Under the Bridge

No team in baseball has a better one-two punch behind the plate from a defensive standpoint than what Cleveland has.

And how many big hits now has Patrick Bailey had since Cleveland has peeled off the four straight wins? You know, you think of the, the pinch hit home run against the White Sox, and then of course to tie the game against Drew Rasmussen last night and knock Drew Rasmussen out of the ball game in the seventh inning.

And this is a Drew Rasmussen who was 10 and 0 with a 167 ERA since the All-Star break.

Um, that's big boy baseball when you're doing what Patrick Bailey and company have done, you know, in the late innings, and you touched upon it.

I wanna point something out.

As a matter of fact, my buddy Paul over in Strongsville texted me last night, and he brought this up, and it's so true.

If you take all of three-- all three of Jose's hits last night, all three, add them together, all three together wouldn't end up being 90 miles an hour in exit velo.

But who cares? Hits are hits.

I mean, that has to be one of the worst songs ever written.

Under the Bridge? Massively overrated.

Massively, massively overrated.

Yeah,

Under the Bridge is pretty tedious stuff, isn't it? Yeah, exactly.

Overplayed

and tedious.

But if you say the Red Hot Chili Peppers, I might have to just step in and say, you might want to reconsider that.

It has since become one of the world's best-selling albums of all time and kicked off the grunge and alternative rock movement of the early 1990s.

That same day, the Red Hot Chili Peppers released their fifth studio album, Blood, Sugar, Sex, Magic, containing the hits Under the Bridge and Give It Away.

The album was produced by Rick Rubin and propelled the band into worldwide popularity and critical acclaim.

Uncomfortable with fame, John Frusciante quit the band during its 1992 tour, although he rejoined in 1998, quit again later, joined back again.

Adler signed away his interest in the band when he left in 1990 but claimed he was seriously impaired at the time and was taken advantage of.

1996, Weezer released their second album, the self-produced Pinkerton.

Named after a character in Puccini's opera Madam Butterfly, it's darker than their 1994 debut and doesn't include any hits.

Weezer fans remain divided over whether it's a work of genius or a creative flop.