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The Source

The Source

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Search complete. 84 mentions across 19 episodes found for "The Source".

Oct 25, 2026

Yojules DJHOST
0:13
That's right, it's very sweet.
Yojules DJHOST
0:14
We talk about the Source Magazine's Bible status that it had back in the day.
Yojules DJHOST
0:18
Specifically, we're talking about the 90s.
Yojules DJHOST
0:20
And we are talking about a group that released an album that went on to be a long-lasting effect, and if you want to call it the hip-hop ripples, we're talking about waves.
Yojules DJHOST
1:44
who don't know again we're talking about the 1993 debut album wu-tang clan enter the wu-tang 36 chambers we are going to be talking about the original album because there's been a bunch of reissues and expanded packs and this that the other we're doing the original nine songs again this is what a 1993 release loud record shout out to loud records Loud Records.
Yojules DJHOST
2:02
We're going to go ahead and get things started.
Yojules DJHOST
2:03
Again, four and a half mic dissections where we talk about the Source Magazine's rating of this album.
Yojules DJHOST
2:08
They gave it a four and a half mic back in the day, in 1993.
Oscar PeñaGUEST
5:34
We met the Beatnuts.
Oscar PeñaGUEST
5:36
We ended up in the Source magazine, stretching by Vito, but always being Uptown representatives.
Oscar PeñaGUEST
5:43
And again, if anyone knows Uptown in the 90s, you know that you got to admit hustling was a way of life.
Oscar PeñaGUEST
5:50
I mean, you walk out your building and everyone's hustling and, you know, including the Patelito lady who's still there.
Oscar PeñaGUEST
7:11
we don't, we don't even know what we did.
Oscar PeñaGUEST
7:13
Right.
Oscar PeñaGUEST
7:13
When you look at it and be like, Two Dominican kids from uptown were on March 97, Source Magazine, Unsigned Hype, that our records had dropped bombs for Funkmaster Flex, that we went up to Stretch and Bobbito, that we did the Lyricist's Lounge, that we was on the Beatnuts album, that, you know, DJ Honda, that did all of this thing.
Oscar PeñaGUEST
7:34
But we were living day to day, and priorities were something different at that time, you know? And it was all about money making.
Spike LouHOST
42:25
So that's when this came out.
Spike LouHOST
42:27
Uh, but I remember this got five mics in The Source too, which-
Animal BrownHOST
42:29
No, it did not.
Animal BrownHOST
42:31
No.
Spike LouHOST
42:31
It didn't? I thought it got five.
Animal BrownHOST
42:32
The third Trill got five mics in The Source.
Spike LouHOST
42:35
What? This, this barbeque in there.
Spike LouHOST
42:37
Third Trill is-
Crazy LegsGUEST
5:48
And to your point about in terms of like, I got to throw you the respect back, because when I first heard your crew, I was blown away.
Crazy LegsGUEST
5:58
And I remember back in the 90s when The Source magazine was reaching out to different people in hip hop, asking them what their top five were.
Crazy LegsGUEST
6:08
Right.
Crazy LegsGUEST
6:09
And your album was in my top five.

