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Thomas Beecham

Thomas Beecham

English conductor and impresarioWikipedia

Search complete. 6 mentions across 5 episodes found for "Thomas Beecham".

Nov 2, 2026

Jay NordlingerHOST
45:37
We've been listening to the inimitable Mona Charen.
Jay NordlingerHOST
45:41
That was the term for Sir Thomas Beecham, the great British conductor, the inimitable Sir Thomas Beecham.
Jay NordlingerHOST
45:47
You are unique and inimitable.
Jay NordlingerHOST
45:50
So thank you, Mona.
Jay NordlingerHOST
45:37
We've been listening to the inimitable Mona Charen.
Jay NordlingerHOST
45:41
That was the term for Sir Thomas Beecham, the great British conductor, the inimitable Sir Thomas Beecham.
Jay NordlingerHOST
45:47
You are unique and inimitable.
Jay NordlingerHOST
45:50
So thank you, Mona.
Nick Healy HutchinsonHOST
20:06
Jumping up and down with some Excessive hip action thrown in doesn't add a great deal.
Nick Healy HutchinsonHOST
20:12
Thomas Beecham used to say something along the lines of, the British public just want to hear everybody start and finish together.
Nick Healy HutchinsonHOST
20:19
They don't awfully care what happens in the middle.
Nick Healy HutchinsonHOST
20:22
There's more than a bit of truth to this.
Nick Healy HutchinsonHOST
23:55
But this is what can happen if communication goes awry, and this was taken from a live concert.
Nick Healy HutchinsonHOST
24:01
I played not to ridicule the conductor, who unfortunately squandered the opportunity to redeem himself and got it wrong twice because he didn't make it clear how long he was holding on to that fourth note, only to demonstrate how brutally difficult it is.
Nick Healy HutchinsonHOST
24:21
¶¶ And remember what Thomas Beecham said about finishing together? This is what can happen when the conductor concentrates only on the orchestra and forgets the soloists in a piano concerto.
Nick Healy HutchinsonHOST
25:04
It's clear the orchestra is behind and the piano makes a valiant effort to bring things back on track.
Jim CunninghamHOST
29:24
I never had a chance to meet him, but he seems like a very thoughtful, gentle guy.
Jim CunninghamHOST
29:29
The, the Criterion version of the film of the opera, which one was it? Sir Thomas Beecham conducted it, but-
John HarrisonGUEST
29:39
Uh, are, are you thinking about Tales of Hoffmann?
Jim CunninghamHOST
29:41
Yes, exactly.
Nick Healy HutchinsonHOST
29:42
whose Tom Bowling fantasy overture we listened to in September last year.
Nick Healy HutchinsonHOST
29:48
He's chiefly known for his piano works, but he also wrote a concerto for the much maligned viola, which seems to be the object of friendly ridicule in the orchestra, a sort of neither one nor the other instrument, so much so that the ever-witty Thomas Beecham called it the hermaphrodite instrument.
Nick Healy HutchinsonHOST
30:07
Not sure you'd get away with making that kind of an observation nowadays, but the gist of his remark is clear enough.
Nick Healy HutchinsonHOST
30:14
Having a slightly darker timbre to the violin, the viola doesn't sing in quite the same way, so concertos are few and far between.

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