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The Waste Land

The Waste Land

Poem by T. S. EliotWikipedia

Search complete. 31 mentions across 20 episodes found for "The Waste Land".

Sep 13, 2026

Annarose SteinkeGUEST
3:54
So you can see, for example, with Eliot, he didn't just suddenly, you know, turn away from the faith of his childhood.
Annarose SteinkeGUEST
4:01
His grandfather was a minister when he was writing The Wasteland and then just suddenly shift into something entirely different into this Christian poet.
Annarose SteinkeGUEST
4:10
just overnight when he started writing things like Ash Wednesday and Four Quartets.
Annarose SteinkeGUEST
4:13
You can really see, and a lot of other scholars have written about this too, some of whom I cite in the book, that there was this real development over time and it started with everything he was reading, even as far back as his undergraduate days majoring in philosophy at Harvard.
Ben CardallHOST
8:15
The technique went quiet for a long stretch and then came back came roaring back with the modernists.
Ben CardallHOST
8:22
There was Ezra Pound's Kantos, T.S. Eliot's The Wasteland.
Ben CardallHOST
8:28
They both lean on exactly this kind of instinct.
Ben CardallHOST
8:32
It's just other voices stitched rather than invented.
John DanversHOST
26:59
We can trace many of these currents of thought and sensibility in the work of Ezra Pound, particularly as elucidated by Hugh Kenner in his seminal book titled The Pound Era.
John DanversHOST
27:14
Writing about T.S. Eliot's The Wasteland, James Joyce's Ulysses, and Ezra Pound's long sequence of poems The Cantos, early iconic modernist works, Kenner suggests that the province of these works is the entire human race speaking in time as well as space.
John DanversHOST
27:37
and he notes the borrowings from Greek, Latin, Chinese, Italian, French, Provençal, Spanish, Arabic and Egyptian hieroglyphic languages.
John DanversHOST
27:48
He describes Pound's mind as acting as a conduit and a meeting place, a watering hole for long-dead scholar monks and parched troubadours.
Matthew RuberyGUEST
7:39
And I think the e-book has evolved.
Matthew RuberyGUEST
7:41
So I remember even as long as 10 years ago, there was an early publication of T.S. Eliot's famous poem, The Wasteland.
Matthew RuberyGUEST
7:48
Instead of just giving us the poem itself, you could also look at the original manuscripts, or you could hear a recording of T.S. Eliot reading it, or you could watch a video of an Irish actress performing the poem.
Matthew RuberyGUEST
7:58
So I think e-books are starting to experiment, and will continue to experiment more and more with, what can electronic formats do that printed books can't?
Dan ScottGUEST
72:48
So I have my favorites, um- I'll throw a, a couple things that have really impacted me and stayed with me.
Dan ScottGUEST
72:54
Um, I have had a, a long-term relationship with, uh, T.S. Eliot and The Waste Land.
Margot TantowHOST
73:03
Nice.
Dan ScottGUEST
73:03
Um, I wrote a whole play, uh, uh, thing called, uh, American Pastime around that, which was a-
Sarah HolperHOST
7:40
If you're really after green skin, I'm afraid you're going to have to resort to cosmetics.
Sarah HolperHOST
7:45
In the 1920s, the poet T.S. Eliot inexplicably started wearing green face powder after the release of his somber poem, The Wasteland.
Sarah HolperHOST
7:56
He never disclosed why, but one theory was a desire to look interesting and cadaverous, mirroring the alienated, hollow tone of his poem.
Sarah HolperHOST
8:07
Blue skin is much easier to procure than green.
Malcolm GuiteGUEST
14:56
Then there was the pandemic flu and the sense of all the old certainties and art responded with terror.
Malcolm GuiteGUEST
15:02
you know, Picasso and poetry responded with T.S. Eliot and particularly with a poem called The Wasteland, which he writes these fragments of short against my ruin.
Malcolm GuiteGUEST
15:11
Now, during that difficult period after the First World War, before the second, Eliot wrote an essay in which he said, in order to be good and adequate to the moment, poetry is going to have to be difficult.
Malcolm GuiteGUEST
15:22
And he was right for that time and place.
Gary ButterfieldHOST
42:51
Yeah.
Kay RothHOST
42:52
Um, you know, opens with shots of, like, you know, the wasteland and things from Ca- Fallout one and two, uh, cut scenes and stuff.
Gary ButterfieldHOST
43:00
Mm-hmm.
Kay RothHOST
43:01
Uh, along with a passage from the very good T.S. Eliot poem, The Wasteland.
Gary ButterfieldHOST
43:05
Yeah.
Kay RothHOST
43:05
Um-
Kay RothHOST
43:19
No.
Gary ButterfieldHOST
43:19
Uh, complete total mismatch.
Samuel D. HunterGUEST
39:54
And I remember pulling out the liner and reading all these Allen Ginsberg poems and just being like, what is this? And so then I sought out Ginsberg at the local library and really fell in love with him.
Samuel D. HunterGUEST
40:04
And then I remember our English teacher in, I think this was 10th grade, she read selections from The Wasteland, T.S. Eliot's The Wasteland, out loud in order to demonstrate how bad it is.
Samuel D. HunterGUEST
40:15
Like this is a secular piece of garbage writing.
Samuel D. HunterGUEST
40:18
And I remember she read it and I was just like, what? It put me under her spell.
John DeeGUEST
57:56
In other words, Rita possessed the key and now Betty has the lock.
John DeeGUEST
58:02
Reminds me, there's a bit in T.S. Eliot's The Wasteland.
John DeeGUEST
58:06
I've heard the key turn in the lock once and once only.
John DeeGUEST
58:11
And of course, we see it happened.

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