The Surrey

though that's just speculation on my part.

A gray vehicle sits at the edge of a chalk pit in the Surrey countryside, headlights still burning into the December dark.

Inside it, a fur coat, a packed suitcase, and an expired driver's license.

The driver is gone and within 48 hours, more than a thousand police officers and 15,000 volunteers will be combing the woods for her body.

The Morris Cowley had rolled forward over the lip of a chalk pit and come to rest halfway down the slope.

Its headlights were still on, and inside, neatly arranged across the seats, were the fur coat, a small case with several changes of clothes, and Christie's expired license.

What followed was one of the largest search operations in English history up to that point, and the Surrey police pulled in officers from neighboring counties.

By the second week, the Daily News was offering a £100 reward, and roughly 15,000 volunteers were combing the area where she had disappeared.

It was brilliant, it was brilliant stuff.

Watch it back on the Surrey stream from day one.

Yes, it was very, very good.

Um, so, um, he finds it again, uh, the crack to Nathan Astle, leg before.

One of his horses, which he had taught to perform a variety of tricks, he soon began to exhibit at an earlier period of each day in a large room in Piccadilly, where the entertainment was eked out with conjuring and ombres chinoises, a kind of shadow pantomime.

One of the earliest advertisements of the Surrey side establishment sets forth that the entertainment consisted of horsemanship by Mr. Astley, Mr. Taylor, Signor Marcucci, Miss Van Gable, and other transcendent performers, a minuet by two horses in a most extraordinary manner, a comical musical interlude called The Awkward Recruit, and an amazing exhibition of dancing dogs from France and Italy and other genteel parts of the globe.

One of the advertisements of Astley's performances for 1772, one of the very few that can be found of that early date, is as follows.

Horsemanship and new feats of activity.

After the tumbling, the feat of riding two and three horses at the same time was exhibited, the performer modestly concealing his name, which was probably Philip Astley.

Next came slack-rope vaulting in full swing in different attitudes, tricks on chairs and ladders, a burlesque equestrian act by the clown, and lastly, the amazing performance of men piled upon men, or the Egyptian pyramid.

About the same time that the amphitheater was opened, the Royal Circus, which afterwards became the Surrey Theatre, was erected in Blackfriars Road by the elder Dibdin and an equestrian named Hughes, who was described as a man of fine appearance and immense strength.

The place being unlicensed, the lessees had to close it in the midst of success, but a license was obtained, and it was reopened in March seventeen eighty-three.

We can talk a little bit but I don't know because you told me something that was very interesting about and why they maybe had to sell them in a way.

But I mean, we generated like what was it like 110 105 110 million euros in revenue with two young players who have not really played a role at the club like aha was very good and he had a good season but he's not a natural fit in the surrey system he's not a natural left back um he hasn't at least in games tried him out as a center back so it would it would be a case of adaptation and what kun told me is that because ahano was underage when he signed for us he could only sign a maximum of three years so he only had two years left on his contract so it was kind of already a situation of either you extend now or we kind of should sell him now like obviously i would have liked to see him stay at the club but getting almost 50 million for him i think was a good deal and um yeah i i love him as a player i would have kept him but i i think for that money it was it was it was a good decision to sell him

so good deal or not right like there's the business side of things but does any part of either of you feel kind of shitty that we don't have honest ahenor and we lost palestra in the same window

palestra less so a little less so because he he he wasn't really at the club you know what i mean like okay he was he was there for one season but gasperini didn't use him let's not forget that and then his like comments in the summer like um what what is it he said like i'm ready for a big club which is like all he had to say really to meet the signal he has no intention to play for atalanta um was like enough to be like okay yeah then go leave i don't care like he's a very nice player but he wanted to go to chelsea to ruin his career just like i don't know so like i think