Trevor Morais

Um, But, you know, great, wasn't it? It was a fantastic time.

And I remember, you know, when we performed this on Top of the Pops with Aphrodisiac and Trevor playing the electronic Simmons drum kit and my brother on bass and...

And the look of the whole band was really fantastic.

It had developed from just me and Jed to quite a large group.

And I think that's one of the reasons why people hear them now and they go, wow.

It's a lot easier to put a record together now with the technology, but in those days you had to struggle a bit more.

And that struggle produces, like, really, you know, the stuff that Trevor Horn did with Frankie and all that.

Oh, wonderful.

She heads to Malaga in Spain.

Um, it was Trevor Morais, uh, uh, who played drums on her, uh, on the Post tour for her.

He offered her his studio there, um, and said, "You know, if you wanna just spend some time in the Spanish countryside and, and work on your album, you're more than welcome to." Uh, it was intended to be a short visit, but after being there for a while, Björk decides that she'll just record the entirety of her third album in Malaga, uh, in Spain.

Um, which is definitely, I mean, you know, a, a change of environment is often good for the creative process, but also it feels more that she was, like, running away from something than running-