Tony Award for Best Orchestrations

Nikki M. James won for Best Featured Actress.

Casey Nicholaw and Trey Parker won for Best Direction, Best Orchestrations, yada, yada.

The list goes on.

They were a hit, essentially.

Based on the 1987 cult classic film about vampires, the rock musical features music and lyrics written by longtime ASCAP member Kyler England and her two bandmates in the acclaimed group The Rescues.

The trio received Tony nominations for Best Score and Best Orchestrations, and a Dorian Award for Outstanding Original Score of a Broadway Production.

The story's protagonist, Michael, is played by ASCAP singer-songwriter, actor, and rising Broadway star L.J. Benét.

Though L.J. is no stranger to acting, with a resume that ranges from the Disney Channel to the Hollywood Bowl, his vulnerable and honest performance in The Lost Boys marks his Broadway debut.

It won the Tony Award this season for Best New Musical.

It also won for Best Orchestrations, Best Book, and Best Score, two of which were done solely by Cinco Paul, who is one of the creators and wrote all the songs for the television show as well, and rightly deserved.

I mean, it was just a fun one.

I'm going to keep my fingers crossed that the success of this show brings the television show back.

That show won eight Tony Awards, including Best Musical.

And she personally won for Best Original Score and Best Orchestrations.

And the cast recording won a Grammy, too.

Sheik also composed the scores for American Psycho, The Secret Life of Bees, and a couple of other stage productions.

I try my best, but mistakes are inevitably made, right? Yes? Tony nods.

Okay, so New York, New York won the Tony Award for Best Scenic Design of a Musical, which went to Beowulf Port, and was additionally nominated for Best Musical, Best Book of a Musical, David Thompson and Sharon Washington, Best Leading Actor in a Musical, Colton Ryan, Best Choreography, Susan Strumman, Best Orchestration, Sam Davis and Daryl Waters.

Best costume design of a musical, Donna Zarkowska.

Best lighting design of a musical, Ken Bellington.