Trombone

Like flute was one credit.

Trombone was one credit.

It was like dumb shit like that.

But it was still like an hour class.

Oh, well, anyway, looking forward to that, Roberto.

Yeah, so anyway, Roberto's trick is he's also Roberto Trombone.

That's right, I play trombone as well, because of the force of my own ritual.

Well, so if I fail a roll...

And if I draw another black card, Roberto?

Yeah?

Trombone me.

Alright, Ben.

of fun.

Me and Alice said Trombone, Birchland, maybe Dave are also doing stand-up shows in all those cities as well at that same time.

Yes.

It was a wild coincidence, but it just happened that way.

The head register is too high.

Trombone's perfect.

Trombone is like,

and

I

Now, my last meeting with Reimer von Essen in Frankfurt in 81, he said that he has gone progressive and he has given away the jazz style as we have been fondly treasured for years, and he's gone over to something new in the district of Sachsenhausen, Old Frankfurt, and down the lane where you can drink and listen to jazz till four and five o'clock in the morning without being molested by hoods and all the rest of it.

However, the next track will be played by the Red Hot Hottentots, personnel just given, and the title is Ori's Creole Trombone.

ORI'S CREOLE TROMBONE Thank you.

Thank you.

for that, Roger.

I might stress at this particular stage that in Europe you will find that

Trombones and basses predominate in quality as far as jazz men are concerned.

There's a lot to be said in favour of the clarinet players and the saxophone players.

And yes, I'm not just a runner, but I also do something completely different professionally and also have different hobbies such as playing music.

So I played Posaune for a long time and still play it every now and then when I come home.

piano a little bit, I also sing in the choir, in our student dormitory in Graz.

And otherwise, yes, I'm interested in weather and weather forecast and geography in general.

trombone.

Singles he recorded for Prestige in 1951.

Later in the mid-50s in the LP era, released on an album called Trombones by Three.

You may see it.

Then also, again, it's been said it's on two LP sets that came out in the 70s, CDs that came out in the CD era, and then try to find it on Spotify.

The next item we're going to get to you for from this early 1950s period, soon after leaving Earl Father Hines again and going out on his own, we have a Jam session put together by Charles Mingus, who was running his own record label debut at the time and was having his jazz workshop conception already, putting together interesting and intriguing combinations of musicians and putting forth his music.

And for a presentation at the Putnam Central Club in Brooklyn in September of 1953, Mingus brought together four trombones, Willie Dennis, J.J. Johnson, K. Winding, and Our Man Benny Green.

And they had an extensive blowing session with the four trombones, and Mingus recorded the music for his own debut label and released it on various albums, basically called Trombone Rapport, and Four Trombones, and some other titles.