The Second Violinist

Mm

... can you afford a computer that is, has enough processing power to hold, to handle the large amounts of video? Um, also if you're working on a really, like when we were, I worked, was working with Jack Phelan on The Second Violinist, um, which was an opera with Enda Walsh and had a huge amount of video in it, but because the video was telling vast swathes of story, there had to be a second computer as a backup computer, which was largely never used, thankfully, but it had to be there.

So it's not just one computer, it's two computers, um, in case there's a failure.

Um, and that was a video wall and, uh, like an LED video wall.