Timothy?

Check out, uh, YouTube.

We've transitioned.

We used to be The Great Hank Podcast.

If you look it up, you can find it, but now we are We Love TV.

We're doing a Mystery Science Theater style of, uh, uh, like, talking over nostalgic '90s commercials.

So if you wanna check that out, look up We Love TV on YouTube or The Great Hank Podcast.

[laughs]

think you also have to just master the silent but deadly where it's like, oh, who did that? And then it's the case of whoever smelt it dealt it versus the deniers who are also the suppliers.

Yes.

I was on an airplane once.

Ooh.

Humblebrag.

Look at this guy.

I'm kind of an international dude.

The fartiest of fast food.

think you also have to just master the silent but deadly where it's like, oh, who did that? And then it's the case of whoever smelt it dealt it versus the deniers who are also the suppliers.

Yes.

I was on an airplane once.

Ooh.

Humblebrag.

Look at this guy.

I'm kind of an international dude.

The fartiest of fast food.

Let's vote." How do you come up with the ideas and decide this is what we're gonna do?

Yeah, a lot of it, well, we're...

It's a little bit interesting how we structure our seasons, you know, 'cause we, we don't really start the show process, and this is gonna sound a little bit crazy, but until the fall season starts coming up.

You know, our creative team is heavily invested in a lot of other projects during the time in the summer, and even into the fall with some high school programs.

So really, what we actually start doing is we start pre-training the program with skills and getting all the membership to the same level of execution and looking the same with the same information.

That way, you know, we can go into the actual show season or the show development season, which happens around December, and what's kind of cool is our design team just, the, the way they think and the way that they kind of work off of each other to conceptualize these themes and what they bring to the table and, you know, what they actually hone in and refine and bring to us is a storyAnd sometimes the story, you know, might not make as sense, as much sense as, like, when you're trying to explain a show like 2025 versus a show like 2026.

A lot of it is based on inspiration, and there could be artists that are influential, there could be musicians that are influential, and it's almost bringing all this information and sharing that all at once with the membership.

What are kind of the, some of the inspirations for the silks and everything, and how do you, what's your process for doing all that?

He thinks I should have more, and I just can't find it.

[laughs] Well, it's hard.

Here's the thing.

I think you could find the empathy and stuff if you didn't live in New York, and you've already become mildly dehumanized by seeing all these people around you all the time.

Tell me.

There was a, a, a World War II, a Japanese man, a Japanese soldier from World War II got stuck on, like, an island in a jungle and never found out that the war was over till people found him, like, 30 years later.

... 'cause they all had to be identical anyway.

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Was it, yeah, were there any guys just, like, in, like, all denim, just, like, dressed like Road House?