing Augustín Hádlek playing a Barber Violin Concerto, Short Ride in a Fast Machine by John Adams, and then, uh, several encores.
Jim CunninghamCORRESPONDENT
1:04
Augustín Hádlek played the Schumann encore Träumerei, which is arranged, very delicate arrangement of the piano piece by Robert Schumann.
Jim CunninghamCORRESPONDENT
1:12
And then at the end of the evening, the Brahms Hungarian Dance Number One and Schubert's Litany for the Feast of All Souls, which ends with a prayer from Manfred Honeck, and he holds his arms in the air so there is no applause for the better part of a minute.
James RogersGUEST
2:41
No.
Jim CunninghamCORRESPONDENT
2:41
Benjamin Barber's Violin Concerto with Augustin Hadelich probably wasn't very familiar to this audience.
James RogersGUEST
2:47
I don't think so, but I mean, you have the, the strength of the piece and of course the strength of Augustin's playing.
James RogersGUEST
2:52
And we sort of, in a way, snuck in an all-American program under the radar, if you wanna call it that, because all American music on the first half and of course the New World Symphony inspired by America on the second half.
Jim CunninghamCORRESPONDENT
1:24
What is the program?
Albert MandersGUEST
1:26
I know that we're going to hear, which I'm very excited for, the Barber Violin Concerto.
Albert MandersGUEST
1:31
And so I'm quite excited to hear that.
Albert MandersGUEST
1:32
I don't know if I've actually ever heard it live.
Jim CunninghamCORRESPONDENT
0:54
They've been there with Manfred Honeck, with Lauren Moselle, with...
Jim CunninghamCORRESPONDENT
0:59
Maris Janssens famously was there, but this will be an exciting concert with Agustin Hadlick playing the Barber Concerto, music by Carlos Simon, his Four Black Dances, and the New World Symphony by Dvorak.
Jim CunninghamCORRESPONDENT
1:13
How is the Concertgebouw? We should explain about the Concertgebouw that it is, well, the name means what? Concert building, something like that.
Jim CunninghamCORRESPONDENT
1:22
It means concert hall,
Jeremy BlackGUEST
1:21
It started off with, uh, Simon, four Black American dances that were exciting and bluesy and, uh, a lot of American sounds from that.
Jeremy BlackGUEST
1:31
And then Augustin, of course, with the Barber Violin Concerto was, was phenomenal, just, just so clear.
Jeremy BlackGUEST
1:37
And again, on this stage, we could bring dynamics to a, a new level where everything is so, so clear.
Jeremy BlackGUEST
1:43
And then Dvořák New World, a war horse, but it’s, it’s always a delight to, to play.
Jim Cunningham IVGUEST
4:51
And under Maestro Manfred Honeck, we have a great time with energetic performances of, as my dad mentioned last night, the Shostakovich Fifth.
Jim Cunningham IVGUEST
5:01
Tonight we'll have Dvorak's New World Symphony with Augustin Hadlich playing Barber Concerto, plus the Carlos Simon Four Black American Dances, which was recently recorded by the Pittsburgh Symphony.
Jim Cunningham IVGUEST
5:16
I think it's the premiere recording.
Jim Cunningham IVGUEST
5:18
So we're just...
Jim CunninghamHOST
3:03
They've been there with Manfred Honig, with Lauren Moselle, with...
Jim CunninghamHOST
3:08
Maris Janssens famously was there, but this will be an exciting concert with Agustin Hadlik playing the Barber Concerto, music by Carlos Simon, his Four Black Dances, and the New World Symphony by Dvorak.
Jim CunninghamHOST
3:21
How is the Concertgebouw? We should explain about the Concertgebouw that it is, well, the name means what? Concert building, something like that.
Albert MandersGUEST
3:31
It means concert hall, basically.
Anna SingerHOST
6:16
The Shostakovich seems to go over so well.
Anna SingerHOST
6:18
But of course, there's the Dvorak, which will be heard tomorrow evening alongside the Barber Violin Concerto.
Anna SingerHOST
6:26
Augustine Hadlich will be joining the Pittsburgh Symphony.
Anna SingerHOST
6:30
But it also looks like right after the concert tomorrow, you're moving onward.

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