Trigger Point

Hey, what's up, people? My name is Mo Gilligan, and right now you're tuning into my podcast, Beginning, Middle, and End.

Now, today's guest is what I call the epitome of hustle, someone that gave themselves 72 hours, whether they'd even be in this chair speaking to me right now, to then booking as a drama alongside Vicky McClure on Trigger Point.

We've met each other always in passing.

I absolutely love...

But I think there's an element of a hustle that a lot of people in our field probably don't realise is required.

And so I felt, I felt really unsure of myself.

And by the time it got to the audition for Trigger Point, I'd given up acting.

said i can't do this anymore

Welcome to the Composer Connection, where composers talk to composers about all things music to picture.

In this episode, Chris Roe, who has scored Bad Apples, The Salt Path, and Trigger Point, and Paul Saunderson, behind the BBC's Earth, Human, and Evolution series.

First, we join as Paul congratulates Chris on his score for Bad Apples.

This is the Composer Connection.

When you're in the thick of it and like moving quickly and like responding to what's going on on screen and like, um, if you've got that strong like palate already from some, if it's-

Yeah

... come from some concept about the show, like, um, well, like with Trigger Point-

Yeah