Tony Scott
FilmmakerWikipedia
412
MENTIONS
165
EPISODES
153
PODCASTS
Search complete. 412 mentions across 165 episodes found for "Tony Scott".
Sep 28, 2026
Robert LambHOST
Uh, outside of a smattering of horror and lucha films, Claudio was a collaborator of the avant-garde surrealist director Luis Buñuel, appearing in the '65 film Simon of the Desert and '62's The Exterminating Angel, and I believe some others as well, uh, from that director.
Robert LambHOST
He appeared in a variety of major Golden Age Mexican productions, as well as international productions like '76's Return of a Man Called Horse, '89's Romero, '89's License to Kill, uh, 1990's Revenge, uh, that's a Tony Scott film, and 1991's One Man's War.
Robert LambHOST
Uh, uh, elsewhere, like I say, this is a guy who had some big roles.
Robert LambHOST
He played Jesus Christ in at least one Mexican production.
Simon BrewHOST
Jonathan Mostow, who'd done Terminator 3: Rise of the Machines and the brilliant, brilliant, brilliant thriller Breakdown, starring Kurt Russell, if you get a chance to see that.
Simon BrewHOST
Tony Scott was in the mix.
Simon BrewHOST
He'd just done Déjà Vu at this point.
Simon BrewHOST
Now, I'm a big fan of Tony Scott films, the much missed Tony Scott.
Simon BrewHOST
Déjà Vu is the film that, if memory serves, has three attempts to explain its time travel mechanic and basically fails every time.
Simon BrewHOST
Lots of fun.
Rob LambHOST
Uh, outside of a smattering of horror and lucha films, Claudio was a collaborator of the avant-garde surrealist director Luis Buñuel, appearing in the '65 film Simon of the Desert and '62's The Exterminating Angel, and I believe some others as well, uh, from that director.
Rob LambHOST
He appeared in a variety of major Golden Age Mexican productions, as well as international productions like '76's Return of a Man Called Horse, '89's Romero, '89's License to Kill, uh, 1990's Revenge, uh, that's a Tony Scott film, and 1991's One Man's War.
Rob LambHOST
Uh, uh, elsewhere, like I say, this is a guy who had some big roles.
Rob LambHOST
He played Jesus Christ in at least one Mexican production.
Joe LynchHOST
yeah.
Joe LynchHOST
Because, because that is just like your work, you know, whether Tony Scott knew he was being self-referential or not, but the Tarantino script was already a love letter to movies.
Joe LynchHOST
You don't, not every day do you have a movie that goes like, you know, Five minutes ago, we just saw Sonny Chiba at the Vista kicking ass and taking names.
Joe LynchHOST
And then next thing you know, you're getting a Tony Scott love scene that looks right out of fucking Top Gun.
Joe LynchHOST
Oh, by the way, now you're having a conversation with Christopher Walken and Dennis Hopper, two of the stalwarts of the new Hollywood, having
Adam GreenHOST
one
Kirk MinihaneHOST
Nobody went to see it.
Kirk MinihaneHOST
Last Boy Scout... you know, against the budget, no go Tony Scott, big, big hype.
Kirk MinihaneHOST
So when you get to 94 with Willis and striking distance as well, you're thinking, geez, we're in some, we're in some trouble here.
Kirk MinihaneHOST
Like what's, what's going on.
Samantha RandhawaHOST
Oh, wow.
Indy RandhawaHOST
And this was directed by Tony Scott.
Indy RandhawaHOST
This was his first feature film.
Indy RandhawaHOST
Do you know Tony Scott? Sounds familiar, maybe.
Samantha RandhawaHOST
Yeah, sounds familiar.
Samantha RandhawaHOST
But that's like also just like a very generic name.
DeniseHOST
Charlie Sheen went on to star.
DeniseHOST
He also met with Top Gun's Tony Scott to read for the role of Maverick's fun-loving sidekick Goose.
DeniseHOST
Unfortunately, that is not me and I can't fake it, and we both know it, he recalls.
DeniseHOST
Anthony Edwards got the part and the rest is history.
IanHOST
see that's the thing, it's like once you start looking into cinema or watching films.
IanHOST
Or Tony Scott as well.
IanHOST
Or Tony Scott and then you realise why does it look that way and then you realise it's the time of day, the lenses you use, if you put a bit of smoke there was who was the cinematographer when he did Fiddler on the Roof he actually put a pair of kind of like nylons over the camera to give it a warm glow and even as a kid there's some films or some clips you look you just like the look of it you know it's inviting irrespective of what the subject is and it just looks warm and then you see other films that are bright and just flat and you think oh I don't like that even the story might be good it's like no that doesn't look good Because there's plenty of good films that the cinematography is just, you know, flat and uninteresting.
IanHOST
So they try to then break out Danny or try to rescue Danny.
GaryHOST
So he thinks he's got a bargaining chip.
JayHOST
Well, that works.
MikeHOST
Directed by Tony Scott.
MikeHOST
That's the one, right? Those kind of steamy two people on the run, right? Very similar.
MikeHOST
Christian Slater, Patricia Arquette.
JackHOST
Baby.
JackHOST
So who directed this Manchurian candidate? Is it I went into this thinking it was Tony Scott.
JackHOST
Is it not Tony Scott?
ThomasHOST
No, it's Dimmie.
ThomasHOST
So it's Jonathan Dimmie's third most successful film.
155 more episodes mention Tony Scott.
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