1 HR 37 MINS LATER

B-RealHOST
102:44
Chi-Town represent.
C-MinusHOST
102:46
Jeff Rose back.
C-MinusHOST
102:47
I remember seeing for the first time how Cypress looked was at one of the first RSC anniversary in the Source magazine.
C-MinusHOST
102:57
Not sure if I don't think
BertHOST
18:18
Yep, yep.
BertHOST
18:19
Um, so, uh, upon release, the album receives nearly universal acclaim, including the prestigious Five Mics award, uh, from The Source magazine.
BertHOST
18:28
The cover p- uh, features a picture of Nas as a te- child taken just after his father had returned home from playing concerts overseas.
BertHOST
18:36
However, the original album cover concept was to feature Nas holding Jesus Christ in a headlock, a clear reference to the line in Live at the Barbeque, quote, "When I was 12, I went to hell for snuffing Jesus."
BertHOST
20:16
Yep
RyanHOST
20:16
...
RyanHOST
20:16
the one that Bert mentioned earlier, of The Source, he lost everything-
BertHOST
20:23
Yeah
Fakii LiwaliGUEST
7:03
in '96.
Fakii LiwaliGUEST
7:04
So just around the time when I was dropping out of college, um, my sister was also introducing me to, to, to urban, urban music and entertainment through, um, magazines from the US, music magazines from the US, The Source, The Vibe, and all, and that was also the time when these stations were starting.
Barrack BukusiHOST
7:26
Right.
Fakii LiwaliGUEST
7:26
So then I found myself drawn into-
Fakii LiwaliGUEST
7:30
... entertainment, and especially the back end.
Barrack BukusiHOST
7:34
Yeah.
Fakii LiwaliGUEST
7:34
So can I tell you why the back end, uh, briefly? So the, one of the magazines I really latched onto was called The Source magazine.
Fakii LiwaliGUEST
7:44
Um, and it was a monthly magazine.
VegasHOST
10:54
I just didn't go listen.
VegasHOST
10:56
And I think there's probably a pattern here with some of these albums also, where not only sometimes it came down to choices and how much money I had and what I was willing to pay for, but the Source magazine had a huge influence on what I would go get also.
VegasHOST
11:14
If they would give an album of artists I never heard of, and they gave them four mics, and maybe the review was really good and detailed, and it sounded like something I would like, and maybe I heard a single, I would go get it.
VegasHOST
11:33
But it's weird with Souls of Mischief, I love 93 Till Infinity, but I was never compelled to go get the album.

12 MINS LATER

VegasHOST
23:51
One of the reasons why...
VegasHOST
23:53
These albums I talked about, I would consider albums I slept on.
VegasHOST
24:00
Just has a lot to do with hip hop in general, right? And the era is changing for the most part, right? Like those early 90s albums, I was the source magazine and my little $10 and go get the tape.
VegasHOST
24:20
I know everything about the album, time to listen.
Gil RiosGUEST
60:25
Um, I was at the Rolling Stone.
Gil RiosGUEST
60:27
Uh, um, I was in, uh, I was in, uh, one of my videos was in Source Magazine on, uh, um ...
Gil RiosGUEST
60:34
Shout out to Choppa Zoe, 'cause it was his video that got it there.
Gil RiosGUEST
60:37
Mm-hmm.
Jeffrey SledgeHOST
0:24
Today's guest is Jonathan Shecter.
Jeffrey SledgeHOST
0:27
He is a media pioneer and co-founder of The Source magazine, the most influential publication in hip-hop history.
Jeffrey SledgeHOST
0:34
As editor-in-chief, Jonathan built The Source into the defining voice of hip-hop culture.
Jeffrey SledgeHOST
0:39
Being a visionary, he always was at the forefront and intersection of music, culture, and nightlife.
Jeffrey SledgeHOST
0:46
Today, he runs Playback Prodigy.
Jonathan ShecterGUEST
2:04
And you guys, you got
Jeffrey SledgeHOST
2:06
you and Dave would, was still in college at that time.
Jeffrey SledgeHOST
2:09
And you would come down on some weekends and like bring the source like newsletter.
Last ManHOST
20:40
And I'm, and I'm like, "What is that?" I'm listening for that, and then I'm checking for that and finding it.
Last ManHOST
20:44
Next thing you know, I've got it in my headphones and my Walkman, you know what I mean? Things like The Source magazine and other things were very prevalent in trying to find this music for us, because music wasn't readily available like it is now.
L1HOST
20:56
Right.
Last ManHOST
20:56
And, and a lot of times I went off of, of, uh, uh, the album cover.

8 MINS LATER

L1HOST
28:52
Yeah
ReyesHOST
28:52
... um, other things I read-
Last ManHOST
28:53
In, in your research, it, how many mics did it get in The Source?
L1HOST
28:56
I think that got five mics.

9 more episodes mention The Source.

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